by Kevin McLaughlin

Walker’s Lyric for Strings has the quiet solemnity of Barber’s famous Adagio for Strings, and like that piece, it started life as the second movement from an early string quartet. Walker added the title Lament (later Lyric for Strings) and dedicated it as an elegy to his grandmother. From the first notes the ensemble, led by concertmaster Laura Hamilton, conveyed the right mood and established a bath of tonal beauty that benefitted every piece to come.




Composer Natsumi Osborn remembers the first time she read 



