by Daniel Hathaway
The program notes mentioned that Johannes Brahms and Hans von Bülow enjoyed programming Brahms’s piano concertos, deciding at the last moment who would conduct and who would play piano. Some feat that, but Yefim Bronfman may top it this weekend when he plays both concertos in pairs of concerts over four days with Franz Welser-Möst and The Cleveland Orchestra. [Read more…]
by Daniel Hathaway
Although the second concert of this busy Severance Hall week wasn’t formally part of the Boulez tribute, Friday’s performance fit right in, featuring as it did the premiere of a new work by British composer-conductor Ryan Wigglesworth, and an expedition into one of Gustav Mahler’s more enigmatic and unwieldy symphonies. [Read more…]
by Daniel Hathaway
Though the man of the hour was unable to travel and bask in his celebration, The Cleveland Orchestra’s tribute to Pierre Boulez on Thursday, January 15, was a festive one, warmed by video tributes from long-time Orchestra members and illuminated by thrilling performances of works written or led by the French composer-conductor during his forty-some year relationship with the organization. [Read more…]
by Daniel Hathaway
Pierre Boulez first treated Cleveland Orchestra audiences to Maurice Ravel’s complete ballet music for Daphnis et Chloé in 1970. As part of the orchestra’s 90th birthday tribute to the French composer and conductor who has maintained a long-term relationship with the ensemble, Franz Welser-Möst revisited Ravel’s wonderful score on Thursday evening for the first of three concerts in Severance Hall. Though — as the song goes — the weather outside was frightful, The Cleveland Orchestra and Chorus lit a delightful indoor fire full of sensual warmth and ecstasy. [Read more…]
by Daniel Hathaway
As Johann Sebastian Bach neared the end of his career, he took care to put his musical legacy in order, making archival-quality copies of Passions and completing what his son, C.P.E. Bach, called his “grosse catholische Messe.” [Read more…]
by Carlyn Kessler
On Friday, October 10, The Cleveland Orchestra presented its first Fridays@7 concert of the 2014-15 season. Creating a more informal concertgoing experience, these concerts feature an earlier start time and shorter duration bookended by pre- and post-concert non-classical music, organized by world percussion luminary Jamey Haddad. [Read more…]
by Daniel Hathaway
The Cleveland Orchestra built its second subscription weekend around the phenomenal Chinese pianist, Lang Lang, who treated Severance Hall audiences to Richard Strauss’s Burleske on Thursday and Friday evenings and Sunday afternoon, Chopin’s Andante spianato & Grand Polonaise brillante on Thursday and Sunday, and no doubt blew the patrons of the Orchestra’s annual benefit evening away with the first Tchaikovsky concerto on Saturday. [Read more…]
by Daniel Hathaway
In conjunction with performances of J.S. Bach’s Mass in B Minor (October 16 and 18) and one of his solo cantatas by soprano Yulia van Doren (October 23, 24 & 24), The Cleveland Orchestra, Cleveland Orchestra Chorus and Youth Chorus will offer a free concert of the Kyrie and Gloria from the Mass at St. John’s Cathedral in downtown Cleveland on Friday, October 17 at 8:00 pm, and a “Make Music! Marathon” at Severance Hall on Saturday afternoon, October 18. [Read more…]
by Daniel Hathaway
The opening night program for a symphony orchestra season is usually the occasion for an extra bit of celebration. In the case of The Cleveland Orchestra, a Beethoven symphony (other than the ninth) and three Ravel pieces looked on paper like mid-season repertory. But on Saturday, Franz Welser-Möst and the ensemble, fresh off a European tour, blew a capacity Severance Hall audience away with stunningly fresh performances of well-known pieces that seemed newly-minted for the occasion.
The Cleveland Orchestra announced on October 2 that its music director, Franz Welser-Most, has extended his contract until 2022, reaching beyond the Orchestra’s centennial season (2017-2018) and, at the end of 20 years, becoming its second longest-serving music director after George Szell.
The Orchestra noted that Welser-Möst is looking forward to increasing the institution’s emphasis on education and community engagement.
Describing the special qualities of the region, Welser-Möst said, “We have a highly sophisticated audience in Northeast Ohio…whose enthusiasm for their hometown orchestra is matched by their understanding of the work and support needed to maintain such an ensemble.”
Of the orchestra itself, Welser-Möst said, “I love the spirit of The Cleveland Orchestra, and there is no greater joy for me than collaborating with these musicians. Their collective dedication to excellence at every performance is inspiring and humbling.”