by Daniel Hathaway
On October 14 in Finney Chapel, Canadian violinist James Ehnes took Oberlin’s 1722 Stradivarius on the first public outing since its complete restoration. Leavening distinguished playing with laid-back humor, his splendid recital with pianist Andrew Armstrong on the Oberlin Artist Recital Series put the famous fiddle through its paces in music by Beethoven, Ravel, Brahms, and John Corigliano. It was a delightful way to spend a Sunday afternoon. [Read more…]
by Mike Telin
Without a doubt, James Ehnes is one of the nicest people you could ever meet. “How are you today, thanks for calling,” the Canadian violinist said, answering his cell phone in Nashville. “I’m really looking forward to getting back to Oberlin. And of course, under these special circumstances with the unveiling of this violin, it’s going to be a nice occasion.”
On Sunday, October 14 at 2:30 pm in Finney Chapel, James Ehnes will make a return visit to the Oberlin Artist Recital Series along with pianist Andrew Armstrong. Their program will feature the earliest published works by Beethoven, Ravel, Brahms, and Corigliano. And the “unveiling of this violin” he mentioned refers to the recently restored 1722 ‘ex-Vallot’ Stradivarius instrument owned by Oberlin, on which he’ll be performing. Tickets are available online.
Sunday’s concert will mark the first public hearing of the ‘ex-Vallot’ in nearly two decades, and since its complete restoration by the Chicago-based restorer John K. Becker. Ehnes’ invitation to perform on the instrument came from the conservatory’s long-time professor of violin Marilyn McDonald, who has known Ehnes since his teenage years, when he spent his summers performing at the Peninsula Music Festival in Wisconsin. “I think I’ve known Marilyn for over 20 years,” Ehnes recalled. “She’s a special woman and it’s always nice to spend time with her.” [Read more…]
by Mike Telin
Sometimes personalities and musical sensibilities among members of a chamber music ensemble just seem to click. Such is the case with the acclaimed Jerusalem Quartet, who first came together while still in high school. But in a 2015 interview with ClevelandClassical.com, violinist Alexander Pavlovsky said that at that time, becoming a world-class string quartet was the furthest thing from their minds. “We did not think a lot about the future. We were only concentrating on building a repertoire and enjoying every moment of being part of such an amazing ensemble.”
On Tuesday, October 2 at 7:30 pm at Plymouth Church in Shaker Heights, the Cleveland Chamber Music Society will inaugurate their new season with a return visit by the Jerusalem Quartet — Alexander Pavlovsky and Sergei Bresler, violins, Ori Kam, viola, and Kyril Zlotnikov, cello. The program includes Beethoven’s Quartet in a, Op. 18, No. 5, Ravel’s Quartet in F, and Shostakovich’s Quartet No. 3 in F, Op. 73. CWRU professor David J. Rothenberg will give a pre-concert lecture beginning at 6:30. Tickets are available online.
Tuesday’s concert will mark the Quartet’s fifth appearance on the CCMS series since 2010 — the last was in March of 2017. Looking back at that 2015 interview, we thought it would be nice to re-share some of Alexander Pavlovsky’s responses to questions he graciously agreed to answer by email.
by Daniel Hathaway
French conductor Stéphane Denève and Canadian violinist James Ehnes proposed a multi-course repast of the music of Sergei Prokofiev for Cleveland Orchestra audiences the weekend of October 27-29. Happily, that Russian composer’s music enjoys enough inner variety and contrast to make a well-balanced menu, especially when served up with equal measures of brilliance and nuance. [Read more…]
by Mike Telin
As The Cleveland Orchestra gears up to launch its fall Severance Hall season, we caught up with Ross Binnie, the Orchestra’s Chief Marketing Officer, and asked him to give his insights into the array of programs. He described them as “a blend of the curious and the familiar which will be wonderful for the audiences.”
The season kicks off on September 29 and 30 when Franz Welser-Möst leads performances of Ives’s Symphony No. 3 (“The Camp Meeting”) and Sibelius’s Symphony No. 2. And organist Paul Jacobs (below) will make his Cleveland Orchestra debut as soloist in Copland’s Symphony for Organ and Orchestra. [Read more…]
by Nicholas Jones
Saturday’s Cleveland Orchestra concert at Blossom graced the kind of crystalline evening for which summer festivals were created. As I drove to the concert through the Cuyahoga Valley National Park, its lush meadows already half in shadow and half in sun, I could hear in my head the idyllic opening of Samuel Barber’s Violin Concerto, almost as summer-drenched as one could imagine a piece of music to be.