by Stephanie Manning

On March 16, Daniel Gilbert sat facing a packed crowd at the Temple Tifereth-Israel with a B-flat, A, and bass clarinet all laid out in front of him. The work he was about to embark on with conductor Joel Smirnoff and the CityMusic Cleveland Chamber Orchestra was also a little unusual — but in a very intriguing way.




On Saturday, June 11, four years after Opera Circle Cleveland first took on Il trovatore at Bohemian National Hall, the company revisited the opera — one of Verdi’s most popular titles — at the Ohio Theatre in PlayHouse Square. A strong cast of singers and a fine professional orchestra led by Joel Smirnoff lifted the production well above some shortcomings of staging. 


The Cleveland Institute of Music Orchestra opened its CIM @ Severance series on Wednesday evening, October 1, with a single work on the program: Gustav Mahler’s Symphony No. 5 in C-sharp minor, conducted by CIM president Joel Smirnoff. The performance was highly competent. I often had to remind myself that this was a conservatory orchestra, and there was a high probability that this was the first time that many of the students had performed this monster work.
Cleveland based violinist Jinjoo Cho has been named one of six contestants to be advanced to the final round of the 9th Quadrennial International Violin Competition of Indianapolis. 
Beethoven’s Symphony No. 9 in d (“Choral”) stood alone on the program as a symbol of brotherhood and joy in a concert entitled A Celebration of Community at Severance Hall last Friday evening, March 28. Cleveland Institute of Music president Joel Smirnoff conducted the CIM Orchestra with the combined forces of vocal soloists from CIM and the community, Cleveland School of The Arts instrumentalists (Dianna Richardson, department head and director of the orchestral program) and chorus (William B. Woods, choir director), The Singers’ Club of Cleveland (Dr. Melvin P. Unger, choral director) and members of The Antioch Baptist Church Sanctuary Choir. 