by Peter Feher
In 1715, the French composer Jean-Féry Rebel had the shrewd idea of combining the most popular Baroque dances of his day into a single crowd-pleasing piece. Les Caractères de la Danse was a hit with Parisian audiences, thanks in large part to the thrill that accompanies recognition.
Modern listeners can surely relate, even if they might struggle to tell a minuet from a musette or a gigue from a gavotte. Take Rebel’s concept, but swap in the music and moves of “Y.M.C.A.” or “Kung Fu Fighting,” and you have “Evolution of Dance,” one of the first viral videos in internet history.
Ailurophiles rejoice! There’s a new opera in town, created as many French Baroque titles were back in the day, out of bits and pieces of existing material, and the principal character is a large feline. (It’s actually a princess seeking to be rehumanized through the traditional heroic means of fulfilling a series of impossible challenges or quests.)
For centuries the fairy tale of Puss in Boots, the wily cat who stops at nothing to gain power and wealth for his penniless master, has been a source of inspiration for composers and choreographers.
There’s something so engaging about watching Handel’s Messiah performed live — especially in the capable hands of Apollo’s Fire and Apollo’s Singers. The movement of the instrumentalists, the stage presence of the singers, and the enthusiastic response from the audience all elevate the experience of listening to this familiar music. On the evening of December 8 at Federated Church in Chagrin Falls, guest conductor Nic McGegan led the ensemble in a breathtaking performance of one of Handel’s cornerstone works.
A long-overdue collaboration between two of the area’s eminent chamber ensembles yielded divine results when Les Délices and Quire Cleveland came together on Saturday, April 28 at Lakewood Congregational Church for “Let the Heavens Rejoice!” The program showcased celebratory French Baroque psalms for 22 voices, 14 instruments, and a quartet of vocal soloists, all under the direction of guest conductor Scott Metcalfe.
