by Nicholas Stevens
Éliane Radigue creates works that often suit the gallery better than the concert hall. Best known for drone compositions of almost cosmic proportions — OMNHT, her current installation at MOCA Cleveland, runs for several decades before looping — her works tend to defy conventional notions of performance. But last week, Northeast Ohio concertgoers took in a rare experience: hearing some of Radigue’s recent acoustic works for live performers, while seated inside the installation.