by Daniel Hathaway

Marking its 50th year, the competition got underway in February, when 55 contestants selected for its first round played in Cleveland and Paris.
The semifinalists will come to Cleveland this summer for three weeks of free public performances and ticketed competition events between July 28 and August 10, culminating in concerto performances with The Cleveland Orchestra and the bestowing of awards including the $75,000 Mixon First Prize.
This time around, the competition has revised its guidelines to allow contestants to play a broader range of repertoire. [Read more…]






When the first notes sounded in Mixon Hall on August 7, the star of the afternoon’s program was nowhere to be seen. Stanislav Khristenko would only sneak onstage after the fourth movement of Schubert’s “Trout” Quintet had already started. It was a playfully modest entrance — that is, until he took up the theme in this sparkling set of variations for piano and strings.
Pianist Michelle Cann freely admits she was as unaware as everyone else about the music of Florence Price until a trove of Price’s compositions turned up in the composer’s former summer home in Chicago in 2009.
Because it usually takes itself so seriously, classical music is a sitting duck for parody and satire. But the art form also has a divinely installed funny bone that allows its artists to lampoon themselves and their craft, even while producing high quality performances.
Local audiences may remember Stanislav Khristenko from his electrifying performances at the 2013 Cleveland International Piano Competition, where his performance of the Brahms Concerto No. 1 with The Cleveland Orchestra helped him to take home the grand prize. This summer, competition organizer Piano Cleveland has invited him back to perform as part of the inaugural PianoDays @CLE.
Mikey Silas, of Apostle Jones fame, is proud of what he and his band have been able to accomplish in such a short period of time. Formed in late 2018, Apostle Jones has been on an impressive run in the Cleveland music scene like no other. Over the last four years, they have managed to release a studio EP as well as four live performance compilations.