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ChamberFest Cleveland: a chat with Zlatomir Fung

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by Daniel Hathaway

Photo Credit: I-Jung Huang

Bearing a name that reflects his Bulgarian-Chinese heritage, 21-year-old cellist Zlatomir Fung scored a big victory in the 2019 XVI International Tchaikovsky Competition, becoming the first American in forty years to win Gold — and the youngest contestant ever to earn that distinction in the Russian contest.

Fung will make his first visit to Cleveland this week to play six works in the first four concerts of ChamberFest Cleveland. “I’ve worked with Roman Rabinovich and New York’s Jupiter Symphony Chamber Players. We’d been hoping for a few years that I could come, and now it’s finally panned out,” he said in an early morning phone call on Tuesday before heading off to a rehearsal.

ChamberFest will keep Fung busy during his sojourn in Cleveland. He’s slated to play Paul Wiancko’s American Haiku with violist Dimitri Murrath, Schubert’s Trio No. 2 with violinist Itamar Zorman and pianist Shai Wosner, Ernö Dohnányi’s Piano Quartet No. 2 with Zorman, violinist 
Diana Cohen, Murrath, and Wosner, Alexander Zemlinsky’s Clarinet Trio, Op. 3
 with Franklin Cohen and pianist Roman Rabinovich, Coleridge-Taylor Perkinson’s Lamentations Suite
 for cello solo, and Ravel’s Sonata for Violin and Cello with Zorman.

[Read more…]

ChamberFest Cleveland — 
Together Again

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by Mike Telin

Since its debut season in 2012, ChamberFest Cleveland has been guided by a single idea — to create a family of musicians and audiences who come together to share their love of chamber music. And like so many families who were separated due to the pandemic, so was the ChamberFest family. 

Earlier this week, Festival co-artistic directors Diana and Franklin Cohen announced that the “chamberhood” will come together again June 9-26 with free, safe, family-friendly outdoor concerts, allowing as many as possible to experience the healing power of live music.

Around the theme of Together Again, the majority of the Festival’s concerts will be held at The Grove Amphitheatre, 425 N. Commons Blvd. in Mayfield. Click here for details and here for reservations (required). Audiences should bring a lawn chair or blanket as the venue has no permanent seating. Enhance your evening by bringing a picnic or ordering take-out from a local restaurant. The responsible consumption of alcohol is permitted. In case of rain, concerts will be moved to St. Paschal Baylon Church in Highland Heights (also the venue for the Festival’s final concert.)

“We can’t wait to share music with the community,” longtime ChamberFest pianist Roman Rabinovich said by telephone. “These times have made it clear about what is important in music — and that is the sharing part.”

[Read more…]

Rising Stars steal the show at ChamberFest’s Folklorica (June 23)

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by Rory O’Donoghue

There are rare, perfect moments in chamber music where minds meld and hearts coalesce in beautiful synergy. Violinist Nathan Meltzer and pianist Evren Ozel, both young phenoms, did just that with their pre-concert performance of Franck’s Violin Sonata during ChamberFest Cleveland’s Folklorica on Sunday, June 23 in CWRU’s Harkness Chapel. On an afternoon packed with stellar musicianship, the two distilled Franck down to its exquisite essence. I doubt I will ever hear a better rendition.  [Read more…]

ChamberFest Cleveland: “Hungary for Music” (June 25)

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by Daniel Hathaway

For its eighth program on June 25, ChamberFest gathered four wildly different pieces under the banner of “Hungary for Music.” Works by Franz Liszt, Peter Eötvös, Johannes Brahms, and Ernst von Dohnányi received definitive performances on Friday evening in CIM’s Mixon Hall. [Read more…]

ChamberFest Cleveland: “Sei Solo” at Mixon (June 22)

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by Timothy Robson

There was a full house at CIM’s Mixon Hall on Saturday evening June 22, despite numerous travails of parking due to construction and the Art Museum’s Summer Solstice event. But the hassle was worth it for Sei Solo (You Are Alone), a program of music by composers under the influence of loss. The selection of familiar and unfamiliar works is a hallmark of Chamberfest Cleveland and Saturday’s performance included works by J.S. Bach, John Cage, Mendelssohn and Brahms. [Read more…]

ChamberFest Cleveland stuns with season opener (June 13)

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by Rory O’Donoghue

ChamberFest Cleveland descended from the heavens with “Under the Influence,” the inaugural concert of its eighth season on June 13 in CIM’s Mixon Hall. Exquisite interpretation, unparalleled finesse, and delightful music-making tied the evening’s selections together in performances of simply the highest caliber. [Read more…]

ChamberFest Cleveland: “Mozart the Giant” (June 20)

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by Daniel Hathaway

Mozart the influencer was documented in music for winds by Beethoven and Poulenc for ChamberFest Cleveland’s fifth program on Thursday, June 20 in CIM’s Mixon Hall, while the notion of “Mozart the Giant” was affirmed by the composer’s own String Quintet in D. The first part of the evening was distinguished by elegant wind playing every bit as refined as what you would expect from a world-class string quartet, yet fully capable of incisive punctuation when the music called for emphatic gestures.

[Read more…]

ChamberFest Cleveland: “Turning/Tipping Points” at Mixon (June 15)

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by Daniel Hathaway

Pivotal moments in the lives of composers linked works by Louise Farrenc, Paul Hindemith, and Johannes Brahms for ChamberFest Cleveland’s third concert on Saturday, June 15 in CIM’s Mixon Hall. But that program was prefaced by Adam Golka’s new arrangement of Debussy’s La mer for two pianos, an hors d’oeuvre that could easily have been served up as a main course. [Read more…]

ChamberFest Cleveland: talking Cage with Rabinovich

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by Jarrett Hoffman

This weekend a collection of carefully placed screws, bolts, and pieces of wood, cloth, and rubber will make the Steinway in CIM’s Mixon Hall sound less like a piano and more like an ensemble of percussion instruments.

For that we can thank two men: John Cage for inventing the prepared piano (in which objects placed among the strings alter the sound of the instrument), and Roman Rabinovich for playing Cage’s The Perilous Night on Saturday, June 22 during a 7:30 pm concert titled “Sei Solo (You Are Alone),” the sixth of the season for ChamberFest Cleveland.

The sounds that emerge from the instrument will surprise even the man looking down at the keys. “When you get to the prepared piano, it kind of blows your mind because nothing comes out the way you expect,” Rabinovich, winner of the 12th Arthur Rubinstein International Piano Master Competition, said during a recent interview. “It’s a beautiful effect and a very interesting way to approach the instrument.”

[Read more…]

June 15 ChamberFest concert prelude to present Golka’s Debussy arrangement

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by Rory O’Donoghue

For pianist Adam Golka, arranging should be organic. Along with his good friend Roman Rabinovitch, he’ll perform his new arrangement of Debussy’s luminous La mer for two pianos on Saturday, June 15 at 6:45 pm in Mixon Hall as a prelude to ChamberFest’s Turning/Tipping Points.

“For many years I was in love with La mer and I yearned for a way to perform it,” Golka said by email, “and though I played around with the idea, it became clear that a two-hand solo version would have too many compromises. There is no way one pianist could bring out all the gorgeous textures and layers of the orchestral score, and each detail is so utterly exquisite.”

La mer premiered in Paris in 1905 to a middling reception, but gained traction over the next few years and secured an enduring place in the orchestral canon following its second Parisian outing in 1908. Its evocative movement titles — “De l’aube à midi sur la mer” (“From dawn to midday on the sea”), “Jeux de vagues” (“Play of the Waves”), and “Dialogue du vent et de la mer” (“Dialogue of the wind and the sea”) — offer ample room for interpretation, and Debussy’s deliberate avoidance of calling it a “symphony” in favor of “three symphonic sketches” all contribute to the work’s enigmatic beauty. [Read more…]

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