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June 15 ChamberFest concert prelude to present Golka’s Debussy arrangement

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by Rory O’Donoghue

For pianist Adam Golka, arranging should be organic. Along with his good friend Roman Rabinovitch, he’ll perform his new arrangement of Debussy’s luminous La mer for two pianos on Saturday, June 15 at 6:45 pm in Mixon Hall as a prelude to ChamberFest’s Turning/Tipping Points.

“For many years I was in love with La mer and I yearned for a way to perform it,” Golka said by email, “and though I played around with the idea, it became clear that a two-hand solo version would have too many compromises. There is no way one pianist could bring out all the gorgeous textures and layers of the orchestral score, and each detail is so utterly exquisite.”

La mer premiered in Paris in 1905 to a middling reception, but gained traction over the next few years and secured an enduring place in the orchestral canon following its second Parisian outing in 1908. Its evocative movement titles — “De l’aube à midi sur la mer” (“From dawn to midday on the sea”), “Jeux de vagues” (“Play of the Waves”), and “Dialogue du vent et de la mer” (“Dialogue of the wind and the sea”) — offer ample room for interpretation, and Debussy’s deliberate avoidance of calling it a “symphony” in favor of “three symphonic sketches” all contribute to the work’s enigmatic beauty. [Read more…]

ChamberFest Cleveland 2019: Under the Influence

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by Mike Telin

Since bursting onto the scene in 2012 with its Big Bang!, ChamberFest Cleveland has established itself as an organization of the highest musical integrity with a seemingly endless number of themed programs. Looking through the archives of this publication, it’s fascinating to see the imaginative and clever way the Festival has reinvented itself each year.

But a closer look reveals that ChamberFest’s mission, “to nurture a deep family-like connection between musicians and audiences of all ages,” has never waned. In summing up the 2016 season, ClevelandClassical.com critic Neil McCalmont noted, “Technical prowess, fierce dedication, and the cultivation of friendships all contribute to ChamberFest’s captivating concerts, which keep audiences coming back season after season.”

Season 8, titled Under the Influence, considers the factors that inspire and influence composers. Cutting-edge pieces by John Adams, John Cage, and Steve Reich will anchor works by other classical composers. Pre-concert talks will be held prior to most concerts and are open to the public. Tickets and subscriptions are on sale now and range in price from $15 to $40. For concert details and additional information, call (216) 471-8887 or visit www.chamberfestcleveland.com.

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ChamberFest Cleveland announces Season Eight

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ChamberFest Cleveland, the celebrated summer music festival founded by Franklin Cohen, principal clarinet emeritus of The Cleveland Orchestra, and his daughter, Diana Cohen, concertmaster of The Calgary Philharmonic, returns to the Cleveland scene with Season 8, “Under the Influence.” The festival will take place from June 13 through June 29, 2019, at venues throughout Greater Cleveland, and will include nine concerts plus a special late-night electronic violin performance at The Wine Spot on Lee Road in Cleveland Heights.

Concerts kick off on Thursday, June 13 at 7:30 pm at Mixon Hall. ChamberFest will also make stops at Cleveland State University’s Drinko Hall, the Cleveland Museum of Art’s Gartner Auditorium, and Harkness Chapel on the campus of Case Western Reserve University.

ChamberFest will welcome back many favorite musicians in addition to Co-founders and Co-artistic Directors, Franklin and Diana Cohen. Yura Lee, Alexi Kenney, Oliver Herbert, Peter Wiley, Roman Rabinovich, Julie Albers, Amy Schwartz Moretti, and more will join new artists including Israeli Philharmonic principal oboe Dudu Carmel and Finnish pianist Juho Pohjonen. Four up-and-coming players will take part in ChamberFest’s “Rising Stars” program.

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ChamberFest Cleveland: Dawn of a Revolution (June 30)

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by Mike Telin

ChamberFest Cleveland wrapped up its seventh season with an excellent concert on Saturday, June 30 at the Maltz Performing Arts Center. “Dawn of a Revolution” included works by Claude Debussy, a world premiere by Sebastian Chang, and a musical tapestry woven with inspired new choreography by David Shimotakahara. [Read more…]

ChamberFest Cleveland: “Behind Bars” at Reinberger (June 29)

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by Timothy Robson

In the penultimate concert of their 2018 season, ChamberFest Cleveland offered the program “Behind Bars” on Friday, June 29 in Reinberger Chamber Music Hall at Severance Hall. The title was a reference to twentieth-century composer, organist and teacher Olivier Messiaen, who was being held in a German POW camp in 1940 when he composed his Quartet for the End of Time. That work received a searingly intense performance on the second half of the program, rendering the music that preceded it almost trivial by comparison. [Read more…]

ChamberFest Cleveland Concert 6: “Forging New Paths” at Mixon (June 23)

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by Nicholas Stevens

“Forging New Paths,” the title of ChamberFest Cleveland’s sixth concert this season, refers to a time when critics feared that classical music was dying. In an article titled “New Paths,” Robert Schumann predicted that his young colleague Brahms would become German art music’s savior. The unstated premise was that it needed one. [Read more…]

ChamberFest Cleveland Concert 5: “A Turn in the Road” at Mixon (June 21)

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by Nicholas Stevens

In the fifth concert of this year’s ChamberFest Cleveland season, programming took “A Turn in the Road” amid the festival’s theme of searching for freedom. Three trios played works by Alban Berg, George Crumb, and Antonín Dvořák, each of whom sought liberation from aesthetic constraints in some way. The resulting musical experience on June 21 in the Cleveland Institute of Music’s Mixon Hall had remarkable stylistic and sonic range. [Read more…]

Cryptogenic Infrastructure Fantasy: composer Sebastian Chang explains all

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by Mike Telin

Every composer has their own way of approaching their craft. “When I write a piece, whether it’s for orchestra or chamber ensemble, I want everybody to have a moment in the spotlight,” Sebastian Chang said during a telephone conversation. “Most of the time that works out great and results in something that is fun to play. But when Alex asked me to write a timpani part, that pretty much changed everything.”

On Saturday, June 30 at 7:30 pm at the Maltz Performing Arts Center, clarinetist Franklin Cohen, violinist Diana Cohen, timpanist Alexander Cohen, and pianist Roman Rabinovich will perform the world premiere of Chang’s Cryptogenic Infrastructure Fantasy (CIF) as part of ChamberFest Cleveland’s season finale. “Dawn of a Revolution” will also include Debussy’s Violin Sonata, and David Shimotakahara’s choreography of selections from Ligeti, Beethoven, Ravel, Pärt, Shostakovich, and Ginastera, performed by GroundWorks Dance Theater. Tickets are available online.

Chang, who serves as pianist and resident composer for the Louisville Orchestra, began writing CIF with a mission to correct an injustice that orchestral timpanists often experience. “They usually rest for 300 bars, then play a single note just to punctuate a big moment. They don’t get a lot of time in the spotlight and I wanted to fix that with this composition.”

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The End of Time: ChamberFest performers discuss Messiaen’s Quartet

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by Jarrett Hoffman

Drafted into the French army at the start of World War II, Olivier Messiaen soon found himself captured by the Germans and held at the prisoner-of-war camp known as Stalag VIII-A. There, a guard with a love of music provided the composer with the necessities of his craft — paper, pencils, erasers, and a quiet place to work — and he set about writing his Quatuor pour la fin du temps, which he and three fellow musician-prisoners would premiere in the camp’s Barrack 27.

You can’t overstate the contrast in time and place between that barrack at Stalag VIII-A in Görlitz, Germany, 1941, and Reinberger Chamber Hall at Severance Hall in Cleveland, Ohio, 2018. But perhaps the two settings will be linked by some small thread on Friday, June 29 at 7:30 pm, when Reinberger plays host to ChamberFest Cleveland’s concert titled “Behind Bars” — and four performers close out the evening by contending with those marks on paper that comprise Quartet for the End of Time.

Taking on that eight-movement work will be violinist Noah Bendix-Balgley, clarinetist Franklin Cohen, cellist Julie Albers, and pianist Roman Rabinovich. I reached the string players and pianist by phone and by email to talk about a few specific movements and how they plan to interpret the work as a whole. Selections from our separate conversations are presented here in a roundtable format.

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ChamberFest Cleveland Concert 2: “The Independent Spirit” (June 16)

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by Daniel Hathaway

Rabinovich pc balazs boroczAlthough ChamberFest Cleveland dubbed its third concert “The Independent Spirit,” it might just as aptly have been titled “The Indefatigable Pianist” in honor of Roman Rabinovich. He spent the entire evening at the keyboard on Saturday, June 16 in Mixon Hall, flawlessly spinning out one elegantly articulated phrase after another. [Read more…]

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