by Daniel Hathaway
Francis Poulenc’s inspiring and disturbing story of the sixteen Carmelite nuns of Compiègne who perished at the guillotine in 1794 during Robespierre’s Reign of Terror during the French Revolution received a laudable performance by Baldwin Wallace Opera Theater on Friday, February 24. [Read more…]
by Mike Telin
The presentation of new and recently composed operas has been part of Cleveland Opera Theater’s mission since it was founded in 2006. Beginning on Friday, January 20, the company will launch its first festival dedicated to new opera works.
Scott Skiba, executive artistic director of COT, said that this year’s {New Opera Works} Festival features works that are in the beginning, middle, and ending stages of development. “Federico García Lorca’s final play, The House of Bernarda Alba, is in the initial stages of being adapted into an opera, and there will be a reading of the English translation by Lorca scholar Caridad Svich,” Skiba said during a recent interview.
Representing the middle period of development will be a preview of Scene Three from composer Nkeiru Okoye’s and librettist David Cote’s new opera We’ve Got Our Eye on You. “This will be a teaser of the complete opera, which will be presented during next year’s {NOW} Festival,” Skiba said. A recently completed work at the Festival will be Amelia Lost, a new opera by Larry Delinger and Brad Carroll which had its world premiere in Knoxville back in 2014 (pictured above). [Read more…]
by Robert Rollin
Opera Western Reserve’s tradition of giving only one annual performance has always insured a substantial turnout. This year’s crowd was as large and enthusiastic as ever for Georges Bizet’s Carmen on Friday, November 11 at Youngstown’s Stambaugh Auditorium. [Read more…]
by Daniel Hathaway
November became Northeast Ohio’s unofficial Opera Month as a number of institutions unveiled productions during the first two weeks. Particularly dense was the weekend of November 4-6, when Opera Circle Cleveland, Kent State Opera, and Baldwin Wallace Opera Theater — in cooperation with Cleveland Opera Theater — all brought titles to the stage. [Read more…]
by Daniel Hathaway
Youngstown’s Stambaugh Auditorium will successively become a cigarette factory, a tavern, and a bull-ring on Friday evening, November 11 at 7:30 pm, when Opera Western Reserve stages this year’s production: Georges Bizet’s Carmen. “We’re very happy that Stambaugh is our home,” production director David Vosburgh said in a recent telephone conversation. “It’s a beautiful facility — I refer to it as that Parthenon on the Hill — and it has world-class acoustics.”
One of the founders of Opera Western Reserve thirteen years ago, Vosburgh has a long list of credits as a singer, director and designer for opera companies and Broadway shows. This season, he will be designing his second production of Carmen for the Youngstown company. [Read more…]
by Daniel Hathaway
Opera fans in Northeast Ohio will enjoy a bumper crop of productions this harvest-time. Six shows, two of them double-bills, will open between November 2 and 11. We’ll be running separate previews for Oberlin Opera Theater’s Donizetti/Poulenc evenings (November 2,4, 5, and 6), for CIM Opera’s Puccini/Menotti performances (November 9-11) and for Opera Western Reserve’s single performance of Carmen (November 11).
But let’s take a look at the busiest opera weekend of the year. Baldwin Wallace’s Serse, Kent State Opera’s scenes from The Magic Flute, and the first pair of a dozen performances of Mascagni’s Zanetto by Opera Circle Cleveland, plus the remaining Oberlin Opera performances, all fall on the weekend of November 4-6. With some astute planning, you can catch a performance of each of them. Here’s a rundown of the BW/COT, Kent State, and Opera Circle productions. [Read more…]
by Nicholas Jones
Puccini’s La bohème, probably one of the world’s most performed operas, packs a wallop pretty much every time you hear it. This weekend at Cleveland Opera Theater, that was again the case for me. But the emotional ending isn’t the whole of the opera. In its first three acts (and even in the opening of the fourth), La bohème often seems more comic than tragic, more boisterous than tender. Perhaps its mix of contraries, not just its sentiment, is what makes it so powerful. [Read more…]
by Mike Telin
On Friday, April 29 at 7:30 pm and Sunday, May 1 at 3:00 pm at Masonic Auditorium Performing Arts Center, Cleveland Opera Theater will present Giacomo Puccini’s La bohème, directed by Scott Skiba. Conducted by Domenico Boyagian, the opera will be sung in Italian with English subtitles.
“It’s going to be an exciting production,” Skiba said during a recent conversation. “It’s easy to take it for granted and say, yeah, it’s La bohème, but when you’re working on it and discovering new things in it, it just strikes you how rich it is at every turn. And Puccini’s music is so wonderful. At every rehearsal I look over at Domenico and say ‘This music is so good!’” [Read more…]
by Mike Telin
“La bohème is just a winner,” Cleveland Opera Theatre founder Andrea Anelli said during a rehearsal break at Masonic Auditorium. “It was the first opera the company ever put on. We did it at the Beachwood Middle School Auditorium — semi-staged, no chorus, and just with a piano,” Anelli recalled. “It’s really exciting to see the growth of the past ten years in circling back to that opera, but now doing it with full chorus and full orchestra. It’s a fantastic feeling.”
On Friday, April 29 at 7:30 pm and Sunday, May 1 at 3:00 pm at Masonic Auditorium Performing Arts Center, Cleveland Opera Theater will present Giacomo Puccini’s beloved La bohème, directed by Scott Skiba and conducted by Domenico Boyagian. Lisa Yanofsky is the assistant director. The opera will be sung in Italian with English subtitles. [Read more…]
by Daniel Hathaway
With characters like Stanley Kowalski and Blanche Dubois, its setting in the French Quarter of New Orleans in the 1940s, and its subplots of sensuality, delusion, and madness, Tennessee Williams’s play A Streetcar Named Desire makes it a shoo-in for operatic treatment. Composer André Previn and librettist Philip Littell took that task on in 1995, and Cleveland Opera Theater chose their adaptation of Streetcar for its second show at the Masonic Performing Arts Center, mounting a production that was admirable for its ambition and impressive in its results. [Read more…]