by Mike Telin

COT’s artistic director Scott Skiba recalled his first experience with the work, which was premiered at San Francisco Opera in 1998. “I remember sitting in the Oberlin Conservatory library watching it on a LaserDisc,” he told me over breakfast at a popular Ohio City café. “At first I wasn’t sure what to think of it, but nevertheless I found it interesting.”
The idea of producing Streetcar has been in discussion at COT for a few years, but when a reduction of the orchestra score was completed, taking the number of players down from 70 to 40, it suddenly became realistic to mount a production. [Read more…]





When gearing up for an opera production, one of the most exciting times is the day the production moves from the rehearsal room into the performance space. Last Saturday afternoon, May 2, a group of invited guests got the chance to witness Cleveland Opera Theater’s first day in the auditorium of the Cleveland Performing Arts Center, where on Friday, May 8 at 7:30 pm and Sunday, May 10 at 3:00 pm the company will present its most ambitious production to date, Puccini’s Tosca.
Opera Per Tutti, founded by Andrea Anelli in 2006, made the bold announcement in December of 2014 that it would re-brand itself as Cleveland Opera Theater. The change was made with one purpose in mind: to create a sustainable model for an opera company in the 21st century in Cleveland. This is the first of three articles that will examine the many exciting endeavors the company is undertaking to make its vision to reality.
Opera Per Tutti, founded in 2006, announced last Friday that they were “rebranding” themselves as Cleveland Opera Theater. In a brief press release the company stated that:
Since the demise some years ago of Opera Cleveland and Lyric Opera Cleveland, opera performances in Cleveland have been few and far between. Several plucky companies, including Opera per Tutti, have popped up in the last few years, offering small-scale productions, often of more unusual repertoire. 

When Gilbert & Sullivan’s Pirates of Penzance premiered in New York on December 31, 1879, the two-act comic opera was immediately popular with audiences and critics alike. Today Pirates remains one of Gilbert & Sullivan’s most-performed operas. This weekend,
Opera is fun! Even if in the end all parties do not live happily ever after. Still, when everything works during a performance, when it all comes together, one would be hard pressed to find a more entertaining way to spend three hours than at the opera.