by Mike Telin

However, it was pianist Shai Wosner’s imaginative interweaving of sonatas by Italian Baroque composer Domenico Scarlatti with sonatas by American composer Frederick Rzewski that got things off to a fascinating start. [Read more…]
by Mike Telin
by Mike Telin

However, it was pianist Shai Wosner’s imaginative interweaving of sonatas by Italian Baroque composer Domenico Scarlatti with sonatas by American composer Frederick Rzewski that got things off to a fascinating start. [Read more…]
by Daniel Hathaway

Based on recent events, its new designation might well be “Chamber Music Way” in honor of the fine performances that are taking place this month at Gilmour Academy in Gates Mills and The Grove Amphitheatre in Mayfield, courtesy of ENCORE Chamber Music Institute and ChamberFest Cleveland, respectively. In addition to the distinction of presenting some of the first in-person performances to come onto the calendar since the pandemic, both organizations were making their debuts in new venues. [Read more…]
by Mike Telin
by Mike Telin

The program “Luscious Soundscapes” begins with pianist Shai Wosner’s imaginative interweaving of sonatas by Italian Baroque composer Domenico Scarlatti (1685-1757) with sonatas by American composer Frederick Rzewski (1938 -). Wosner’s three pairings include Scarlatti’s Sonata in d K. 141 with Rzewski’s Nanosonata No. 36 (“To a Young Man”), Scarlatti’s Sonata in d K. 9 with Rzewski’s Nanosonata No. 38 (“To a Great Guy”), and Scarlatti’s Sonata in c K. 230 with Rzewski’s Nanosonata No. 12.
If juxtaposing music by these two seemingly dissimilar composers sounds like an oddity, Wosner believes they make an interesting match. “I love Scarlatti and I love Rezewski,” the pianist said during an interview. “And I think that Scarlatti and Rzewski are mavericks in similar ways. Of course their music is very different from one another’s, and Rzewski was not trying to emulate Scarlatti in any way with his short sonatas. The Nanosonatas are almost like a stream of consciousness, but I hear that in the Scarlattis as well.” [Read more…]
by Mike Telin
by Mike Telin

The evening will begin with pianist Shai Wosner’s arrangement of the Dvořák performed by clarinetist Franklin Cohen, violist Dimitri Murrath, and Wosner, who will be making his ChamberFest debut.
Originally written for piano four-hands, the ten pieces that comprise the work were later arranged for orchestra by the composer. I asked the pianist why he decided to make his own arrangement, and why he chose this particular instrumentation?
by Daniel Hathaway

Photo Credit: I-Jung Huang
Bearing a name that reflects his Bulgarian-Chinese heritage, 21-year-old cellist Zlatomir Fung scored a big victory in the 2019 XVI International Tchaikovsky Competition, becoming the first American in forty years to win Gold — and the youngest contestant ever to earn that distinction in the Russian contest.
Fung will make his first visit to Cleveland this week to play six works in the first four concerts of ChamberFest Cleveland. “I’ve worked with Roman Rabinovich and New York’s Jupiter Symphony Chamber Players. We’d been hoping for a few years that I could come, and now it’s finally panned out,” he said in an early morning phone call on Tuesday before heading off to a rehearsal.
ChamberFest will keep Fung busy during his sojourn in Cleveland. He’s slated to play Paul Wiancko’s American Haiku with violist Dimitri Murrath, Schubert’s Trio No. 2 with violinist Itamar Zorman and pianist Shai Wosner, Ernö Dohnányi’s Piano Quartet No. 2 with Zorman, violinist Diana Cohen, Murrath, and Wosner, Alexander Zemlinsky’s Clarinet Trio, Op. 3 with Franklin Cohen and pianist Roman Rabinovich, Coleridge-Taylor Perkinson’s Lamentations Suite for cello solo, and Ravel’s Sonata for Violin and Cello with Zorman.
by Daniel Hathaway

by Daniel Hathaway

The recital reunites two longtime friends and colleagues and introduces the Israeli-born Wosner to Cleveland (Weiss, born in Gates Mills, is well-known in these parts). I caught up with Shai Wosner by telephone earlier this month and began by asking whether he and Weiss have played this particular program before.
Shai Wosner: We performed it at the Kennedy Center earlier this year, and will play it in New Mexico next month. We’re having a great time with it.
Daniel Hathaway: You and Orion have a long history of performing together.
SW: We go back nearly twenty years. For a long time we were each doing our own thing, but a few years ago we thought it was time to play together again. We had this unusual idea for a program with two huge pieces. [Read more…]