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Cleveland Uncommon Sound Project (CUSP) begins new season

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by Max Newman

For lovers of Cleveland’s contemporary music scene, there is perhaps no group more acutely on the cutting edge than the Cleveland Uncommon Sound Project. The genre-blending organization, founded in 2017 and under the stewardship of Stephan Haluska (pictured, left) since 2021, has provided ample space for Cleveland’s new music artists to strut their stuff for the better part of a decade.

Now, as part of their 2025-26 run, they are continuing these groundbreaking traditions. On September 26 at 8pm, the project will play host to synthesist and composer Matthew Ryals, as well as the local piano, harp, and electronic trio of Harper/Haluska/Oicherman (featuring CUSP’s own director), for an evening of sonic mobility and spontaneity. I spoke with Haluska about the upcoming performance, as well as the past, present, and future of CUSP.

“I’ve known him for a long time,” said Haluska of headliner Matthew Ryals, whose fully improvised recording “Exalge” was released earlier this month. When Haluska learned that his friend’s tour would be stopping in Northeast Ohio, the lightbulb went off in his head. “Matthew studied classical guitar at CIM and has since moved to New York, but we’ve always kept in touch. He reached out to me about coming through Ohio, and of course I jumped at this opportunity. He’s someone who I’ve wanted to work with before, but we haven’t really had the opportunity until now.” [Read more…]

No Exit Presents: John Faieta at Trinity Cathedral (Feb. 28)

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by Mike Telin

Although seventy-six trombones may have led the big parade, when John Faieta brought his one-man show to Trinity Cathedral on Friday, February 28, the trombone virtuoso proved that one trombone —  matched with an acoustically pleasing space —  is all that is needed to provide a fascinating listening experience.

Under the banner of No Exit Presents, Faieta’s beautifully-constructed program treated the good-sized audience to five musically diverse works that stretched the sound and technical capabilities of the instrument. And a subtle sense of humor imbued his charming and informative stories about each work and how it came to be written.

The program opened with Leonard Bernstein’s Mippy II, a tune the composer wrote as a eulogy for his brother’s beloved dog. It’s a jaunty work with a smooth-talking melody, and Faieta delivered a sparkling performance.

[Read more…]

Re:Sound festival — new & experimental music in concert, workshop & installation

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by Jarrett Hoffman

Cleveland Uncommon Sound Project will present the 2024 edition of its Re:Sound festival from Friday to Sunday, May 17-19.

Presenting both local and visiting artists who span all different strands of new and experimental music, the festival takes place at two locations. Convivium 33 Gallery will host a triple-bill concert each day at 7:30 pm, as well as a 2:30 pm workshop on Saturday led by festival headliner Elliott Sharp.

Meanwhile, three sound art installations will be presented on Saturday and Sunday from 10 am to 5 pm at Cleveland Museum of Art’s Community Arts Center, located at the Pivot Center for Art, Dance and Expression. Tickets for the festival are available here.

A headlining act is something new for Re:Sound, as Cleveland Uncommon Sound Project (CUSP) managing director Stephan Haluska explained during a recent interview. “He’s the only artist we booked ahead of our call for applications.”

[Read more…]

CUSP: Dick & Haluska redefine instruments at Crop Circles CD release party 

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by Max Newman

“We kind of wanted to explore the more aesthetically non-traditional approaches to playing our instruments.”

This was how harpist Stephan Haluska described his main musical goal on his album Crop Circles, made in collaboration with visionary flutist Robert Dick and released on January 19. The album’s release will be celebrated on Friday, January 26 at 8:00 pm at the Convivium 33 Gallery, when Dick and Haluska will be joined by the Max Hyde-Perry Ensemble in a presentation by the Cleveland Uncommon Sound Project.

“Honing into the weirder approaches to what we can get out of a flute and harp duo was, conceptually, the only thing we wanted to do going into this. Everything is improvised,” Haluska said during a recent telephone conversation.

This largely reflects Haluska’s own musical goals. Throughout his career, he has strived to push the boundaries of what the harp can do.

[Read more…]

Cleveland Uncommon Sound Project: A night of improvisation 

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by Mike Telin

“Creativity is the expression of life, so for me the question is why on earth would you not be creative? Why on earth would you not want to grow?” flutist, composer, improviser, author, teacher, and inventor Robert Dick said during a recent telephone interview. A leader in contemporary flute music, he has redefined the instrument’s musical possibilities. 

On Sunday, November 7 at 7:00 pm at the Praxis Fiber Workshop, the Cleveland Uncommon Sound Project will present Robert Dick in an evening of solo works as well as group improvisations with Dana Jessen, bassoon, Bob Drake, hardware electronics, and Stephan Haluska, harp. Tickets are available at the door or online.

“I’m looking forward to returning to Cleveland,” the 71-year-old said. “I’ve had lots of good experiences there.” 

When asked about his — well — improvised program, Dick said that it will be somewhat stream-of-consciousness. “The flute is an unusual instrument in improvised music, so people tend to focus on the instrument and not the music. But all instruments have exactly the same sound, silence — it’s the human that plays them.” 

[Read more…]

Bop Stop to present harpist Stephan Haluska

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by Jarrett Hoffman

As musicians’ tastes change over time, it can be frustrating for them to realize that the instrument they’ve spent years mastering now confines their stylistic breadth. Or does it? In some cases, all that’s needed is a new mindset.

Years ago, composer, improviser, and harpist Stephan Haluska decided he’d had enough of the stereotypes about his instrument in Western culture — the angels, the magic, the dream sequences. He’s since re-imagined what the instrument can do, using extended techniques, electronic processing, and preparing the strings like John Cage would a piano.

All that and more can be heard during an hour-long improvisation that Haluska will present at the Bop Stop on Thursday, January 28 at 7:00 pm. The live stream is accessible for free, but donations are accepted here.

[Read more…]

fp Creative’s Long Distance: live performance and collaboration

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by Jarrett Hoffman

The response to the pandemic from fp Creative has been both sensitive and — well, creative. The organization has devoted a page of its website to relief fund resources, and has divided its programming into two categories of “Long Distance” offerings: live performances, and new artistic collaborations taking place over the web.

“Collabs” is the name they’ve coined for the latter endeavor. In early April, they sent out a request for submissions of short recordings from instrumentalists, poets, and sound designers “to capture the sounds of their new daily,” as the organization writes on its website. A handful of producers and composers then sampled those submissions, weaving them into pieces of music.

The first — and very striking — release came on Friday, May 1, and is available to stream here. It takes the form of an album in collage style, with eight short tracks representing a spectrum of compositional styles from Will Cayanan, Erica MacLeod, Richard Graham (a.k.a. Signals Under Tests), Seyu, Devin Hinzo, and Graham Rosen.

[Read more…]

fp Creative launches new season at Snap House Studios November 14

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by Mike Telin

After an extraordinary debut concert season, Fresh Perspectives founder Devin Hinzo and program manager Justin Gunter spent the past summer thinking about how to bring to fruition the organization’s goal of creating an incubator for area musicians to develop projects. That thinking was turned into action, and this week audiences can experience what the organization now known as fp Creative is all about.

On Thursday, November 14 beginning at 7:00 pm at Snap House Studios in Cleveland, fp Creative will present “Pretty in Green #galaforthepeople.” Audiences are invited to wear their best green-hued or nature-inspired fashion, with prizes for those “with the freshest cuts.” Enjoy earthly delights, take pictures with interactive installations, and hear fp Creative’s inaugural emerging artists-in-residence, Catharsis Winds, in concert.

The program includes Piazzolla’s Libertango (arr. Jeff Scott), Gabriela Ortiz’ Puzzle-tocas, and David Maslanka’s Quintet No. 1. Installation and performance artist Susie Underwood will be on hand creating something special for the event. General Admission costs zero to fifteen dollars at the door. RSVP here. [Read more…]

NEOSonicFest: Uno Lady, McDaniel + Kirkwood, & Stephan Haluska at Mahall’s (Mar. 29)

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by Rory O’Donoghue

“This next one will have all the homosexuals in the room grabbing a vodka cranberry,” composer Buck McDaniel said winkingly to a packed crowd at Mahall’s last Friday night, March 29. “Including me,” he added. It was perfect commentary for the energetic kickoff event of the Cleveland Chamber Symphony’s 6th NEOSonicFest, an evening that celebrated both cocktails and contemporary music.

[Read more…]

NEOSonicFest kicks off on Friday at Mahall’s

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by Mike Telin

Cleveland Chamber Symphony launches its sixth NEOSonicFest on Friday, March 29 at 9:00 pm at Mahall’s in Lakewood with a concert in partnership with Fresh Perspectives. Uno Lady (Christa Ebert), a one-woman choir, will create electronic loops, harpist Stephan Haluska will present his own electro-acoustical compositions, and Buck McDaniel and Jacob Kirkwood will present a concert version of their live electro-acoustic score written for Cleveland Public Theatre’s Fire on the Water, a meditation on the 50th anniversary of the burning of the Cuyahoga River. The evening will also feature “signature cocktails” available for purchase. Tickets go for $7.

In a recent conference call, Fresh Perspective’s Devin Hinzo said that when they were looking for a venue to present McDaniel’s and Kirkwood’s piece, they immediately thought of Mahall’s. “They support local and emerging musicians as well as music that doesn’t fit any particular genre, so it seemed like a natural fit.”

[Read more…]

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