by Robert Rollin
On August 7th, the second concert in this season’s Summers@Severance series marked guest conductor Stanislaw Skrowaczewski’s return to Cleveland. Drinks on Severance Hall’s lovely Front Terrace in the waning afternoon sun provided an excellent prelude to a fine musical event, of which Dmitri Shostakovich’s Symphony No. 5 was the centerpiece. Skrowaczewski, now 91 years old, knew the composer personally, and on Friday evening he shepherded the Orchestra through a stunning performance of the work.









This week at Severance Hall, renowned French pianist Jean-Yves Thibaudet returns to Cleveland, a city that played an important role early in his career when he won second prize at the Robert Casadesus Piano Competition in 1979 (now the Cleveland International Piano Competition).
The opening night program for a symphony orchestra season is usually the occasion for an extra bit of celebration. In the case of The Cleveland Orchestra, a Beethoven symphony (other than the ninth) and three Ravel pieces looked on paper like mid-season repertory. But on Saturday, Franz Welser-Möst and the ensemble, fresh off a European tour, blew a capacity Severance Hall audience away with stunningly fresh performances of well-known pieces that seemed newly-minted for the occasion.
A near–capacity crowd filled the pavilion and lawn at Blossom Music Center on Sunday evening when The Cleveland Orchestra presented Hollywood Under The Stars. Conducted by Richard Kaufman, in his 24th year as principal pops conductor with Orange County’s Pacific Symphony, the concert included music by some of the most respected and revered film composers of our time.