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Tuesday Musical: Anthony McGill with the Pacifica Quartet (May 4)

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by Timothy Robson

“We are so happy to be performing in front of a live audience again. Just saying the words gives me shivers.” These were the words of Mark Holloway, violist in the Pacifica Quartet, at their splendid performance with clarinetist Anthony McGill, presented by Tuesday Musical on May 4 at E.J. Thomas Hall.

In addition to Holloway, the quartet members are Simin Ganatra and Austin Hartman, violins, and Brandon Vamos, cello. The audience was intentionally limited to 300, with strict social distancing and required face masks. There was a muted but celebratory atmosphere in the hall as friends greeted each other. [Read more…]

Tuesday Musical presents Edgar Meyer — in person

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by Mike Telin

Virtuoso double bassist and composer Edgar Meyer is a musical omnivore. His collaborators read like a who’s-who in folk, jazz, country, classical, and bluegrass music. Meyer’s diverse discography includes the celebrated Bach: Unaccompanied Cello Suites Performed on Double Bass. In 2011 he teamed up with Yo-Yo Ma, Stuart Duncan, and Chris Thile for The Goat Rodeo Sessions. And in addition to being a multi-Grammy winner, Meyer is the recipient of an Avery Fisher Career Grant, an Avery Fisher Prize, and a MacArthur Award.

On Tuesday, April 20 at 7:30 pm, Edgar Meyer and his bass will take center stage at Akron’s E.J. Thomas Hall for an in-person recital presented by Tuesday Musical. The program will include Bach’s First Cello Suite, as well as Meyer’s own compositions. A limited number of tickets are available for advance purchase — click here for details — and free student tickets in the balcony can be secured the evening of the performance. The box office will open at 6:30 pm.

Thoughtful and soft-spoken in conversation, the Oak Ridge, Tennessee native has an ‘it’s all in a day’s work’ philosophy about his busy, multifaceted career. [Read more…]

Tuesday Musical to present London’s Academy of St. Martin in the Fields  

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by Mike Telin

Although it is common to hear performances of Baroque and some classical period orchestral repertoire performed without a conductor, you don’t often think of a Paganini violin concerto or a Brahms symphony being performed without one. Think again.

On Tuesday, February 25 at 7:30 pm at E.J. Thomas Hall, violinist Joshua Bell will lead the Academy of St. Martin in the Fields in performances of Paganini’s Violin Concerto No. 1 and Brahms’ Symphony No. 4. Presented by Akron’s Tuesday Musical, the evening will be preceded by a conversation with Academy musicians at 6:30 pm. Tickets are available online.

The concert is part of the Ensemble’s 20-day, 16-concert North American tour. “We’re very excited to be coming back to Akron,” Academy violinist Harvey de Souza said by phone from Bethesda, Maryland. “This is probably the biggest group that we have toured. I think there are 54 of us, which for us is very large.”

De Souza, who joined the Academy in 1993, said the Brahms symphony is a lovely piece and a joy to play. It’s also the largest work they have ever taken on tour. [Read more…]

Announcements

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Tuesday Musical invites college-age students pursuing careers as music performers and/or educators to apply online for its 2020 Scholarship Competition to be held in Akron on March 21. The deadline is February 1. Click here for information.

Cleveland’s Broadway School of Music and the Arts is hiring part-time teachers of violin, piano, woodwinds & drums for classes on weekdays between 2:00 and 8:00 pm and possibly on Saturdays. Click here to download application details.

Cleveland Chamber Symphony will be accepting scores from Northeast Ohio composers until midnight on January 17 to be considered for its April 7 NeoSonicFest concert at Baldwin Wallace. Click here for criteria and details.

Tuesday Musical: pianist Fei-Fei in Annual Baxtresser Concert (Nov. 21)

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by David Kulma

How can a composer tell a story through instrumental music? Although it’s a complex topic among music intellectuals, great performers can easily cut to the quick with carefully considered performances full of imagination. In Tuesday Musical’s annual concert dedicated to the late Margaret Baxtresser on November 21 at E.J. Thomas Hall, the pianist Fei-Fei brought both engaging musicality and delightful spoken commentary that showed how vivacious and poetic pianism can create a compelling narrative. [Read more…]

Tuesday Musical Association: a conversation with pianist Fei-Fei

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by Jarrett Hoffman

Following in a line of pianists that has included Garrick Ohlsson, Yuja Wang, Emanuel Ax, and Conrad Tao, the latest performer to be featured in Tuesday Musical’s Margaret Baxtresser Annual Piano Concert is Fei-Fei.

A finalist in the 2013 Van Cliburn Competition and winner of the 2014 Concert Artists Guild Competition, Fei-Fei was also featured in Virtuosity, a documentary about the Cliburn that aired on PBS.

Beyond her resume, Fei-Fei has a unique approach to programming and is simply a delightful person, as I discovered during a recent phone call to talk about her recital at E.J. Thomas Hall on Thursday, November 21 at 7:30 pm. Tickets are available online.

[Read more…]

Tuesday Musical to celebrate “Akron Legends of Jazz and Dance”

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by Jarrett Hoffman

To begin this season’s FUZE Series on Thursday, October 10 at 7:30 pm at E.J. Thomas Hall, Tuesday Musical will honor the memory of two local arts icons: jazz pianist and composer Pat Pace, and Ohio Ballet founder and choreographer Heinz Poll, who both passed away in 2006.

“Akron Legends of Jazz and Dance” will feature Verb Ballets and players from the Chamber Music Society of Ohio. Leading the group is flutist George Pope, who became familiar with Pace and Poll as far back as 1978, when he began teaching at the University of Akron and performing as principal flute of the Akron Symphony.

“I knew quite a lot about Pat and his amazing musicianship from the beginning,” Pope said during a telephone interview. “We did performances with him in the Akron Symphony and the University orchestra, and I had friends who studied and performed with him. He was teaching a lot of the young jazz artists of his time — pianists as well as other musicians performing with him. He was inspiring the next generation.”

[Read more…]

Tuesday Musical: Jason Vieaux & Adam Barnett-Hart (Sept. 24)

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by Peter Feher

Not enough repertoire — that’s the basic challenge for anyone looking to program a violin and guitar recital. Transcriptions can work, but the players are faced with a competing pair of approaches: to emulate the original instrumentation, or to forge an entirely new sound and interpretation. Guitarist Jason Vieaux and violinist Adam Barnett-Hart experimented with those approaches on Tuesday night, September 24 in their season-opening recital for the Tuesday Musical series. The results were uniformly pleasing, though some transcriptions felt more substantial than others. [Read more…]

The Escher Quartet returns to Tuesday Musical on March 28

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by Mike Telin

When the Escher Quartet began planning their 2018-19 season, they knew it would include a new piano quintet by Anthony Cheung. Soon another commissioning opportunity from the Arizona Friends of Chamber Music came their way. Earlier this month the Escher gave the premiere of Chris Rogerson’s String Quartet No. 4 (2019) as part of the Tucson Winter Chamber Music Festival.

On Thursday, March 28 at 7:30 pm in Akron’s E.J. Thomas Hall, the Escher — Adam Barnett-Hart and Danbi Um, violins, Pierre LaPointe, viola, and Brook Speltz, cello — will give the second performance of Rogerson’s new work. Presented by Tuesday Musical, the program will also include Mozart’s Quartet in F, K. 590 and Beethoven’s monumental Quartet in C-sharp, Op. 131. A conversation with the musicians led by composer James Wilding will begin at 6:30 pm. Tickets are available online.

[Read more…]

Tuesday Musical: Chamber Music from Lincoln Center (Mar. 12)

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by Nicholas Stevens

Depending on how presenters and performers discuss it in concerts, music history can be a portal to deeper understanding or a padlock. Especially hazardous is the tracing of artistic lineage. If you talk engagingly about teacher-to-student “family trees,” the concert may gain in vitality and direction. If you list them dryly, you risk making textbook fodder of vibrant art.

[Read more…]

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