by Peter Feher

But the key to unlocking the octet’s approach came in the first piece after intermission. A swinging, singing arrangement of Bach’s Bourreé II from the Second English Suite was a bridge between musical worlds. The number, not a VOCES8 original but something of an a cappella standard, takes the composer’s quintessential Baroque keyboard writing and delivers it with a wink, in la-la-la’s and doo-be-doo’s. A lighthearted way with otherwise staid classics might make for the group’s mission statement. [Read more…]




Last heard in a brilliant
Chanticleer, the legendary all-male vocal ensemble, appeared on Tuesday Musical’s series at E.J. Thomas Hall on July 27. Founded in 1978, the ensemble presented one of their trademark eclectic programs, in which a Renaissance motet by William Byrd could bump up against Burton Lane’s pop song
When Chanticleer sings a concert on the Tuesday Musical series at E.J. Thomas Hall in Akron on July 27, it won’t just be business as usual for the twelve male singers of San Francisco’s “orchestra of voices.”
“We are so happy to be performing in front of a live audience again. Just saying the words gives me shivers.” These were the words of Mark Holloway, violist in the Pacifica Quartet, at their splendid performance with clarinetist Anthony McGill, presented by Tuesday Musical on May 4 at E.J. Thomas Hall.
Virtuoso double bassist and composer Edgar Meyer is a musical omnivore. His collaborators read like a who’s-who in folk, jazz, country, classical, and bluegrass music. Meyer’s diverse discography includes the celebrated Bach: Unaccompanied Cello Suites Performed on Double Bass. In 2011 he teamed up with Yo-Yo Ma, Stuart Duncan, and Chris Thile for The Goat Rodeo Sessions. And in addition to being a multi-Grammy winner, Meyer is the recipient of an Avery Fisher Career Grant, an Avery Fisher Prize, and a MacArthur Award.
