by Cait Winston
In his remarks before the July 28 Kent Blossom Music Festival concert, featuring members of The Cleveland Orchestra, Kent State University president Todd Diacon noted that while the past year has not been easy, “It has been made easier by the arts.” This statement was ratified by the performances that followed, where the freedom and passion in the musicians’ playing created a restorative sense of joy and optimism.
by Jarrett Hoffman
Four string players and a clarinetist, all from The Cleveland Orchestra, came together on December 7 for a quartet and a quintet in “Nothing But Mozart,” streamed live from West Shore Unitarian Universalist Church as part of the 62nd season of the Rocky River Chamber Music Society.
by Nicholas Stevens
Mid-February finds most Northeast Ohioans in a kind of limbo. A month remains before the sun once again shines for twelve hours a day. At a time of year like this, it helps the listener cope when musicians kindle sonic warmth. Playing in an intimate setting that looked out on the sparse, snow-dusted gardens of the Dunham Tavern Museum in Cleveland, the Omni Quartet and four guest players did just that on February 10, in an installment of Heights Arts’ Close Encounters Chamber Music series designed to combat the deepest winter blues.
by Hannah Schoepe
To be “veiled” suggests a loss of orientation, dimmed sight, and a shadowy sense of mystery — ideas that are captured in Cleveland-based Ars Futura Ensemble’s newest album, Veil. Released by Navona Records on September 14, the playlist consists of five multifaceted, many-hued works by Cleveland State University faculty member Greg D’Alessio. [Read more…]
by Daniel Hathaway
Not so very long ago, downtown Cleveland used to be deserted on weekend evenings. Not any more. On Friday, November 18, a political protest march mingled with a Cavs crowd and a sea of other downtown-bound folk to bring traffic (vehicular, foot, and equestrian) on Euclid Avenue to a complete standstill. One of the smaller audiences to assemble downtown that evening came to hear an excellent performance by Cleveland Orchestra musicians and friends sponsored by Heights Arts, nearly filling a private glass box party room rising sixteen floors above the hubbub below. [Read more…]
by Daniel Hathaway
The CIM faculty recital on October 26 in Mixon Hall featured members of Ars Futura and guests in a program of music by Pierre Boulez and others, all related in some way to the career of the late, great French composer and conductor. The performance was the fourth of five concerts created by CIM composition head Keith Fitch to celebrate “The Boulez Legacy,” and the second to explore “Boulez the Modernist.” [Read more…]