by Mike Telin
Since their debut on NBC’s America’s Got Talent, The Texas Tenors have amassed a list of awards including three Emmys for their PBS special You Should Dream. On Friday, October 4 at 8:00 pm at Severance Hall, opera singer John Hagen, country music singer JC Fisher, and pop singer Marcus Collins will open The Cleveland POPS’ season under the direction of Carl Topilow. The program will feature selections from their latest album, THE TEXAS TENORS: A Collection of Broadway & American Classics. Tickets are available online.
Prior to the Trio’s October 2017 performance at Stambaugh Auditorium in Youngstown, we spoke with tenor John Hagen. The following article has been edited for content.
“It’s fun to see people stretch their musical tastes in opposite directions,” Hagen said. “You take the fan who’s at one end of the spectrum, either classical or country, and hear how they have come to appreciate other genres of music that they haven’t listened to very often, if at all.”
This weekend gives concertgoers the chance to hear one guitarist from France who will be making his Cleveland debut, and another from Bay Village who in the past several years, as he told me over the phone, has been re-solidifying his identity as a Clevelander.
American organist Kimberly Marshall gave the first of a series of dedicatory recitals on Oberlin’s Fenner Douglass Memorial Organ on Sunday, September 22. An Oberlin alumnus, Douglass was Professor of Organ at the Conservatory from 1949 to 1974. The organ was originally built by Greg Harrold in 1989 for Pacific Lutheran Seminary in Berkeley, California. It was dismantled in 2017 and reinstalled at the rear of Warner Concert Hall in August 2018, where it sits at the opposite end of the room from its Dutch cousin, the large Flentrop organ in the front organ loft. 
Last Sunday afternoon, September 15, the BlueWater Chamber Orchestra, under conductor and artistic director Daniel Meyer, opened its season with an imaginatively varied concert at The Temple-Tifereth Israel. Amitai Vardi was featured in Srul Irving Glick’s 
We live in a time when outside political forces are driving more musicians to handle politics directly on stage, proffering emotionally powerful performances as vehicles for expanding a listener’s empathy. And since percussionists are among the most versatile of musicians — needing to strike any number of objects well and precisely — it is only logical that they add their voices to the mix.
For many years, Jesse Jones has led a double musical life. In one, he serves on the composition faculty at the Oberlin Conservatory and has been the recipient of numerous awards including the Rome Prize and a Guggenheim Fellowship. His works have been performed by ensembles including the American Composers Orchestra, the Spokane Symphony, the Juilliard String Quartet, the Argento Chamber Ensemble, and 