by Mike Telin
What is it about the central German city of Weimar that has inspired so many important artists, musicians, poets and philosophers?
In 2019 composer Margi Griebling-Haigh had the good fortune to visit the picturesque city twice — she too was inspired. “The apartment I was staying in was on the top floor of an old building on the Herderplatz. My window overlooked the bell tower of the church in which Bach wrote most of his organ concertos,” she recalled during a recent conversation. “It snowed most of the week I was there — it was beautiful. But looking out at the bell tower and hearing them ring, I realized that this is what Bach would have heard. I actually recorded them on my phone, and I knew that somehow I would use them in a piece.”
On Tuesday, February 14 at 7:30 pm at Fairmount Presbyterian Church Chapel, Griebling-Haigh’s Weimarer Winterszenen and Lufthaltenlieder will receive their world premieres during a program titled “A Romantic German Valentine.” The program will also include Schubert’s Auf dem Strom, Der Hirt auf dem Felsen and Schumann’s Drei Romanzen & Drei Fantasiestücke performed by Gabrielle Haigh (soprano), Robert Woolfrey (clarinet), Jesse McCormick (horn), Margi Griebling-Haigh (English horn), and Randall Fusco (piano). Suggested freewill donation: $20 at the door. [Read more…]
After an illness forced Klaus Mäkelä to withdraw from three of the four scheduled performances last week, the Finnish conductor will return to The Cleveland Orchestra podium on Thursday, February 9 at 7:30 pm at Severance Music Center. The program will include Unsuk Chin’s SPIRA – Concerto for Orchestra and Gustav Mahler’s Symphony No. 5, and it will be repeated on Saturday at 8:00 pm. Tickets are available 
Forming a small vocal ensemble was something that Steven Plank had wanted to do for a long time. And when a surge in COVID cases forced him to reduce the number of singers in the choir at St. Paul’s Episcopal Church, the opportunity arose. “We began doing the liturgy with just eight singers,” Plank said during a telephone conversation. “We were having such a good time that one Thursday evening I asked if they would like to do some concerts. And they all said yes.”
If you were to ask just about any musician why they enjoy playing chamber music, they will tell you that it’s because they get to make music with people they enjoy. Case in point, the Butler Trio — Sandy Yamamoto (violin), Joshua Gindele (cello), and Colette Valentine (piano).
It’s no secret that the pandemic caused many arts organizations to alter their plans. And while presenting concerts online was a suitable and often enjoyable alternative, they were no replacement for the shared experience of live performances.
From the time that Cuban-born guitarist René Izquierdo heard his first live concert as a child, he knew that he wanted to make “connecting with people through music” his life’s work. On Saturday, January 28 at 7:30 pm at Plymouth Church in Shaker Hts., the Cleveland Classical Guitar Society International Series will present René Izquierdo in a program that highlights his Cuban and Spanish heritage. Tickets are available
When we think of the Medieval period, musical variety is usually not the first thing that comes to mind. But Allison Monroe and her Trobár Medieval colleagues would beg to differ with that sentiment. “There’s a lot of variety in the repertoire,” Monroe said during a recent interview.
Many musicians can only dream of performing at Carnegie Hall. But next week students at the Oberlin Conservatory will have had the opportunity to perform at the famed venue not once, but twice in as many months.
“When I was ten or eleven, my father was going to an MLK march. He asked me if I wanted to go and I didn’t. And that has been a regret of mine for a very long time,” Peter Lawson Jones recalled during a recent telephone conversation. “But this night will celebrate all that Dr. King did and I look forward to being part of it.”