In the penultimate concert of their 2018 season, ChamberFest Cleveland offered the program “Behind Bars” on Friday, June 29 in Reinberger Chamber Music Hall at Severance Hall. The title was a reference to twentieth-century composer, organist and teacher Olivier Messiaen, who was being held in a German POW camp in 1940 when he composed his Quartet for the End of Time. That work received a searingly intense performance on the second half of the program, rendering the music that preceded it almost trivial by comparison. [Read more…]
ChamberFest Cleveland offered a light-hearted program of mostly unusual repertoire on Tuesday, June 19, in the resonant Crawford Rotunda at the Cleveland History Center of the Western Reserve Historical Society in University Circle. Performers included several familiar members of the “ChamberFest family” as well as some talented newcomers. [Read more…]
The seventh season of Chamberfest Cleveland opened on Thursday, June 14 at the Cleveland Institute of Music’s Mixon Hall. The festival, brainchild of Cleveland Orchestra principal clarinet emeritus Franklin Cohen and his daughter, violinist Diana Cohen, concertmaster of the Calgary Symphony, has become an imaginative and well-attended fixture of June in Cleveland. The opening program typified the festival by combining familiar works with the more unusual. [Read more…]
The first annual Re:Sound New Music Festival closed its four-day run on Sunday evening, June 10, at Bop Stop at The Music Settlement on Detroit Road in Cleveland’s Hingetown area. The four acts presented were more experimental than the opening concert that I heard on Thursday evening, and with the exception of one of the acts, not as consistently interesting and successful. [Read more…]
Cleveland Uncommon Sound Project is a new non-profit devoted to the creation and performance of new music. Their first annual Re:Sound New Music Festival opened on Thursday evening, June 7 at the Bop Stop, where a large, diverse crowd sat around tables and the bar to hear four equally diverse and alluring ensembles. [Read more…]
Soprano Anna María Martínez and pianist Craig Terry performed an arresting program as the second recital of the 2018 Art Song Festival at the Cleveland Institute of Music’s Mixon Hall on May 25. Their authoritative performances covered a wide range of repertoire from Spain, the Caribbean, and Mexico. [Read more…]
The Cleveland Chamber Choir and BlueWater Chamber Orchestra combined forces under Choir conductor Scott MacPherson to play the first of two weekend concerts on Saturday, May 19 at First Baptist Church of Greater Cleveland.
For their Saturday evening concert on April 20, the Baldwin Wallace University Bach Festival presented Johann Sebastian Bach’s St. John Passion in Gamble Auditorium on the BW campus. Festival Director Dirk Garner conducted the Motet Choir and a professional orchestra that included members of Chatham Baroque, who had performed earlier in the Festival. [Read more…]
This past weekend Baldwin Wallace University hosted its 86th annual Bach Festival with three days of concerts, lectures, and other events. Friday evening’s performance, “Bach and Friends,” was held in Gamble Auditorium on the BW campus. Guest soloists Tyler Duncan, baritone (left), and Dana Sundet, oboe, joined the Baldwin Wallace Symphony Orchestra, conducted by Tiffany Chang. [Read more…]
In honor of the Baroque master’s 333rd birthday on the 21st of the month, Cleveland Orchestra principal cello Mark Kosower played an all-Bach recital on Sunday, March 18 on the Arts Renaissance Tremont Series at Pilgrim Congregational Church. It was a splendid and generous concert, musically, spiritually, and temporally — and at over two and a quarter hours, there were a lot of notes! [Read more…]