by Daniel Hathaway
Piano professor Robert Shannon is eagerly waiting to welcome this year’s participants in the Thomas & Evon Cooper Piano Competition to the Oberlin campus later this week. “This year the lineup is stronger than ever,” Shannon said in a recent telephone conversation. “There’re some impressive people, and the overall level is consistently high.” (Photo: the semifinalists in 2016.)
The biennial piano contest, which alternates with a violin competition, will be fueled by 31 young players from seven different countries (see the roster of competitors and their repertoire here). The 13-18 year-olds have been selected from a field of some 90 applicants who have been drawn to the Cooper event through its reputation alone. “We don’t actively recruit,” Shannon said. “We just publish the announcement and we’re well enough known by now that it just happens. The first year we held the Cooper we had something like 140 pianists apply, but then I think people figured out how challenging it was going to be. We’ve stabilized now at about 90 applicants.”
This year’s competitors include eleven U.S. citizens, seven from China, five from Canada, three from South Korea, two each from Finland and Taiwan, and one from Norway.
This year’s sole competitor from Ohio in the Cooper International Piano Competition, fourteen-year-old Kasey Shao began her studies at age six. During a recent telephone conversation from her home in Cincinnati, the Walnut Hills High School sophomore said that she has known about the Cooper Competition from the time it began. “I’ve watched the live streams and broadcasts, and I’ve always wanted to compete in it. Now that I’m finally old enough, I applied and got in. I’m very excited to compete and to meet the other contestants.” 
For seven decades, bassist Milt Hinton played with the most influential artists in American music. While doing so, Hinton chronicled his experiences through the lens of his ever-present camera. This week the Oberlin Conservatory will celebrate its ties to the late performer with the
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As you may remember, two summers ago The Cleveland Orchestra helped to celebrate the centennial of the National Parks Service at the Blossom Music Center. Now it is time for Blossom to celebrate its own milestone: its 50th anniversary. 
With July 4th a day away, it’s as good a time as any for this conversation-starter: aside from 
Credo Music’s official summer concert season of over 12 performances will kick off on Tuesday, July 3 at 7:30 pm with a performance by the Arianna String Quartet at Oberlin Conservatory’s Kulas Recital Hall. Returning as festival faculty for the third time, the Quartet has programmed chamber music fan favorites as well as some less-often heard pieces.
Beginning with a silly plot of romance, then traversing the dramas of capital-R Romance, and ending with a look back at a spouse’s death — the first faculty concert at this year’s Kent Blossom Music Festival will be “quite a journey, for sure,” cellist Mark Kosower said during a phone call.
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A recent phone conversation with David Shimotakahara, Executive Artistic Director of GroundWorks DanceTheater, was as much about his upcoming collaboration with ChamberFest Cleveland as it was about the process and source of creativity.