by Daniel Hathaway

In a recent conversation with Oberlin Conservatory baroque flute professor Michael Lynn, Mike Telin and I mused about covering the annual Baroque Performance Institute from a new perspective in this, its 46th season. Thus the idea was hatched of imbedding someone in the Institute to report on the experience from the perspective of a student. Lynn noted that this summer’s activities would especially favor the harpsichord, so guess who was put forward as the logical choice.
By the end of the day, members of the BPI faculty had enthusiastically signed off on the idea, so on June 18, I will join 123 other participants whose birth dates span a remarkable range from 1927 to 2003 for “Traveling Through the Baroque 1650-1750.” [Read more…]






Arguably one of the most popular operas ever written, Puccini’s
With a mission to “give a voice to the composers of our time,” the latest addition to Northeast Ohio’s opera scene,
The second change in two years has transformed one of Cleveland’s most prominent chamber music ensembles. Si-Yan Darren Li will be the new cellist for the Cavani Quartet, joining Annie Fullard and Mari Soto, violins, and Eric Wong, viola. Li will replace Merry Peckham, one of the group’s founding members.
Needing an encore for a concert the next day, guitarist Jason Vieaux woke up in Boston to a mild earthquake, turned on the TV to an Obama-Romney presidential debate, and thought to himself: