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Oberlin Contemporary Music Ensemble at the Cleveland Museum of Art, April 9

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by Mike Telin

Koh-IyerDescribed by The New York Times as “a hotbed of contemporary-classical players” and a “rural experimental haven,” Oberlin College and Conservatory will exemplify those quotes when it plays host to a week-long residency by Oberlin alum violinist Jennifer Koh and composer, jazz pianist, and writer Vijay Iyer.

The week will culminate in a performance by the Oberlin Contemporary Music Ensemble under the direction of Timothy Weiss on Sunday, April 9 at 2:00 pm. The concert, in Gartner Auditorium at the Cleveland Museum of Art, will include Clint Needham’s Chamber Symphony as well as a workshop performance of Trouble, Vijay Iyer’s new concerto for violin and chamber orchestra. The program will also be presented in Oberlin’s Warner Concert Hall on Friday, April 7 at 8:00 pm.  [Read more…]

The Cleveland Opera to present Mozart’s Don Giovanni April 7 & 8

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by Mike Telin

SobieskaBeginning with its production of Mozart’s Die Entfuhrung aus dem Serail in 1989, the company formerly known as Opera Circle Cleveland has presented eight of the composer’s musical dramas. This week, under the company’s new name, The Cleveland Opera will complete their survey of the Mozart-Da Ponte operas with two performances of Don Giovanni on April 7 and 8 at 7:30 pm at First Baptist Church.

“Knowing the challenges the opera presents, we’ve always said that we would produce Don Giovanni later, but now is the time,” executive artistic director Dorota Sobieska said during a telephone interview. “This is my favorite of the Da Ponte operas — the music is pure magic and it fits each character perfectly.” [Read more…]

Quire Cleveland to sing reconstruction of Richard Davy’s Matthew Passion

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by Daniel Hathaway

Eton-ChoirbookHere’s a librarian’s nightmare: knowing what you should find between its covers, you sit down to examine one of the great sources of English pre-Reformation music, only to discover that one-third of its contents no longer exists.

It’s still a mystery why so many pages of the late 15th-century Eton Choirbook that contains Richard Davy’s Matthew Passion went missing. But this weekend, Northeast Ohio audiences can hear Quire Cleveland sing the complete work in a restoration by its artistic director, Ross W. Duffin.

Performances will take place on Saturday, April 8 at 7:30 pm at St. Bernard’s Church in Akron, and twice on Palm Sunday, April 9 — at 3:00 pm at Historic St. Peter’s in downtown Cleveland, and at 7:00 pm (note corrected time) at St. Paul’s Episcopal Church in Cleveland Heights. [Read more…]

Les Délices closes its season this weekend with “Fated Lovers”

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by Mike Telin

Rottsalk-Les-DelicesWhether it’s Pyramus and Thisbe in Ovid’s Metamorphoses, the Greek myth of Hero and Leander, or William Shakespeare’s Romeo and Juliet, the quest for true love often ends in tragedy. This weekend Les Délices will bring the timeless tails of star-crossed lovers to life with a program titled “Fated Lovers.”

Performances will be held on Saturday, April 8 at 8:00 pm in the Galleries at Cleveland State University, and on Sunday, April 9 at 4:00 pm in Plymouth Church. The concerts will feature works by Rebel, Clérambault, Senaillé, and Rameau.

“What I always find challenging with these types of settings is the question of whether it is the original version of the myth or a poet’s take on it,” soprano Clara Rottsolk said during a telephone conversation from New York, where she was performing with the early music ensemble Artek. [Read more…]

Oberlin Artist Recital Series:
Richard Goode to perform on April 9

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by Mike Telin

GOODE-RIchardAmerican Pianist Richard Goode is a celebrated interpreter of the music of Beethoven, and was the first American-born pianist to record all 32 sonatas (for Nonesuch in 1991). Earlier, he won the Young Concert Artists International Auditions in 1961, took first prize in the Clara Haskil Competition in 1973, and won the Avery Fisher Prize in 1980. He recently completed a 14-year tenure as co-director (with Mitsuko Uchida) of the Marlboro Music School and Festival, the Vermont summer retreat where he spent a total of 22 summers beginning at the age of 14.

On Sunday, April 9 at 4:00 pm in Finney Chapel, Richard Goode will return to Northeast Ohio as part of the Oberlin Artist Recital Series. His program will include J.S. Bach’s Partita in e, BWV 830, Beethoven’s Sonata No. 28 in A, Op. 101 and Sonata No. 31 in A-flat, Op. 110, as well as Chopin’s Nocturne in B, Op. 62, No. 1, Polonaise in f-sharp, Op. 44 and three Mazurkas: Op. 41 No. 2 in B, No. 3 in A-flat and Op. 50 No. 3 in c-sharp. [Read more…]

Cleveland Orchestra: a conversation with guest conductor Harry Bicket

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by Daniel Hathaway

BicketThis week’s Cleveland Orchestra concerts will feature Baroque music by Handel, Rameau, and Purcell, led by British guest conductor Harry Bicket, who has established a distinguished operatic career at Glyndebourne, Covent Garden, The Met, and Santa Fe. Since 2007, he has served as artistic director of The English Concert, an early music ensemble founded by Trevor Pinnock, who led the group for 30 years.

Bicket’s career trajectory might have gone in quite a different direction. After posts as organ scholar of St. George’s Chapel at Windsor Castle and Christ Church Oxford, he was appointed sub-organist at Westminster Abbey at the age of 23. Well on his way to becoming organist at a major English cathedral, Bicket had doubts. “I thought, OK, I could stay at the Abbey for the next 40 years, considering it’s just about the best job ever,” Bicket said by telephone from his home in London, “but is that really what I want to do?”

He left Westminster Abbey without any real plan in mind. [Read more…]

The Border Woods at CMA:
a conversation with Frode Haltli
& Emilia Amper

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By Mike Telin

Frode-Amper-et-alWhen the Osa Festival in Voss, Norway commissioned Norwegian composer and accordionist Frode Haltli to write a full concert-length work, he knew he wanted to compose a piece that would combine the improvised qualities of traditional Scandinavian folk music with classical, notated music. “From Edvard Grieg on, a lot of Norwegian composers have been interested in traditional music, and used it as a source of inspiration,” Haltli said during a telephone conversation from Norway.

On Wednesday, March 29 at 7:30 pm in Gartner Auditorium, the Cleveland Museum of Art will present Frode Haltli’s The Border Woods (Grenseskogen). The performance will feature Frode Haltli (accordion), Emilia Amper (nyckelharpa), and Eirik Raude (percussion).

“I love the sound of the nyckelharpa,” Haltli said, “and Emilia is one of the great folk musicians in Scandinavia. [Read more…]

Oxford’s New College Choir at Trinity Cathedral: a conversation with director Robert Quinney

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by Daniel Hathaway

New-College-ChoirOn Friday, March 31 at 7:30 pm, Oxford’s New College Choir will make a stop at Trinity Cathedral for a concert including both Anglican Church Music favorites and new works as part of the Choir’s six-city American tour.

The choir of boys and men dates from 1379, when William of Wykeham, the founder of Winchester College, established an educational outpost named The Warden and Scholars of St. Mary’s College of Winchester in Oxford. That title being both unwieldy and confusing (there was already a college of St. Mary in Oxford), the institution soon came to be known as New College.

New College Choir now has a relatively new director in Robert Quinney, who in 2014 replaced Edward Higginbottom after the latter’s four decades serving New College. Quinney assumed the directorship of the 30-voice ensemble after an organ scholarship at King’s College, Cambridge; an assistantship at Westminster Abbey (where he played for the wedding of Prince William and Kate Middleton); and a brief tour of duty as organist of Peterborough Cathedral. [Read more…]

CIM New Music Symposium: fifteen minutes with George Tsontakis

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by Jeremy Reynolds

TsontakisOn Sunday, April 2 at 4:00 pm in Mixon Hall at the Cleveland Institute of Music, CIM New Music Ensemble will present a concert including George Tsontakis’ Gravity Plus, selections from Midnight Rain, and Portraits by El Greco, as well as music by Morton Feldman and Stephen Stucky. Tsontakis will be featured in a New Music Symposium on Saturday, April 1 at 1:30 pm, in Studio 113 at CIM. Both events are free and open to the public.

Keith Fitch, head of composition and director of the New Music Ensemble at CIM, said that the school generally hosts three composers each year for guest residencies of a few days. The composers spend time working with the CIM Orchestra and New Music Ensemble, as well as holding masterclasses with the composition students. [Read more…]

NEOSonicFest continues with four new music concerts this week

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by Mike Telin

ccs-yec-040614NEOSonicFest 2017 continues this week with  four concerts that celebrate the breadth of Cleveland’s new music scene.

On Wednesday, March 22 at 7:00 pm in Baldwin Wallace Conservatory’s Gamble Auditorium, the Cleveland Chamber Symphony, under the direction of Steven Smith, will present its annual Young and Emerging Composers concert.

Coordinated by composer and BW faculty member Clint Needham, the Young and Emerging program has been part of CCS’s mission since its founding in 1980. In an interview with this publication, Smith told Jeremy Reynolds, “It’s rare for young composers to have the opportunity for a professional orchestra to perform their works. The seven pieces are all very different in their ideas about sound — some are more traditional, while others are more experimental.” [Read more…]

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