by Daniel Hathaway

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by Daniel Hathaway

[Read more…]
by Daniel Hathaway

Mercer’s compatriot, tenor Karim Sulayman, agreed. “I speak in hyperbole a lot, but when I talk to my friends who aren’t musicians, I say that it’s probably one of the top five pieces that have been written — ever! It has so much texture and it’s so rewarding for the listener. You need to hear it at least once in your life.” [Read more…]
by Mike Telin

Gregory Walker is the son of Pulitzer Prize-winning composer and Oberlin alum George Walker (left), whose Poème for violin and orchestra was premiered in 1991 by Cho-Liang Lin. Gregory Walker admits that he had been in awe of the piece for some time before he actually dug into learning it. “It wasn’t until I had the opportunity to perform it with Ed London and the Cleveland Chamber Symphony that I really learned the piece,” Gregory Walker told us during a recent telephone conversation. “It’s very transparent due in large part to the orchestration. At times it has an introverted quality.” [Read more…]
by Mike Telin

by Mike Telin

Founded in 1937 in Columbus, Ohio as the Columbus Boychoir, the ensemble moved to Princeton, New Jersey in 1950 and changed its name to The American Boychoir in 1980. Together with the St. Thomas Choir School on New York’s Fifth Avenue, the institution is one of only two boarding schools dedicated to the training of boy choristers in the United States, but is distinct from St. Thomas in not supplying singers to serve a religious institution. The ABC School now includes students in the fourth through eighth grades who come from all over the United States. [Read more…]
by Mike Telin

On Saturday, October 25 at 8:00 pm at The Bop Stop and on Sunday, October 26 at 4:00 pm in the Herr Chapel at Plymouth Church, Les Délices artist director Debra Nagy will be joined by her baroque oboe colleagues Stephen Bard and Kathryn Montoya, baroque bassoonist Anna Marsh, percussionist Michelle Humphreys, and guitarist and theorboist, Simon Martyn-Ellis, in performances of music by Lully, Hotteterre, Philidor and others. [Read more…]
by Daniel Hathaway

“It seems like yesterday. Twenty-five years ago, we were just an upstart organization with no money,” Jacobs recalled in a telephone conversation. “We did the concert at Cuyahoga Falls High School in English with Brahms’s original accompaniment of two pianos — we threw in harp and timpani for extra color. Now, 25 years later on the same date, we’re doing it with full orchestra and in the way that it needs to be heard, in German. The music itself is so moving and powerful. It’s a universal statement of what we all face in this human condition — death.” [Read more…]
by Mike Telin

“As a young girl in Vietnam, she knew she wanted to be a traditional musician, even though it was a world dominated by men. It was risky, then, when she pestered a master teacher for three years to give her lessons. He finally gave in, taking her on as an apprentice.”
On Sunday, October 26 at 7:30 pm in the Transformer Station, The Cleveland Museum of Art’s Performing Arts Series will present the masterful player of the 16-string “dan Tranh”—a zither with moveable bridges — and the pitch-bending monochord, dan Bau. [Read more…]
by Carlyn Kessler

by Mike Telin
