ClevelandClassical.com Header
Ad
Ad

Pre•Views

Les Délices’ SalonEra is back and better than ever for second season

by

by Stephanie Manning

Last year, Cleveland’s period ensemble Les Délices dared to be different with their contribution to the world of online concerts: SalonEra. Billed as a “variety show for early music,” the web series’ unique format made it a hit among audience members, director Debra Nagy said in a recent interview.

“One thing we heard over and over again was, ‘regardless of the state of the pandemic, please continue SalonEra.’” The series’ second season, which premieres on September 13, aims to be even more ambitious and exciting than what came before it.

[Read more…]

Peter Takács announces reissue of complete Beethoven Piano Sonatas

by

by Daniel Hathaway

Oberlin piano professor Peter Takács celebrated the completion of a huge project in 2011 when his recordings of the complete Beethoven Sonatas were issued on the Cambria label in a handsome boxed set (read our review here).

“It was a labor of love,” Takács said in a recent Zoom interview, “as well as a kind of global enterprise.” The elaborate project included eleven discs in SACD Surround Sound produced by Sony Austria, with some elements printed in Hong Kong and designs done in Los Angeles.

The original edition of 2,000 copies had sold out by 2016, which raised the question of a reissue. Happily — albeit mysteriously — more than 500 sets of the CDs were discovered sitting in a Cambria warehouse. That inspired a reissue with several alterations in design.

[Read more…]

Cavani Quartet to embark on eight-concert “Beyond Beethoven” cycle September 19

by

by Daniel Hathaway

COVID-19 may have interrupted the celebration of Beethoven’s 250th Birthday in December 2020, but the Cavani String Quartet has made that event a moveable feast.

On Sunday, September 19, the ensemble will play the first of eight concerts featuring all sixteen of LvB’s quartets. The “Beyond Beethoven” performances, to take place in eight different venues, will match pairs of his quartets with contemporary works, culminating in a grand finale in Severance Hall on December 7.

[Read more…]

42nd Tri-C JazzFest Cleveland: live, in-person, outdoors

by

by Jarrett Hoffman

Last year, viewers had to stay home while they took in the talents of Tri-C JazzFest Cleveland in a virtual, largely pre-recorded format.

This time around, for its 42nd annual edition, the festival will be back to live and in-person — and completely outdoors — when it returns Saturday and Sunday, September 11-12 at Cain Park in Cleveland Heights.

Ten acts representing both the roots of jazz and its forward-thinkers, and both young talent and veterans of the genre, will perform over two days in the covered Evans Amphitheater.

And there’s plenty going on in addition to the mainstage lineup. The Colonnade Stage will provide the setting for a series of student performances, the Jazz Talk Tent will feature artist interviews and discussions, and the free Kids Club will be held in the playground area on Saturday, offering live music, dancing, balloons, and music-related crafts. (See the festival’s full schedule here, and purchase Day Passes here.)

[Read more…]

Conductor Richard Kaufman returns to Blossom for two evenings of film music

by

by Stephanie Manning

To Richard Kaufman, returning to Blossom this weekend to lead The Cleveland Orchestra in music by John Williams “is like winning the concert lottery.” The combination of a world-class orchestra, a beautiful venue, and fantastic music fills the conductor with enthusiasm for the two performances on September 4 and 5 at 7:00 pm.

“There’s something about doing a concert during the summer, especially at a place like Blossom, where everybody is just in a great mood,” Kaufman said during a recent phone interview. The program, “Salute to John Williams,” will feature that composer’s music from beloved films like Superman, Harry Potter, and Star Wars. Tickets are available online — fireworks will follow both performances.

“You know, the difficult part about putting together a John Williams concert is what not to do, because there are so many fantastic choices of music that audiences love,” Kaufman said. “So you put together the program knowing that you can’t play everything.” Nevertheless, he’s confident that there’s something for everyone, from the “Flight to Neverland” from Hook to the “Flying Theme” from E.T. the Extra-Terrestrial.

[Read more…]

Cleveland Chamber Collective and Inlet Dance Theater at Cain Park 

by

by Mike Telin

In her article Four Qualities of Classic Literature, MJ Booklover says that

A great writer has something specific to say, or perhaps, more typically, a big question to ask about the nature of the world as it was in the times of that writer. But a great work also observes truths about the human condition as it occurs in any age. 

Perhaps no writer has captured the timeless truths of the human condition more profoundly than William Shakespeare, and nowhere as persuasively as in The Tempest, the inspiration for Ty Alan Emerson’s new ballet, Caliban Ascendant.

“This project started about eight years ago when I was working with a friend of mine, Josh Legg,” Emerson (pictured below) said during a telephone conversation. “He’s a choreographer and a wonderful person. We wanted to collaborate on a project so we started talking about what we’d like to do. I had seen many productions of Shakespeare’s The Tempest. I saw one at Bowling Green that was really fun — they actually put a gamelan onstage and Caliban was played by a two-person puppet. So I thought, ‘I’d like to dig into that.’”

On Sunday, August 29 at 8:00 pm at Cain Park Amphitheater, the Cleveland Chamber Music Collective in partnership with Inlet Dance Theatre will present the world premiere of Caliban Ascendant. The ballet is based on a story developed by Joshua Legg and Ty Alan Emerson and features music by Emerson and choreography by Bill Wade in collaboration with Dominic Moore-Dunson, Kevin Parker, Emily Stonecipher, and Katie Wilber. [Read more…]

Jonathan Biss to perform
Caroline Shaw’s Watermark
with The Cleveland Orchestra 

by

by Mike Telin

When pianist Jonathan Biss pitched the concept for his Beethoven/5 project to the St. Paul Chamber Orchestra, he was certain the idea of commissioning five composers to write new concertos, each inspired by one of Beethoven’s, would be seen as too daunting. Much to his surprise, the SPCO ran with the idea. Even more of a surprise was the number of orchestras who signed on to the project as co-commissioners.

In November of 2017 Biss gave The Cleveland Orchestra premiere of Salvatore Sciarrino’s Piano Concerto: Il sogno di Stradella, (Beethoven No. 4). He’ll follow that up on Saturday, August 28 at 7:00 pm at Blossom Music Center with Caroline Shaw’s Watermark (Beethoven No. 3).

“Being with The Cleveland Orchestra is always special for me,” Biss said during a recent telephone conversation. “And given that I played the Sciarrino in Cleveland, I need to talk about how different the two pieces are and how unbelievably different the composers’ approaches to the project were.”

Biss noted that the connection between the Sciarrino and the fourth concerto is so oblique that he had to “go hunting for it.” But with Watermark, Caroline Shaw clearly uses the third concerto as its starting point.

“Caroline said something that I found very interesting. She said that she was trying to ‘write the writing process of Beethoven,’ which I think was her way of saying that she’s imagining how Beethoven might have found his way toward many of the ideas that ended up being central to the third concerto. I think it’s interesting because although I’ve spent my whole life immersed in great music, I don’t think I understand all that much about how the creative process works — how a composer gets from a blank page to a fully realized piece of music. So I find it incredibly fascinating to hear someone like Caroline, whose life’s work is being a composer, engage with the question of how someone else conceives of a piece of music.”

[Read more…]

Jahja Ling returns 
to the Blossom Stage

by

by Mike Telin

When Jahja Ling returns to the Blossom Music Center podium on Sunday, August 22 at 7:00 pm, the concert will mark the continuation of a relationship between Ling and The Cleveland Orchestra which began in 1984.

“My first concert was at Severance in January of ‘85 and my first Blossom concert was in July of ‘85,” Ling said during a recent telephone conversation. “Aside from last year, which was cancelled due to the pandemic, if you count from ‘85 until now, this is the 36th consecutive season. I think it is a record.”

The all-Brahms program will feature the Violin Concerto with Sayaka Shoji as soloist and Symphony No. 3. Tickets are available online.

The past year and a half has been difficult for many people, including the 69-year-old conductor. “I got COVID,” he said. “It was last July, so over a year ago. I was taken to L.A. because my son works at Cedars-Sinai, and was hospitalized for five days. I received very good treatment and have had no issues after that, thank God.”

Ling’s experience with COVID played an important part in his programming choices for Sunday’s concert. [Read more…]

Violinist Sayaka Shoji to make her Cleveland Orchestra debut

by

by Mike Telin

Having performed on three occasions with CityMusic Cleveland, Japanese violinist Sayaka Shoji is no stranger to Northeast Ohio audiences. But when she returns to Cleveland this Sunday, August 22, it will be to make her debut with The Cleveland Orchestra, performing Brahms’ sublime Violin Concerto.

“I’m excited and very happy that this is happening,” Sayaka Shoji said by telephone from her home in Paris. “It was programmed last year, and of course we all had a difficult period, but they re-programmed it and I am very grateful.”

Under the direction of Jahja Ling, the 7:00 pm all-Brahms program also includes Symphony No. 3. Tickets are available online.

When asked why she thinks the concerto is one of the greatest in the repertoire, the violinist said it is partly because Brahms was a demanding, self-critical composer. “He also collaborated on the piece with his friend Joseph Joachim. And the result of that intensive collaboration is what makes it a jewel.”

[Read more…]

Fine Arts Association synthesizes music with visual art in opener to new Artist Recital Series

by

by Stephanie Manning

“At the Fine Arts Association, we like to say that we’ve got all the arts under one roof,” conductor Michael Lund Ziegler (pictured) remarked in a recent Zoom interview. It’s a statement that succinctly sums up the Willoughby-based organization, known for its community theatre performances and robust education programs in dance, visual arts, music, and more.

Most recently, FAA is branching out into music performance through its upcoming Artist Recital Series. The opening concert, on Thursday, August 19 at 7:00 pm, will feature works for chamber orchestra and string trio and will be held in Corning Auditorium on the organization’s campus. In-person tickets are available here.

[Read more…]

Follow ClevelandClassical.com

Contact us