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Virtu(al)oso Piano Competition: Questions for Arseniy Gusev

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by Daniel Hathaway

Russian pianist Arseniy Gusev was born in St. Petersburg in 1998, where he studied both piano and composition at the St. Petersburg Conservatory.

He came to the U.S. in 2018 to study at the Cleveland Institute of Music — piano with Sergei Babayan, and composition with Keith Fitch.

Gusev will play selections by Schönberg, Schubert, and J.S. Bach in Session 3 of Piano Cleveland’s virtual competition on Saturday, August 1, beginning at 7:00 pm. At his request, we sent him some questions by email, and received delightful and thoughtful responses.

The pandemic has upset everyone’s lives. I hope your family in Russia is safe and well. How long has it been since you last saw them?

I am grateful for a chance to see and communicate with my family in my dreams. Even though we are in touch through email and social media, and it’s been a lot of months since we saw each other in person, for me the most important bond which helps to keep the family together is to cherish each of the family members in my heart like a treasure. [Read more…]

Kosower to complete Bach cycle online at Trinity Cathedral July 31

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by Daniel Hathaway

Cleveland Orchestra Principal Cello Mark Kosower, who already had an extensive following, added impressively to his fan club in the first of two online performances of J.S. Bach’s solo cello suites streamed from Trinity Cathedral on June 5. He returns for the second performance this Friday, July 31 at 7:00 pm.

“It certainly was a very powerful and meaningful experience for me, and we were able to reach a lot of people,” the cellist said in a recent telephone conversation. “By the time the video had gone around and lived on Facebook for a number of weeks, we got 13,300 views.”

That performance was presented free of charge, but allowed viewers to contribute online to a relief fund for musicians affected by the pandemic. “It was an important activity for the causes I was playing for,” Kosower said. “Looking forward, I feel that we’re still very much in the pandemic. My approach to the second concert won’t be so different, but what will be different, of course, is Bach’s other three suites. Each of them has its own individual story to tell, heading toward the pinnacle of the sixth suite.”

Kosower’s first performance included Nos. 1, 3, and 5. On Friday, he’ll play the even-numbered suites, but in a special order. [Read more…]

Sun Valley Music Festival: Conversations with Marc Damoulakis and Si-Yan Darren Li 

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by Mike Telin

With the absence of Northeast Ohio’s annual feast of live summertime classical music offerings, I’m thankful that we live in a time when technology can help fill the void in the artistic soul. That technology can also take you to far-off festivals that you’ve always wished you could attend, but never have had the opportunity.

From Monday, July 27, to Wednesday, August 19, you can attend the 36th annual Sun Valley Music Festival Summer Season for free from the comfort of your own home, or backyard. The free, one-time-only webcasts were developed by Festival Music Director Alasdair Neale in collaboration with Creative Director James Darrah, who served as stage director for The Cleveland Orchestra’s 2015 production of Richard Strauss’ Daphne.

The performances, recorded in Chicago, Cleveland, Denver, Houston, Milwaukee, Minneapolis, New York, Rochester, San Francisco, St. Louis, and Toronto, feature single-location, socially distanced performances and multi-location, video-synced performances which will also include commentary by Alasdair Neale and conversations with guest artists and Orchestra musicians. The free, one-time-only concerts will be broadcast at 8:30 pm Eastern time on the Idaho-based Festival’s website. [Read more…]

Sphinx Performance Academy “at” CIM: advocating for diversity while going online

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by Jarrett Hoffman

If there’s one classical music festival that best represents this particular moment in time, it might be the Sphinx Performance Academy. Not only does it focus on cultural diversity, and not only has it shifted online this summer due to the coronavirus pandemic, but it has also taken on a new dimension amidst the movement for racial justice sparked by the death of George Floyd.

SPA, as the festival is known, is a full-scholarship program focusing on chamber music and solo playing for string players ages 11-17 who come from cultural backgrounds that are underrepresented in classical music. It’s one of the many programs of the Detroit-based Sphinx Organization, founded in 1997 and devoted to diversity in the arts.

Multiple conservatories and schools of music have hosted SPA since it launched in 2004, including the Cleveland Institute of Music since 2017. And with physical hosting out of the question this year, the CIM-affiliated session will run online from July 25 to August 8. (That will follow other virtual sessions of SPA that took place earlier in July and June through partnerships with the Curtis Institute of Music and the Juilliard School.)

[Read more…]

Piano Cleveland’s Virtu(al)oso fields a rich mix of contestants 

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by Daniel Hathaway

Now that Piano Cleveland has posted biographies and repertoire selections for the 30 pianists who will be competing long-distance later this month in the organization’s first online competition, it’s time to get to know those players a little better, both as performers and individuals.

As is the case with all international competitions, participants come from far and wide: from China (4), Russia (4), Italy (3), the U.S. (3), Japan (2), the United Kingdom (2), and Austria, Azerbaijan, Canada, Croatia, France, Germany, Peru/Canada, South Korea, Spain, Taiwan, Ukraine, and Uzbekistan (1 each). Those are their official home countries, although their studies have dispersed them all over the map.

The final 30, announced on July 1, were winnowed by a selection jury from videos sent in by more than 130 hopefuls. The competition will be conducted remotely, through videos recorded at Steinway facilities in the U.S., Europe, and China. By the time the first round officially begins on July 31, twelve will have performed in Hamburg, six each in Cleveland and London, four in New York, and two in Beijing.

Ranging in age from 18 to 30, the contestants are well accustomed to the pressures of international competitions, having taken home top prizes in a long list of contests. Several have already recorded more than one album. At least four of the contestants are also composers who will include their own works in their performances. [Read more…]

Akron Symphony announces
Interlude Season for 2020-2021

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by Staff

This past Monday, the Akron Symphony Orchestra revised its plans for the coming year. The previously announced 2020-2021 concert season has been moved forward to  2021-2022, and the Orchestra will instead present the ASO Interlude Season — Akron Symphony’s Gift to the Community, designed to share free music throughout  Northeast Ohio.

“I’m tremendously excited about the Interlude Season,” ASO Music Director Christopher Wilkins said in a press release. “I do mourn the loss of a full orchestra season. But ironically, it gives us the chance to do a great many things we’ve always wanted to do. Our greatest asset is the creativity of our musicians, and this new plan allows us to utilize their skills in an extraordinary variety of ways.”

During the season, which will run from August 2020 through May 2021, ASO musicians will provide free performances with numerous collaborative partners, including the Akron Art Museum, the Akron-Canton Regional Foodbank, Akron Public Schools, Akron-Summit County Public Library, the Akron Zoo, International Institute of Akron, Jilly’s Music Room, Love Akron, Mustard Seed Market & Café, Stan Hywet Hall & Gardens, Summa Health, the Summit County Historical Society, and Tuesday Musical Association. [Read more…]

ACRONYM to release its
10th CD on July 24

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by Daniel Hathaway

The Baroque string band ACRONYM cleverly changes the meaning behind its abbreviated name for each of its recording projects. For their tenth and latest CD, due to be released on July 24, they’ve pegged themselves as “Archive Crawlers; Researchers Of Niche Yellowed Manuscripts.”

An apt description, for Cantate domino cantica obsoleta: Forgotten Works from the Düben Collection mines a rich trove of some 2,300 manuscripts in the library of Uppsala University. The holdings were assembled by a small dynasty of composers who served as Kapellmeisters to the Royal Swedish Court in Stockholm during the 17th and 18th centuries.

“It’s a fascinating archive,” Kivie Cahn-Lipman said by telephone from Youngstown, where he teaches cello at Youngstown State University. “It’s mainly a collection by German composers with a smattering of other folks. There’s Latin and German choral music, a small number of pieces in French and Swedish, and one vocal work in a nonsense language.” [Read more…]

Cleveland Orchestra Musicians’ “Summer Salute to Healthcare Workers”

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by Mike Telin

Never has it been more important to thank a healthcare worker than the present. And for the past four-plus months, people have expressed their gratitude to workers on the frontline of the Coronavirus Pandemic in a multitude of ways, from banging on pots to flyovers by the U.S. Navy Blue Angels.

For the past six weeks, more than 40 members of The Cleveland Orchestra have shown their appreciation with a “Summer Salute to Healthcare Workers.” The idea for the concerts came from Lynne Ramsey, the Orchestra’s first assistant principal viola.

“During the early part of the shutdown, Lynne saw military planes doing flybys over hospitals as a salute to healthcare workers,” violinist Isabel Trautwein said during a telephone conversation. “So she thought, what if musicians would do ‘playbys’?” [Read more…]

Miró Quartet to perform Beethoven Cycle for Orcas Island Chamber Music Festival

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by Mike Telin

In case anyone has forgotten, 2020 is the 250th anniversary of the birth of Ludwig van Beethoven. And while COVID-19 has interrupted most of the performances that were planned to honor the composer, at least one celebration will go on. But not without some redesigns.

Beginning on Thursday, July 16 and continuing through August 8, the Orcas Island Chamber Music Festival will present Beethoven’s complete string quartet cycle as performed by the Miró Quartet. The concerts will be streamed live in real time from a private venue in the Quartet’s base in Austin, Texas. For a complete schedule and to purchase tickets, click here.

Like most musicians and ensembles, the Miró — Daniel Ching and William Fedkenheuer (violins), John Largess (viola), and Joshua Gindele (cello) — began their unplanned hiatus in mid-March. Soon after, the Quartet began thinking about what the future held. 

[Read more…]

Callisto Quartet to perform live and al fresco in Solon on July 17

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by Daniel Hathaway

Life is full of new experiences for a young chamber music ensemble, but this week will mark a real first for the Callisto Quartet. Although violinists Paul Aguilar and Rachel Stenzel, violist Eva Kennedy, and cellist Hanna Moses played a number of outdoor concerts on their Italian tour last summer, Friday will be their debut performing on a baseball field.

On July 17 at 7:00 pm, the Callistos will play Mozart’s “Hunt” Quartet, K. 458, and Debussy’s Quartet in a free concert at Solon Community Park.

The event, presented by Chagrin Arts in cooperation with the City of Solon, will observe social distancing. Face masks are mandatory, and each household will be asked to stay within circles chalked on the field. Attendees should bring their own snacks and lawn chairs. The players, who will perform “right in front of the dugout,” will be miked.

[Read more…]

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