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Cleveland Classical Guitar Society to present Beijing Guitar Duo

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by Mike Telin

If you’re looking for something special to share with your significant other for Valentine’s Day, why not take in a classical guitar concert? On Saturday, February 15 at 7:30 pm at Plymouth Church, the Beijing Guitar Duo — Meng Su and Yameng Wang — will return to the Cleveland Classical Guitar Society stage with a program of music by J.S. Bach, Debussy, Tan Dun, Chen Yi, and Piazzolla. Buy your tickets in advance here. 

“We’re looking forward to being back in Cleveland,” Meng Su said by telephone from Knoxville, Tennessee, the sixth stop on their month-long, twelve-city tour. I began our conversation by asking her about their eclectic program. 

Mike Telin: You and Yameng are getting down to business from the beginning with Bach’s “Chaconne.”

Meng Su: Yes. This arrangement is after the Busoni arrangement for piano — he added a lot of harmonies and made it more Romantic, but kept the essence of Bach’s writing. The arrangement we’re playing is by the German guitarist Ulrich Stracke. It works very well. We’ve been playing it for many years. The “Chaconne” is such a big task but as you get older you begin to understand it more. Now that Yameng has become a mother — she has a two-month old daughter — and I have started teaching in Hong Kong at the Academy for the Performing Arts, I think we have a deeper understanding of it. I’m sure we will be playing it for the rest of our lives.

[Read more…]

Conductor Philippe Herreweghe to debut with The Cleveland Orchestra

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by Jarrett Hoffman

Philippe Herreweghe’s musical career began with a focus on Renaissance music and Bach. Later he explored the French Baroque. Still musically curious, he began to examine the Classical and Romantic eras through the lens of period instruments.

More recently, Herreweghe has been brought in regularly by modern orchestras, like the Amsterdam Concertgebouw, to conduct Romantic music in a “new” way — one informed by his experience in early music and historical performance.

One of the latest such invitations has come from The Cleveland Orchestra, with whom the Belgian conductor will make his debut this week. His program at Severance Hall includes Mozart’s “Jupiter” Symphony and two works by Beethoven: the Overture to Egmont and the Violin Concerto, featuring Isabelle Faust as soloist.

[Read more…]

Phaeton Piano Trio from Germany up next on Rocky River Series Feb. 10

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by Daniel Hathaway

Only nine years younger than its East Side counterpart, the Rocky River Chamber Music Society will continue its 61st season with a concert by Germany’s Phaeton Piano Trio on Monday, February 10 at 7:30 pm. The performance at West Shore Unitarian Universalist Church is free, but donations are welcome.

While violinist Friedemann Eichorn, cellist Peter Hörr, and pianist Florian Uhlig have been performing together and with colleagues in various combinations for 20 years, the Phaeton Trio is a relatively recent development. [Read more…]

Cleveland Orchestra: a conversation with violinist Leila Josefowicz

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by Mike Telin

Over the past ten years the adventurous violinist Leila Josefowicz and The Cleveland Orchestra have treated Northeast Ohio audiences to captivating performances of contemporary masterpieces. 2010 saw Thomas Adès’ Violin Concerto, which was followed by John Adams’ Violin Concerto (2011), Thomas Adès’ Concentric Paths (2016), and Adams’ Scheherazade.2 (2018).

On Thursday, February 8 at 7:30 pm, Josefowicz will return to Severance Hall to join conductor Susanna Mälkki in paying tribute to their mentor and friend Oliver Knussen with a performance of the late composer/conductor’s Violin Concerto. The concert will also include Sibelius’ En Saga and Symphony No. 1. The program will be repeated on Saturday, February 8 at 8:00 pm. [Read more…]

Conductor Susanna Mälkki returns to Severance Hall 

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by Mike Telin 

When Susanna Mälkki made her Cleveland Orchestra debut in April of 2015, the Finnish conductor was well on her way to becoming a star in the international conducting firmament. Since that time Mälkki has clearly established herself as one of the leading conductors of our time.

Mälkki is currently in her fourth season as Chief Conductor of the Helsinki Philharmonic Orchestra and her third season as Principal Guest Conductor of the Los Angeles Philharmonic. In December of 2016 she made her debut at The Metropolitan Opera leading the premiere of Kaija Saariaho’s L’Amour de loin. A recipient of the Pro Finlandia Medal of the Order of the Lion of Finland in 2016, the following year she was named Musical America’s Conductor of the Year.

On Thursday, February 6 at 7:30 pm, Mälkki will return to the Severance Hall podium to lead The Cleveland Orchestra in Sibelius’ En Saga and Symphony No. 1.

[Read more…]

Gospel Meets Symphony in Akron: talking to new choirmaster Jonathon Turner

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by Jarrett Hoffman

If you heard about someone sneaking into a rehearsal, you might be forgiven for asking, “Don’t you mean out?” But twelve years ago, a program called Gospel Meets Symphony came across the radar of 16-year-old Jonathon Turner, and he was curious. He asked his uncle to drive him and a friend, Dinareo Hill, to a church on the west side of Akron.

“We kind of snuck in the back, sat in the last row of the sanctuary, and just listened,” Turner, 28, said during a recent phone call. “It was like, oh my God. We had never heard a sound like that, with both gospel music and classical music.”

[Read more…]

Urban Troubadour: Akros Percussion and the peculiar mind of Stockhausen

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by Jarrett Hoffman

Akros Percussion Collective will bring what must be one of the most bizarre works in classical music to Weathervane Playhouse in Akron on Sunday, February 9.

The piece is Karlheinz Stockhausen’s 1975 sextet Musik im Bauch (“Music in the Belly”), which requires the performers to move about the stage like automatons, strike a seven-foot doll — his name is Miron, and he has a bird’s head and a human body — and eventually open up the doll’s belly with giant scissors. No guts inside: instead, music boxes, whose melodies have been informing the complex music all along.

It’s part of a presentation by Urban Troubadour, an organization that fittingly aims to put on non-traditional concert experiences.

[Read more…]

CIM hosts Music For Food at First Baptist February 18

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by Daniel Hathaway

One of the iterations of Music for Food, a musician-led initiative to fight hunger in local communities, is an annual concert to benefit the Greater Cleveland Food Bank. This year’s event will take place at First Baptist Church in Shaker Heights on Tuesday, February 18 at 8:00 pm. Sponsored by the Student Government Association of the Cleveland Institute of Music, the performance will bring CIM faculty and students together for music by Camille Saint-Saëns, Charles Gounod, and Felix Mendelssohn.

Faculty musicians include Jeanelle Brierley, Olga Dubossarskaya Kaler, and Jaime Laredo, violins, Sharon Robinson, cello, Mary Kay Fink, flute, Frank Rosenwein, oboe, Afendi Yusuf, clarinet, Barrick Stees, bassoon, and Richard King, horn. [Read more…]

Welcoming the Apollon Musagète Quartet to the Cleveland Chamber Music Society

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by Daniel Hathaway

Founded in Vienna in 2006 by four young Polish musicians, the Apollon Musagète Quartet will visit the Cleveland Chamber Music Society series at Plymouth Church in Shaker Heights on Tuesday, February 4 at 7:30 pm.

Violinists Paweł Zalejski and Bartosz Zachłod, violist Piotr Szumieł, and cellist Piotr Skweres, now on a multi-city tour of North America, will bookend their program with Haydn’s Quartet in D, Op. 64, No. 5, “Lark,” and Dvořák’s Quartet in A-flat, Op. 105. Following their custom of featuring at least one work by a Polish composer on each of their concerts, the Quartet will center their program with Krzysztof Penderecki’s Quartet No. 3, “Leaves from an unwritten diary.”

Written only two years after Apollon Musagète was formed — and named after Apollo ‘The Inspirer of the Muses’ — Penderecki’s third quartet marked the composer’s first foray into chamber music in four decades. As Peter Lakí writes in his program notes for the February 4 concert, “Penderecki rarely gives his works programmatic subtitles. The fact that he chose to do so in this case shows that this quartet meant something special to him.” [Read more…]

St. Olaf Choir to sing in Severance Hall as part of its 100th East Coast Tour

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by Daniel Hathaway

Founded in 1912 in Northfield, Minnesota by F. Melius Christiansen, the St. Olaf Choir began its tradition of East Coast Tours in 1920. Its inaugural itinerary included a concert in Cleveland that inspired Plain Dealer critic James Rogers to write on May 4 of that year, “If there is such a thing as a virtuoso chorus, we have it here.”

On Monday, February 3 at 7:30 pm, Anton Armstrong will lead the 75-voice ensemble in a concert at Severance Hall, a venue which was still in the planning stages in 1920. The performance is the sixth stop on the Choir’s 100th winter tour, which will take the singers to thirteen cities in fourteen days.

“This will be my fourth or fifth appearance with the Choir at Severance, and I love that hall,” Armstrong said in a recent telephone conversation from Northfield. “After our tours I always ask the singers which spaces were best and easiest to sing in, and for the last two tours Severance has eclipsed all the others. I’m a New Yorker, and when I step onstage at Carnegie Hall, I close my eyes and imagine Leontyne Price, or Ella Fitzgerald, or The Beatles. In Cleveland, I’m delighted to add our weave to a great tapestry that includes George Szell and Robert Shaw.” [Read more…]

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