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Akron Symphony: Christopher Wilkins talks Mahler 5

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by Jarrett Hoffman

Programming a concert is like working out a puzzle. And if one of the pieces is Mahler’s Symphony No. 5, a better comparison might be a Rubik’s Cube.

“It’s challenging to program the Fifth Symphony because it’s 70 minutes, so that could be a full evening,” Akron Symphony music director Christopher Wilkins said during a phone call. “But I think most conductors are reluctant to just open the doors, let people get settled in their seats, and boom — have 70 minutes of music. It’s of course tough for latecomers. And the first and second movements are meant to be played without pause, so you don’t even get to relax until you’re a good twenty-plus minutes into the piece.”

How about starting with a short piece? That’s worse. Either the audience gets an oddly early intermission, or they have to sit still for maybe an hour and a half.

For the Akron Symphony’s concert this Saturday, January 18 at 8:00 pm at E.J. Thomas Hall, Wilkins has opted to precede Mahler’s Fifth with a pair of short pieces: Mozart’s Overture to The Marriage of Figaro and Wagner’s Prelude to Tristan and Isolde. In a way, all three works are about love — but more on that later.

[Read more…]

Early Music America: Ensembles Meld To Probe Affairs Of The Heart

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by Mike Telin

For centuries, people have wanted the things they cannot have, especially when it comes to love. In their current collaborative program, Lessons in Love, Debra Nagy of Cleveland-based Les Délices and Scott Metcalfe of Boston-based Blue Heron have created a musical and philosophical journey that focuses on the late Medieval attitude toward intimacy. The program draws from the narrative poem Roman da la Rose, in which the allegorical character Hope (Esperance) counsels a courtly lover through his amorous pains, guiding him down the path of turning his suffering into delight.

Lessons in Love features Martin Near (countertenor), Jason McStoots (tenor), Sumner Thompson (baritone), Metcalfe (vielle and harp), Nagy (medieval winds), and Mark Rimple (lute). Performances in Ohio will take place in Akron, Columbus, and Cleveland Jan. 16-19. The program will travel to Massachusetts for concerts in Cambridge and Norwell on Feb. 22 and 23.

Read the article on the website of Early Music America

Announcements

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Tuesday Musical invites college-age students pursuing careers as music performers and/or educators to apply online for its 2020 Scholarship Competition to be held in Akron on March 21. The deadline is February 1. Click here for information.

Cleveland’s Broadway School of Music and the Arts is hiring part-time teachers of violin, piano, woodwinds & drums for classes on weekdays between 2:00 and 8:00 pm and possibly on Saturdays. Click here to download application details.

Cleveland Chamber Symphony will be accepting scores from Northeast Ohio composers until midnight on January 17 to be considered for its April 7 NeoSonicFest concert at Baldwin Wallace. Click here for criteria and details.

Cleveland Chamber Music Society: Second Ehnes & Armstrong recital features Beethoven’s ‘Kreutzer’ Sonata

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by Daniel Hathaway

Credit Opus 47 for inspiring the complete cycle of Beethoven’s violin sonatas that James Ehnes and Andrew Armstrong are touring this season to celebrate the composer’s 250th birthday.

As the Canadian-born violinist told us in a phone conversation last fall, he and his piano colleague once booked a studio in England to record a commissioned piece, but the work wasn’t ready yet. “The space, the recording engineer, and the producer were all on hold and we were faced with a whole day of dead time. What could we do to turn this into a useful day?”

Having performed Beethoven’s Ninth Sonata (the “Kreutzer”) quite frequently around that time, Ehnes proposed using that day to record it. “It’s never a bad idea to have a recording of the ‘Kreutzer,’ and we could figure out what to do with it later.”

What they did with it later was to record Beethoven’s Sixth Sonata and release the two sonatas on the same disc. “Some publications assumed that this was the start of a cycle,” Ehnes said, and that prediction came true when the violinist was looking for a way to mark the big anniversary of the composer’s birth in 2020. [Read more…]

Vinay Parameswaren to conduct 40th MLK Celebration at Severance Hall

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by Daniel Hathaway

The Cleveland Orchestra will celebrate the birthday of Dr. Martin Luther King Jr. for the 40th consecutive year on Sunday, January 12 at 7:00 pm in Severance Hall. Assistant conductor Vinay Parameswaran will lead the Orchestra and the Martin Luther King Jr. Celebration Chorus, William Henry Caldwell, director, in a program whose repertory departs slightly from past concerts.

“There won’t be a featured soloist this year,” Parameswaren said in a telephone conversation late last month. Instead, the majority of the program will feature African American composers.

“We’ll open with Adolphus Hailstork’s Fanfare on Amazing Grace, then move to a couple of pieces from Duke Ellington’s suite, The River, and on to the first movement of Florence Price’s First Symphony. Jahja Ling is going to conduct her Fourth Symphony in April, and I’m doing a movement from that piece with the Cleveland Orchestra Youth Orchestra during the Open House on January 20. It’s nice to get to celebrate a composer like Price, who wrote a ton of music and had premieres performed by the Chicago Symphony and other big orchestras, but who doesn’t make it onto concert programs very often these days.”

Duke Ellington’s music is a similar case. “I’ve conducted his Harlem and I’ve studied his Three Black Kings,” Parameswaran said. “Ellington doesn’t get as much recognition for his orchestral writing as he does for his jazz, but he certainly knew what he was doing. Again, it’s a rarity to find his music appearing on a classical program, but I’m glad it’s on this one.” [Read more…]

A note from the editor

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To everyone who enjoys ClevelandClassical.com:

Since the beginning of our fiscal year this past July, we’ve published 224 articles, evenly divided between previews and reviews, and posted 764 calendar listings of events that reflect the vibrant classical music scene in Northeast Ohio.

Please take this opportunity to think about how you use the services that ClevelandClassical.com offers, and consider a gift to our Annual Fund. Our goal is to raise $10,000 in individual donations.

Go to our Donate page, where a contribution by PayPal is only a click away!

With thanks and best wishes for the season,

Daniel Hathaway
founder and editor

Ring in the New Year
with Cleveland Pops 

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by Mike Telin

For the past 23 years, one of the best New Year’s Eve parties in Cleveland, if not the best, has been hosted by Carl Topilow and the Cleveland Pops Orchestra. That tradition will continue on Tuesday, December 31 at 9:00 pm at Severance Hall when Topilow and his Orchestra ring in 2020 with music from the past 100 years — 1920 to 2020.

Come in costume and enjoy a Roaring Twenties party after the concert. There will be dancing to The No Name Band and the Pops Jazz ensemble, photo opportunities, cash bars, and the traditional midnight balloon drop. To top it off, a $250 cash prize will be awarded to the person with the best ‘20s costume. Second place will be awarded $100, and third place $75. Tickets are available online. Click here to see a list of hotels offering special room rates to ticket holders.

“Can you believe it? This will be number 24,” Carl Topilow said during a telephone conversation. “We gave the first New Year’s Eve concert the same year we started the orchestra, and I think we knew it would last this long — it was a very popular event from the beginning.”

This year’s special guest artist will be vocalist Connor Bogart O’Brien. “He’s performed with us a lot, and has become a real audience favorite,” Topilow said. [Read more…]

Quire Cleveland: Jay White talks about Carols for Quire X

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by Daniel Hathaway

There are myriad ways to organize a concert of carols. For Quire Cleveland’s tenth “Carols for Quire” program, to be presented by his professional singers in three venues from December 20-22, conductor Jay White turned to Renaissance settings of ancient antiphons for structure. “These three concerts are sponsored by the letter O, just like in Sesame Street,” he said in a phone conversation from his studio at Kent State University.

Let’s explain. By the eighth century, the Roman church had developed a series of devotional antiphons to be sung one-per-day during the last week before Christmas as introductions to the Magnificat hymn at Vespers. Derived from the prophecies of Isaiah, each begins with “O” and names a specific attribute of the Messiah — Sapientia (Wisdom), Adonai (Lord), Radix Jesse (Root of Jesse), Clavis David (Key of David), Oriens (Daystar), Rex Gentium (King of Nations), and Emmanuel (God with us).

These antiphons will be familiar to those who know the hymn O come, O come, Emmanuel, a compilation of the “O” antiphons in poetic form which appeared in Germany during the early 18th century, originally with only five stanzas. Paired with a 15th-century French melody in the widely-adopted Hymns Ancient and Modern in 1861, the hymn came into general use in English-speaking countries. [Read more…]

A Trio of Messiah Sings
will take place this week

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by Daniel Hathaway

Although Handel wrote his most famous oratorio for performance in Dublin at Eastertime of 1742, Messiah has become irrevocably associated with Christmas in the United States. And what would that season be without the opportunity to participate in do-it-yourself Messiah Sings? Here are three occasions when you can lift up your voices in the next week without auditions or rehearsals.

On Sunday, December 15 at 3:00 pm, the Master Singers Chorale will hold their first annual Sing at First Congregational Church in Akron. Edward Arthur Shure conducts, and Kent State student vocalists  Heather Morrison, soprano, Natalie Butchko, mezzo-soprano, Benjamin Hayes, tenor, and Charles Austin Piper, baritone, will take the solos. James Mismas will be at the organ, supplemented by a brass quartet. [Read more…]

Julian Wachner to lead Apollo’s Fire
in J.S. Bach’s Christmas Oratorio

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by Daniel Hathaway

Christmas was a major inspiration for church music in Leipzig in J.S. Bach’s time, as evidenced by the six festive cantatas he wrote for the celebrations of 1735 — one each for December 25, 26, and 27, New Year’s Day, the first Sunday of the new year, and the feast of the Epiphany. This week, Apollo’s Fire will perform four of the cantatas that comprise Bach’s Christmas Oratorio in five venues around the city under guest conductor Julian Wachner, with soprano Molly Netter, countertenor Daniel Moody, tenor Stephen Soph, baritone Jesse Blumberg, and Apollo’s Singers.

Julian Wachner has spent his distinguished career with one foot in church music and the other in the concert world. A native of California, he began as a boy chorister at New York’s St. Thomas Choir School and currently serves as Director of Music and the Arts at Trinity Church, Wall Street. An acclaimed conductor of early music, contemporary music, and opera, he also finds time to compose. I spoke with him by telephone last week in Missouri, where he was leading performances of Handel’s Messiah with the Kansas City Symphony.

The Christmas Oratorio holds a special place in Wachner’s career — it’s the first work he recorded 20 years ago, and that recording has recently been re-engineered and re-released. “Jeannette Sorrell told me to pick four of the six cantatas for Cleveland,” Wachner said, “so I thought I’d choose five and six, the ones that aren’t often done, in addition to one and two. There’s such glorious music in the last pair that I thought it would be wonderful to spring those on the audience.” [Read more…]

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