by Mike Telin
Presented in the intimate, acoustically-pleasing Mistake Lab, Austin-based cellist James Burch began his set with Phong Tran’s Durability Problems (2017). Burch brought a dark, rich sound, loads of technique, and great intonation to the five-minute, mercurial work full of sudden tempo changes and mood shifts. [Read more…]




After mixing up the start time, I arrived to the Miró Quartet concert on Friday evening, June 8 just in time to witness the aftermath of violist John Largess’ two broken strings. For their relatively short length and narrow width, those strings caused quite the wave of amused chatter in the Tudor House at Gilmour Academy.
People crammed into Visible Voice Books in Tremont on Sunday afternoon, June 10, for the compellingly disparate sixth concert of the Re:Sound New Music Festival. 
The Magalen in Slavic Village was full of the musically adventurous for the strangely fantastic second installment of the Re:Sound New Music Festival on Friday, June 8. 
Violinist David Bowlin, pianist Roman Rabinovich, and cellist Oliver Herbert left no heartstrings un-tugged in ChamberFest Cleveland’s debut performance at the AHA! Festival on Friday afternoon, June 8 in Drinko Hall at Cleveland State University.
The prize-winning young pianist Drew Petersen gave an excellent guest recital for an appreciative crowd in Mixon Hall on Monday night, June 4, as part of the Cleveland International Piano Competition for Young Artists. His chronologically organized program stretched from repertory mainstays by Beethoven and Chopin to two wonderful American works by Griffes and Barber.
The Baroque Music Barn and its three-sided seating make for an intimate setting, which was perfect for the Friday, June 8 concert by Apollo’s Fire titled “Tarantella!” Soprano Amanda Powell, plucked instrument musician and tenor Brian Kay, and artistic director Jeannette Sorrell invited the audience to join them on an energetic and emotional tour of “Rhythms of the Old Mediterranean.” This fantastical journey was dramatically narrated by Powell, and talks by Kay, Sorrell, and ensemble member Daphna Mor added to the experience.