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Credo Faculty Concert at Oberlin’s Clonick Hall (July 10)

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by Daniel Hathaway

credo-logo-whiteFresh air was blowing into Friday evening’s chamber music concert by Credo faculty, even if the Oberlin Conservatory’s Clonick Hall — being the recording studio that it is — has no windows to open. Departing from the usual concert format, where pieces are played in some kind of curated sequence from beginning to end, concert designers Lee Joiner and Steuart Pincombe took works by Henry Purcell, John Dowland, Benjamin Britten, and Ralph Vaughan Williams. and rearranged their movements into a kind of musical crazy-quilt. [Read more…]

Jeff & Nina Nelsen open Kent/Blossom series with delightful recital (July 1)

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by Daniel Hathaway

NelsensMusic for French horn, mezzo-soprano and piano isn’t an everyday flavor of chamber music, so if you happen to be Jeff Nelsen and you marry Nina Yoshida and decide to perform together, you have to undertake some exploring, some arranging, and some commissioning, to come up with enough repertoire to build a concert program. Last Wednesday evening, July 1, Jeff and Nina Nelsen, in cahoots with pianist Elizabeth DeMio, proved that a delightful evening of chamber music can result from unlikely ingredients — if the performers and the music are as excellent and committed as these were. [Read more…]

ChamberFest Cleveland closes 2015 season with “Stars and Stripes” (July 1)

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by Timothy Robson

BlackstoneOrganThe 2015 season of ChamberFest Cleveland closed with a mostly American program in a spectacular venue: the angular, modernist home of Dr. Eugene and Janet Blackstone in Bratenahl along the shore of Lake Erie. The house, with its west-facing glass curtain wall, overlooks manicured lawns, and, after weeks of unending rain in Cleveland, there were sailboats on the lake as the sun set. The house also integrates a four-manual, custom-built pipe organ sprouting seemingly from every surface. The spaces not occupied by organ pipes (and a concert grand piano) were taken by audience members, in the main living area, an upper gallery and on the stairs. [Read more…]

Apollo’s Fire: Tanglewood send-off concert (June 29)

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by Jane Berkner

AF-Intimate-BachApollo’s Fire regaled the audience with a musically satisfying and well-played concert on June 29 at First United Methodist Church in Akron. One of its gala send-off concerts planned for this summer, the group played the same program at the Tanglewood Festival in Massachusetts at the end of the week. The concert opened with selections from Telemann’s Don Quixote Suite, a musical portrayal of Cervantes’ novel. [Read more…]

ChamberFest: “Something Borrowed, Something Blue” at Mixon Hall (June 27)

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by Mike Telin

Cho-RabinovichChamberFest Cleveland added a new spin to the phrase “Something Borrowed, Something Blue” on Saturday, June 27 in Mixon Hall. Although no wedding took place, the program featured music that perfectly marries the classical ethos with jazz and folk idioms. As violinist Jinjoo Cho and pianist Roman Rabinovich prepared to open the concert with Ravel’s Sonata for Violin and Piano, suddenly from offstage, the sounds of the opening clarinet line from Rhapsody in Blue filled the hall. [Read more…]

ChamberFest: на здоровье! (June 27)

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by Jeremy Reynolds

BeethovenQuartetNancy Osgood, Board Chair of ChamberFest 2015, began на здоровье! (Good Health!) by dedicating the program to the memory of James Ireland III, one of the great benefactors of the arts in Cleveland. On Friday, June 26, CWRU’s Harkness Chapel hosted the festival’s all-Russian program, which attracted a healthy number of younger listeners in addition to a large number of seasoned concertgoers. [Read more…]

ChamberFest Cleveland: “Grab Bag!” at The Wine Spot (June 23)

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by Nicholas Jones

WSThreeViolinsChamberFest Cleveland’s “Grab Bag!” concert on Tuesday was informal and eclectic, as the title implies. Seated fairly comfortably in Lee Road’s Wine Spot, the capacity audience was treated to a stimulating mix of instruments and musical styles — as well as a free glass of wine or beer. ChamberFest organizers Diana and Frank Cohen served as gracious hosts, giving impromptu commentaries between numbers. [Read more…]

Dispatch from Chicago: fresh inc Festival composers worked with Dan Visconti (June 20)

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by Daniel Hautzinger

Fresh-Inc---Constellation-1002It’s sometimes argued that the future of classical music resides not with large orchestras in grand halls, but with flexible chamber ensembles in versatile venues. A convincing example of that possible future occurred at Chicago’s Constellation on June 20 in the penultimate concert of the fresh inc 2015 chamber music festival. [Read more…]

Ohio Light Opera: One Touch of Venus (June 27)

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by Kelly Ferjutz, Special to ClevelandClassical

Venus1It’s a little bit sassy, a little bit bawdy, and a whole lot of musical fun! What is it, you ask? Why, it’s One Touch of Venus, now onstage in repertory through August 8 at the Ohio Light Opera in Wooster. It’s totally fabulous. One Touch of Venus is one of half-a-dozen or so musicals written by the eminent classical composer Kurt Weill, but the music is anything but strictly classical in orientation. There’s jazz, boogie-woogie, and jitterbug, in addition to beautiful melodies such as “Speak Low,” and “I’m a stranger here myself.” [Read more…]

ChamberFest Cleveland: Weiss & Polonsky in “Crossing Hands” at Dunham Tavern (June 28)

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by Daniel Hathaway

WeissPolonsky1Music for four hands on one piano has usually been a parlor game rather than the subject of public performance. Composers dabbled in that genre to satisfy an enthusiastic market of amateurs who wanted to amuse themselves and friends at home — and arrangers made versions of chamber and orchestral music so that musicians could study repertoire before the advent of sound recording. But Orion Weiss and Anna Polonsky’s refreshingly informal performance of music by Dvořák, Debussy, Schumann, Ravel, and Fauré at Dunham Tavern on Sunday afternoon, June 28 made a terrific case for four-hand music as a recital vehicle in its own right. [Read more…]

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