by Robert Rollin
Last Saturday night under the direction of Randall Craig Fleischer, the Youngstown Symphony began its pops series with One Singular Sensation: A Tribute to the Music of Marvin Hamlisch. All three soloists had worked with Hamlisch (1944-2012), and they seemed to lend a special authenticity to the concert. [Read more…]
by Daniel Hathaway
Nearly a year ago, the surprising news that an upscale Ohio City jazz club, The Bop Stop, had been donated to The Music Settlement piqued one’s curiosity: how would the school use that attractive, crescent-shaped facility? [Read more…]
by Jane Berkner
Symphony musicians know all too well the feeling of being terrified during a performance. On Saturday night, October 18, in EJ Thomas Hall, the audience had plenty of reasons to share that feeling with the Akron Symphony. [Read more…]
by Daniel Hathaway
On Friday, October 17, Burning River Baroque — Peter Lekx, violin, Malina Rauschenfels, soprano and cello & Paula Maust, organ — presented the first of three performances of sacred German baroque music in an especially appropriate venue. Trinity Lutheran Church, a 19th century Gothic edifice in Ohio City, was built by a German congregation and houses a distinguished 1955 Rudolph von Beckerath neo-baroque organ. [Read more…]
by Daniel Hathaway
CityMusic Cleveland presented the first concert in its current five-program set on Wednesday, October 15 to a good-sized crowd at Lakewood Presbyterian Church. Under the direction of music director Avner Dorman, the chamber orchestra played symphonies by Mozart and Haydn and gave the Cleveland premiere of Dorman’s Saxophone Concerto with Timothy McAllister as soloist. [Read more…]
by Daniel Hathaway
As Johann Sebastian Bach neared the end of his career, he took care to put his musical legacy in order, making archival-quality copies of Passions and completing what his son, C.P.E. Bach, called his “grosse catholische Messe.” [Read more…]
by Carlyn Kessler
On Friday, October 10, The Cleveland Orchestra presented its first Fridays@7 concert of the 2014-15 season. Creating a more informal concertgoing experience, these concerts feature an earlier start time and shorter duration bookended by pre- and post-concert non-classical music, organized by world percussion luminary Jamey Haddad. [Read more…]
by Daniel Hathaway
Cornettist Bruce Dickey has been an important figure in bringing the cornetto back from extinction. Not by growing its ancient DNA in a laboratory, but by mastering it, teaching it, and performing on it in solo recitals and ensembles. Last week, he appeared in concerts with Italian organist Lieuwe Tamminga at Oberlin and at Cleveland’s Church of the Covenant, and later this month, he’ll join Apollo’s Fire for performances of Monteverdi’s Vespers of 1610, both locally and on tour. [Read more…]
by Nicholas Jones
J. S. Bach would be astounded to find his 330th birthday celebrated with such fervor as it is this season in Northeast Ohio. Next weekend, the Cleveland Orchestra is marking the occasion with performances of the B-Minor Mass, and this past weekend Apollo’s Fire baked a scrumptious cake for the not-always-sweet cantor of Leipzig. Though the actual birthday isn’t until next March 21st, we got a sneak peek at the birthday presents early when music director Jeannette Sorrell presided over Apollo’s Fire’s program of Bach’s virtuosic instrumental music. [Read more…]
by Daniel Hathaway
The Cleveland Orchestra built its second subscription weekend around the phenomenal Chinese pianist, Lang Lang, who treated Severance Hall audiences to Richard Strauss’s Burleske on Thursday and Friday evenings and Sunday afternoon, Chopin’s Andante spianato & Grand Polonaise brillante on Thursday and Sunday, and no doubt blew the patrons of the Orchestra’s annual benefit evening away with the first Tchaikovsky concerto on Saturday. [Read more…]