by Tom Wachunas
Unlike some other MasterWorks concerts by the Canton Symphony Orchestra, there was no single, dominant musical theme or concept uniting the selections on its February 16 program. There certainly was, however, a unifying energy working from the podium — CSO Assistant Conductor Matthew Jenkins Jaroszewicz. [Read more…]
by Peter Feher
The history of classical music sometimes borders on mythology. The music on the Akron Symphony’s Saturday, February 22 program has taken on this fabled, quasi-historical quality — Mozart’s Requiem, Schubert’s “Unfinished” Symphony, and Beethoven’s over-finished Leonore Overture No. 3. Fortunately, in performance the music more than lived up to the story. [Read more…]
by Timothy Robson
Cleveland’s Baroque Orchestra celebrated the Valentine’s Day weekend with four performances of “L’Amore: An Old Italian Valentine.” I heard the second concert on the evening of Valentine’s Day itself at St. Paul’s Episcopal Church in Cleveland Heights. Apollo’s Fire conductor and harpsichordist Jeannette Sorrell greeted the audience with the adage, “Italian is the language of music, of the angels, and of love.” [Read more…]
by Nicholas Stevens
Every so often, the first seconds of a concert bring neither anxiety over how the rest will go nor twitchy overstimulation, neither boredom nor ecstasy, but a satisfying assurance. Some performances click right away, the musicians’ technique unimpeachable, their artistry and expression powerful, their manner warm but professional. Such concerts hold attention in a special way — the chances of a misstep negligible enough that listening never involves comparison to an abstract standard. In the Phaeton Trio’s recent tour de force in Rocky River, the initial gestures of the performance set a high standard that held throughout. [Read more…]
by Nicholas Stevens
Musicians love a good metaphor: take, for instance, that of summiting a mountain. When a violinist speaks this way after playing all of Bach’s partitas, or a soprano recalls preparations for a Wagner opera, the image of the artist mounting some hostile peak offers implications of persistence, struggle, and of course triumph. Pianists might describe Beethoven’s sonatas this way. But how many have actually played at the top of a mountain? Archival video confirms that French pianist Pierre Réach literalized this image of the soloist at the summit over twenty years ago. A recent concert in Cleveland confirmed that the figurative Everest of Beethoven’s piano music still bears his banner as well. [Read more…]
by Daniel Hathaway
The Cleveland Orchestra — or at least half of it — marked Valentine’s Day with a straight-through, 50-minute concert led by Belgian early music guru Philippe Herreweghe. The February 14 performance, marketed as a romantic evening of orchestral classics, played to a packed house (marketing works!). [Read more…]
by Daniel Hathaway
Music is said to be a universal language, but it does speak with different accents. When you’re playing music by Jean Sibelius, it’s helpful to have a Finnish conductor on the podium, which is what made Susanna Mälkki’s pair of Cleveland Orchestra concerts so lucid and communicative earlier this month. [Read more…]
by Timothy Robson
On Sunday afternoon, February 16, The Cleveland Orchestra accomplished the seemingly impossible feat of performing two concerts simultaneously at different parts of the Cleveland metropolis. One was the final performance of this week’s subscription concert, the other a free community concert at Lakewood Civic Auditorium.
by Daniel Hathaway
Today’s touring string quartets hew to so uniformly high a standard that it’s often little individual touches that make ensembles stand out. The Polish musicians who make up the Apollon Musagète Quartet showed up at Plymouth Church in Shaker Heights for their debut on the Cleveland Chamber Music Society series on February 4 in matching plaid suits and black shirts. And jettisoning their jackets, they played standing (except for the cellist). [Read more…]
by David Kulma
CityMusic Cleveland is best known for the free orchestra concerts it gives all over the Cleveland area, often in large churches and synagogues. But another feature of this group’s programming is its chamber music series at Praxis Fiber Workshop in Collinwood. This cosy art space was perfect for the concert I heard on Friday, January 24. People filled the room, and the music enveloped the space for an immersive experience. I highly recommend trying to get a seat in the quasi-alcove off to the side.