by Daniel Hathaway
As Akron Symphony music director Christopher Wilkins put it in his speech to the audience in E.J. Thomas Hall on Saturday, October 15, the Orchestra’s program featured “not wasps, not birds, and not planets.” [Read more…]
by Daniel Hathaway
As Akron Symphony music director Christopher Wilkins put it in his speech to the audience in E.J. Thomas Hall on Saturday, October 15, the Orchestra’s program featured “not wasps, not birds, and not planets.” [Read more…]
by Mike Telin
by Mike Telin
It’s all about Sō Percussion in Akron this week. On Wednesday, October 12 at 7:00 pm in Guzzetta Recital Hall, Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting will team up with the University of Akron’s Percussion Ensemble for a performance of Steve Reich’s groundbreaking composition Drumming as part of Tuesday Musical’s FUZE series.
Then on Saturday, October 15 at 8:00 pm in E.J. Thomas Hall, Sō Percussion will join Christopher Wilkins and the Akron Symphony in Pulitzer Prize-winning composer David Lang’s man made for percussion quartet and orchestra. The evening will also include Ralph Vaughan Williams’s Overture to The Wasps, Tan Dun’s Secret of Wind and Birds, and Gustav Holst’s The Planets. Lang and Wilkins will present the concert’s “Preview from the Podium” at 7:00 pm. [Read more…]
by Mike Telin
by Mike Telin
On Saturday, October 15 at 8:00 pm in E.J. Thomas Hall, Sō Percussion will join Christopher Wilkins and the Akron Symphony in Pulitzer Prize-winning composer David Lang’s man made for percussion quartet and orchestra. Lang and Wilkins will present the concert’s “Preview from the Podium” at 7:00 pm. The concert is presented in collaboration with Tuesday Musical Association.
Written for Sō Percussion, man made was commissioned by London’s Barbican Center and the Los Angeles Philharmonic. The ensemble premiered the work at the Barbican with the BBC Symphony in May of 2013. The American premiere was given in October of 2014 by Gustavo Dudamel and the LA Philharmonic. During the 22-minute piece, Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting will snap twigs and strike everything from wine bottles to a steel drum, a trap set, xylophones, and “found” instruments. View a trailer here. [Read more…]
by Daniel Hathaway
Pianist Antonio Pompa-Baldi joined Christopher Wilkins and the Akron Symphony in E.J. Thomas Hall on Saturday, September 24 to open the orchestra’s new season with Rachmaninoff’s third concerto — a 40-minute adventure in Slavic lyricism laced through with enough physical challenges to tie a lesser pianist in knots. Pompa-Baldi played it with the fingers of a virtuoso, the soul of a poet, and the stamina of a marathon runner. [Read more…]
by Mike Telin
by Mike Telin
“Rachmaninoff’s Third Concerto is an amazing piece,” pianist Antonio Pompa-Baldi said during a recent telephone conversation. “It’s very difficult to express thoughts about such a work of art in a few words.” On Saturday, September 24 at 8:00 pm at Akron’s E.J. Thomas Hall, Pompa-Baldi will perform Rachmaninoff’s Piano Concerto No. 3 with the Akron Symphony under the direction of Christopher Wilkins. The season-opening concert will also include Edward Elgar’s Pomp and Circumstance and Jean Sibelius’s Symphony No 5. [Read more…]
by Daniel Hathaway
Carl Orff intended his immensely popular “Scenic Cantata” Carmina Burana to be a staged work with dancers rather than just a concert piece — the form in which we usually encounter it today. On Saturday, May 7 at E.J. Thomas Hall, the Akron Symphony and Chorus joined with David Shimotakahara’s GroundWorks Dance, Ballet Excel Ohio, the Dance Institute at the University of Akron, soprano Grace Kahl, tenor Timothy Culver, baritone Brian Keith Johnson, and the Cleveland Orchestra Children’s Choir in a performance that splendidly fulfilled the composer’s original vision. [Read more…]
by Mike Telin
What does Akron sound like to you? This is the question the Akron Symphony Orchestra and composer Clint Needham asked when they invited Akron area residents to download a smartphone app and upload their recordings to the Sounds of Akron website from late last spring through the fall. Those sounds became the inspiration for Needham’s imaginative new work, Sounds of Akron: City Meets Symphony, which received its premiere by the Akron Symphony under the direction of Christopher Wilkins on April 16 at E.J. Thomas Hall. [Read more…]
by Mike Telin
Next to the final movement of Beethoven’s Ninth Symphony, there is no work for chorus and orchestra more recognizable than Carl Orff’s Carmina Burana. The first and last movements, both titled Fortuna Imperatrix Mundi (Fortune, Empress of the World), begin with the popular “O Fortuna,” which has been used a countless number of times in commercials and cinema. But what served as inspiration for David Shimotakahara’s new choreography for Carmina Burana are the arias for solo soprano from the work. “She’s like the axis, she is Fortuna. She is the omniscient center of the universe.”
On Saturday, May 7 at 8:00 pm in E.J. Thomas Hall, Christopher Wilkins will lead the Akron Symphony in Orff’s powerful score, featuring Shimotakahara’s new choreography performed by GroundWorks Dance Theater. The program will also include Leonard Bernstein’s Symphonic Suite from On the Waterfront. [Read more…]
by Mike Telin
What does Akron sound like to you? This is the question the Akron Symphony Orchestra and composer Clint Needham asked when they invited Akron area residents to download the iOS or Android apps and upload their recordings to the Sounds of Akron website from late last spring through the fall.
Those became the inspiration for his new collaborative work, Sounds of Akron: City Meets Symphony, which will be premiered by the Akron Symphony at E.J. Thomas Hall under the direction of Christopher Wilkins on April 16 at 8:00 pm. The program will also include Gustav Mahler’s Symphony No. 4 featuring soprano Christine Brandes. A pre-concert celebration will begin at 6:00 pm. [Read more…]
by Daniel Hathaway
Pianist-psychiatrist Richard Kogan met Akron Symphony music director Christopher Wilkins when both were undergraduates at Harvard. During that time, Kogan played a concerto with the student-run Bach Society Orchestra under Wilkins’s baton. The two met up again on Saturday, February 6 in E.J. Thomas Hall for a performance of Sergei Rachmaninoff’s second concerto, preceded by an introductory talk by Kogan. [Read more…]