by Daniel Hathaway

by Daniel Hathaway

by Daniel Hathaway

“For the Love of Nature,” to be presented at Faith Lutheran Church in Fairlawn on Sunday, June 2 at 4:00 pm, will feature a European mix of Spanish, British, Italian, German and French works, in addition to the premiere of a new piece by the Orchestra’s founder, Amy Barlowe. Admission is free.
Her The Peace of Wild Things, based on a poem by Wendell Berry, will be sung by soprano Susan Wallin. “Berry is an environmentalist and a farmer who lives in the Midwest,” Barlowe said in a telephone conversation. “He’s a very interesting person and philosopher, and I thought the text was particularly timely in view of all the environmental conflicts we have today. I think it was Einstein who said ‘Look to Nature for the answers.’ In this time of craziness and chaos, I feel that nature and music are intertwined — they have the ability to restore body and soul. I thought this little piece might touch people in some way.” [Read more…]
by Daniel Hathaway

by Daniel Hathaway

The performance will include J.S. Bach’s Harpsichord Concerto in f featuring Robert Mollard, Scarlatti’s Keyboard Sonata in G in an arrangement for orchestra by Amy Barlowe, and Handel’s Concerti Grossi in F and G from his Op. 6. We spoke with concertmaster Alan Bodman to ask how Akron Baroque narrowed down their choice of repertoire for Sunday’s concert.
“We were pretty sure we wanted to do a Handel concerto grosso, so we listened to all of the Op. 6 pieces and really liked No. 1 in G.” Bodman said. “They’re so imaginative, and offer a lot of variety in their movements. We needed something very lively and upbeat to conclude the program, and No. 9 stood out for us.”
by Robert Rollin

by Christine Jay

by Daniel Hathaway

Canny programming added to the celebratory nature of the evening. Brahms’s Academic Festival Overture (led by UA’s Guy Victor Bordo) contributed a sense of gravitas to a joint observance between the ASO and the University of Akron, and UA composer Nikola Resanovic’s infectious clarinet concerto provided bubbles for the anniversary toast. Richard Strauss’s brilliant orchestral tone poem (and monumental tribute to himself), Ein Heldenleben, gave the orchestra an opportunity to show itself off, something it did unabashedly and to brilliant effect.
One big factor in pulling this celebration off so successfully was Wilkins’s decision to fill out the string sections for the occasion, and to elevate winds and brass on a series of risers to better equalize balances and projection. [Read more…]