by Daniel Hathaway
Apollo’s Fire was among the Grammy winners for classical music announced in Los Angeles on February 10. The award in the Best Solo Vocal Album category was given for the ensemble’s Avie recording, Songs of Orpheus, featuring tenor Karim Sulayman. Conductor Jeannette Sorrell led an ensemble that included Julie Andrijeski, Johanna Novom, Karina Schmitz, René Schiffer, Rebecca Landell Reed, William Simms, and Brian Kay.
by Daniel Hathaway
It’s Valentine’s Day all week this week, and aside from the obvious gifts — flowers, chocolates, and shiny bling — there are a number of ways to take to heart the new advice of gifting your love interest experiences rather than things.
Our Concert Listings have been providing such a service since the website was launched in 2008. Consider this message from one of our readers way back in 2009:
I’m grateful for ClevelandClassical.com for so many reasons. In fact, I learned about Nathan Gunn’s performance at Oberlin through you, which has now become the central feature of my surprise Valentine’s Day date with my fiancée! I owe you big time now.
Here are some suggestions for your own Valentine.
by Daniel Hathaway
Soprano Kiera Duffy will make her third Cleveland appearance and her Severance Hall debut this weekend when she sings Mozart’s Exsultate, jubilate with Harry Bicket and The Cleveland Orchestra.
In a telephone conversation from South Bend, Indiana, where she teaches at the University of Notre Dame, Duffy said, “Coming to Cleveland seems like a homecoming, because some of the most important gigs of my early professional career were there doing early music.”
Those gigs were with Apollo’s Fire, including performances and a recording of Handel’s Dixit Dominus over a decade ago, and more recently, the Praetorius Christmas Vespers. Since that time, Duffy has expanded her musical universe to include new music as well.
“Early music and new music make a strange pair of bedfellows, but they often go hand in hand in people’s careers. Obviously I’ve sung a really broad range of repertoire over mine. [Read more…]
by David Kulma
Is it possible to take the standard song and dance forms of your time and turn them into virtuosic devotional meditations on the life of Christ? The composer and master violinist Heinrich Biber answered this question in the affirmative back in the 1670s with a set of 16 violin works — 15 sonatas with continuo and a solo passacaglia — meant to take the musicians through the Mysteries of the Rosary. And not only are these works demanding in scope, they require complex scordatura — retuning the violin’s strings to new notes for each sonata and giving each work its own color and resonance.
by Daniel Hathaway
Tell your friends you’re headed to a Biber concert and their thoughts will immediately turn to a certain Canadian pop star. There’s another Biber, of course, probably famous only in early music circles, and Apollo’s Fire will treat its audiences to a good chunk of one of his violin masterworks this weekend.
Violinists Carrie Krause, Johanna Novom, Adriane Post, and Karina Schmitz will take turns playing nine of the fifteen virtuosic pieces that make up Heinrich Ignaz Franz Biber’s “Rosary” Sonatas — musical meditations on the five Joyful Mysteries, the five Sorrowful Mysteries, and the five Glorious Mysteries of the life of Christ. Probably written in the 1670s, but unknown to modern ears until first published in 1905, the devotional work is preserved in a beautiful manuscript held in the Bavarian State Library.
The sonatas are pictorial and expressive, but a special feature of the collection is Biber’s requirement that the violin strings be re-tuned for most of the pieces after the first sonata. This practice is called scordatura. “What I love about it is that it changes the resonance of the instrument so much,” Karina Schmitz said in a telephone conversation. [Read more…]
by Hannah Schoepe
December evokes fantasies of snug fires, family festivities, and winter wonderlands. Cleveland’s Baroque Orchestra Apollo’s Fire provides a fitting soundtrack to these daydreams, in their new album Christmas on Sugarloaf Mountain. The tracks portray sounds of Christmas from the Irish hillsides to the Appalachian Mountains. Light a candle, and put your dancing shoes on, because this album traverses songs of community, faith, and history, as well as barn dances and Scottish reels.
by David Kulma
Performances of Handel’s Messiah are as sure a sign that Christmas time has arrived as lights decorating homes and mailboxes stuffed with holiday sale advertising. So it’s no surprise that the evening of Saturday, December 1 found this reviewer at First Baptist Church in Shaker Heights for an absorbing rendition of Handel’s classic oratorio from Jeannette Sorrell and Apollo’s Fire alongside Apollo’s Singers. [Read more…]
by David Kulma
Over the course of two weekends from November 10 to 18, Apollo’s Fire celebrated the multicultural heritage of the Holy Land with “O Jerusalem!: Crossroads of Three Faiths.” This exploration of music of Jews, Christians, and Muslims was conceived and directed by artistic director Jeannette Sorrell as a sequel to their successful “Sephardic Journey” program first done in 2014. I attended the second concert on November 12 at St. Paul’s Episcopal Church in Cleveland Heights. [Read more…]
by Daniel Hathaway
In his bio, Bombay-born Sorab Wadia writes of himself, “He relishes resisting the clutches of typecasting.” No kidding. His musical repertoire ranges from Medieval to pop and rock, with oratorio and opera along the way.
As a singing actor, he has appeared in Mira Nair’s new musical, Monsoon Wedding. As an actor, he’s played Shylock in Shakespeare’s The Merchant of Venice, been featured in a one-man play based on Khaled Hosseini’s The Kite Runner, and appeared on Law & Order, merely to skim the surface of his extensive brag sheet. His classical credentials include piano study at Peabody, where he earned the first of his two masters’ degrees.
Wadia, who will join Apollo’s Fire this weekend as a vocalist for its “O Jerusalem” shows, winds up his narrative noting that he’s now based back in Bombay, “but will jump on a plane for a gig at the drop of a hat.” I reached the hyper-versatile performer on his cell phone to ask how Jeannette Sorrell found him in order to drop that hat. [Read more…]
by Timothy Robson
Jeannette Sorrell and her intrepid orchestra Apollo’s Fire performed Friday evening, October 12, in a somewhat unusual venue — for them — Gartner Auditorium at the Cleveland Museum of Art, in somewhat unusual repertoire — again, for them — Mozart and Haydn. After listening for years to Apollo’s Fire in churches around Northeast Ohio, I had a bit of cognitive dissonance being in a real concert hall with relatively drier acoustics and seats rather than pews. Apollo’s Fire certainly performs in concert halls elsewhere in the United States and internationally, but it seemed on Friday that the group had not yet fully settled into the ambience of Gartner Auditorium. [Read more…]