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Apollo’s Fire: “O Jerusalem” at St. Paul’s, Cleveland Heights (Nov. 12)

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by David Kulma

Over the course of two weekends from November 10 to 18, Apollo’s Fire celebrated the multicultural heritage of the Holy Land with “O Jerusalem!: Crossroads of Three Faiths.” This exploration of music of Jews, Christians, and Muslims was conceived and directed by artistic director Jeannette Sorrell as a sequel to their successful “Sephardic Journey” program first done in 2014. I attended the second concert on November 12 at St. Paul’s Episcopal Church in Cleveland Heights. [Read more…]

Apollo’s Fire: “O Jerusalem” — a conversation with Sorab Wadia

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by Daniel Hathaway

In his bio, Bombay-born Sorab Wadia writes of himself, “He relishes resisting the clutches of typecasting.” No kidding. His musical repertoire ranges from Medieval to pop and rock, with oratorio and opera along the way.

As a singing actor, he has appeared in Mira Nair’s new musical, Monsoon Wedding. As an actor, he’s played Shylock in Shakespeare’s The Merchant of Venice, been featured in a one-man play based on Khaled Hosseini’s The Kite Runner, and appeared on Law & Order, merely to skim the surface of his extensive brag sheet. His classical credentials include piano study at Peabody, where he earned the first of his two masters’ degrees.

Wadia, who will join Apollo’s Fire this weekend as a vocalist for its “O Jerusalem” shows, winds up his narrative noting that he’s now based back in Bombay, “but will jump on a plane for a gig at the drop of a hat.” I reached the hyper-versatile performer on his cell phone to ask how Jeannette Sorrell found him in order to drop that hat. [Read more…]

Apollo’s Fire in Mozart and Haydn at the Cleveland Museum of Art (Oct. 12)

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by Timothy Robson

Jeannette Sorrell and her intrepid orchestra Apollo’s Fire performed Friday evening, October 12, in a somewhat unusual venue — for them — Gartner Auditorium at the Cleveland Museum of Art, in somewhat unusual repertoire — again, for them — Mozart and Haydn. After listening for years to Apollo’s Fire in churches around Northeast Ohio, I had a bit of cognitive dissonance being in a real concert hall with relatively drier acoustics and seats rather than pews. Apollo’s Fire certainly performs in concert halls elsewhere in the United States and internationally, but it seemed on Friday that the group had not yet fully settled into the ambience of Gartner Auditorium. [Read more…]

A conversation with Jeannette Sorrell about Apollo’s Fire’s new season

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by Daniel Hathaway

Apollo’s Fire will begin and end its 2018-2019 season with large orchestral works — starting with Mozart (and a bit of Haydn) this weekend, and culminating in J.S. Bach’s great B-minor Mass in April. In between, Cleveland’s Baroque Orchestra will revisit Handel’s Messiah and present an updated version of Christmas on Sugarloaf Mountain, as well as producing smaller concerts featuring Middle Eastern music, the “Mystery” violin sonatas of Heinrich Ignaz Franz Biber, a program of double and quadruple concertos, and a new chamber series, Baroque Bistro, in collaboration with area restaurants.

Founder and artistic director Jeannette Sorrell said in a telephone conversation that the opening concerts at the Cleveland Museum of Art and the Cleveland Institute of Music on October 12 and 14 will give the Orchestra new opportunities with some familiar repertoire. “Mozart’s Symphony No. 40 and the Ballet Music from Idomeneo are pieces we’ve lived with for a number of years, but we’ve never had the chance to play them in a proper-sized concert hall or to film them for video, which is becoming more and more important for the ensemble. Our videos were the first introduction to Apollo’s Fire for many people.” [Read more…]

Apollo’s Fire Countryside Concert: “Tarantella!” in Hunting Valley (June 8)

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by Alice Koeninger

AF Tarantella_previewThe Baroque Music Barn and its three-sided seating make for an intimate setting, which was perfect for the Friday, June 8 concert by Apollo’s Fire titled “Tarantella!” Soprano Amanda Powell, plucked instrument musician and tenor Brian Kay, and artistic director Jeannette Sorrell invited the audience to join them on an energetic and emotional tour of “Rhythms of the Old Mediterranean.” This fantastical journey was dramatically narrated by Powell, and talks by Kay, Sorrell, and ensemble member Daphna Mor added to the experience.
 [Read more…]

Apollo’s Fire: “Tarantella!” —
fifteen minutes with Brian Kay

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by Daniel Hathaway

KAY-BrianOudist, lutenist, and guitarist Brian Kay has teamed up with vocalist Amanda Powell and artistic director and keyboardist Jeannette Sorrell to curate Apollo’s Fire’s Countryside Concerts show, “Tarantella! Rhythms of the Old Mediterranean.” The program will receive five performances in Hunting Valley, Avon Lake, Chardon, and Bath from June 8-12.

“Last year’s ‘Mediterranean Roots’ was so successful that Jeannette, Amanda, and I discussed how to rearrange it with a few additions of musicians and repertory to make it fresh,” Kay said in a telephone conversation. He added that it’s much easier to collaborate now that he and his wife have moved to Cleveland from Baltimore. “Now I can bring my guitar to Amanda’s house, where she’ll sit at the piano and we’ll play everything from Stevie Wonder to The Beatles to Medieval and Appalachian music and come up with ideas. Now Jeannette can also come by and participate.” [Read more…]

Apollo’s Fire: opening night of L’Orfeo at CIM (April 13)

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by David Kulma

EricaCarlosApollo’s Fire’s L’Orfeo is, in short, spell-binding. You should drop everything and go to their final local performance in Bay Village on Wednesday, April 18. If you’re not yet convinced, please keep reading. Two things stand out about this glorious semi-staged performance of Claudio Monteverdi’s “Favola di musica” in Kulas Hall at the Cleveland Institute of Music on April 13. First is the magnificent production and performance. Second is the special music crafted by Apollo’s Fire principal cello René Schiffer to restore the original 1607 Bacchanale ending. [Read more…]

Apollo’s Fire: being a fly on the wall at early rehearsals of Monteverdi’s L’Orfeo

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by Daniel Hathaway

Coro Wandering onto setAdmirers of Thomas Forrest Kelly’s 2000 book First Nights: Five Musical Premieres probably wish they could have been physically present to witness the very first performances of Monteverdi’s L’Orfeo, Handel’s Messiah, Beethoven’s Ninth Symphony, Berlioz’s Symphonie Fantastique, and Stravinsky’s Le sacre du printemps.

Me? I wish I had been able to attend the rehearsals — which often prove as interesting as the performances themselves. Rehearsals are where artistic philosophies get established, deals are made between directors and performers, and kinks get worked out. When the piece in question is a staged work, the rehearsal process becomes more complex: the ideas (and egos) of more than one director need to be melded into a single product, and there’s much more that can go awry.

Apollo’s Fire will produce three semi-staged performances of Monteverdi’s L’Orfeo in the next week: two in Kulas Hall at the Cleveland Institute of Music on Friday and Saturday, April 13 and 14 at 7:30 pm, and one at St. Raphael Church in Bay Village on Wednesday, April 18 at 7:30 pm. [Read more…]

Apollo’s Fire makes Carnegie Hall debut in “An Evening at Bach’s Coffeehouse” (Mar. 22)

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by Jarrett Hoffman

AF BB Carnegie 032218New York, March 27.

Apollo’s Fire brought the house down and the heart rates up at their Carnegie Hall debut last Thursday, March 22 at the venue’s cozy Zankel Hall in New York City. The highlight of this “Evening at Bach’s Coffeehouse” was the closer: a thrilling, caffeinating performance of Vivaldi’s “La Follia” Sonata for Two Violins and Continuo, arranged by artistic director, conductor, and harpsichordist Jeannette Sorrell for this Cleveland-based Baroque orchestra.

[Read more…]

Apollo’s Fire: “Three Duels and a Wedding” at St. Paul’s, Cleveland Hts. (Feb. 9)

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by David Kulma

AF ForsytheThe Apollo’s Fire concert on Friday, February 9 at St. Paul’s Episcopal Church in Cleveland Heights, “Three Duels and a Wedding” — with a surprise — highlighted three double concertos and the well-known Wedding Cantata by J.S. Bach. First, about the duels. The concert opened with Georg Philipp Telemann’s Concerto in e for flute and violin. Flutist Kathie Stewart’s pearly tone and concertmaster Olivier Brault’s joie de vivre were excellently complemented by harpsichordist/conductor Jeannette Sorrell and the ensemble. [Read more…]

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