by Kevin McLaughlin

Former conducting students and colleagues took turns at the podium, and soloists whose careers Zimmermann had touched also took part in a program of works by Mahler, Brahms, Mozart, and Tchaikovsky, among others.
Possibly the most shining example of Zimmermann’s legacy is the orchestra that he developed and led for 43 years. In an age of peripatetic conductors and short-lived musical directorships, the Canton Symphony Orchestra, an ensemble of ninety mostly young professionals, has remained remarkably excellent and intact over the years.




One of the unique offerings of crossover music in Northeast Ohio is the Canton Symphony Orchestra’s Divergent Sounds. The series pairs select bands and singer-songwriters from the area with their own hand-picked group of instruments from the Orchestra. Then arranger Kevin Martinez creates new chamber-ensemble versions of their songs to be performed at Zimmermann Symphony Center.
The Canton Symphony thrilled and captivated in two portrayals of the story of Scheherazade and a masterfully played piano concerto on a snowy evening at the Zimmermann Symphony Center on January 22.
After impressive performances by six young violinists during the second round of the Cooper International Violin Competition, the jury selected three to advance to the final round. On August 19 at Oberlin Conservatory’s Warner Concert Hall, the talented violinists presented concertos by Tchaikovsky and Brahms with the Canton Symphony under the direction of Gerhardt Zimmermann.
With music director Gerhardt Zimmermann in the pulpit, as it were, the Canton Symphony Orchestra took us to church with the first of the three works on its season-opening October 12 program. Written by the acclaimed contemporary American composer Jennifer Higdon in 1999, 


