by Daniel Hathaway
The 69th season of the Cleveland Chamber Music Society culminated in performances that saw both a reunion with old friends and the introduction of new ones. Concerts by the Takács Quartet and by hornist William Caballero — joined by his Pittsburgh Symphony colleagues Rodrigo Ojeda and Cynthia Koledo DeAlmeida — brought expert performances of both familiar and unusual repertoire to Plymouth and Forest Hills Presbyterian churches. [Read more…]
by Daniel Hathaway
Although string quartets normally dominate its guest list, the Cleveland Chamber Music Society will take a different tack for the finale of its 69th season. William Caballero, principal horn of the Pittsburgh Symphony for the last 29 seasons, will bring two of his orchestra colleagues along to Forest Hills Presbyterian Church on Tuesday, April 30 for an unusual program of chamber music.
The 7:30 pm concert will feature Caballero and pianist Rodrigo Ojeda in Eugène Bozza’s En Foret, Anthony Plog’s Three Miniatures, Oliver Knussen’s Horn Concerto, and an arrangement of Johannes Brahms’ Intermezzo in A, Op. 118, No. 2. Pittsburgh Symphony principal oboe Cynthia DeAlmeida will join the party for Carl Reinecke’s Trio for Piano, Oboe and Horn in a, Op. 188.
In a recent phone interview, Caballero said, “My last full recital was in 2002 — I usually only play half recitals for workshops, or split recitals with colleagues. So I wanted to choose some repertoire for Cleveland that I hadn’t played before.” [Read more…]
by Daniel Hathaway
The Barcelona-based Cuarteto Casals seems to have a standing invitation from the Cleveland Chamber Music Society, having visited its series every other year in at least the past decade — and for good reason. Abel Tomàs, Vera Martínez Mehner, Jonathan Brown, and Arnau Tomàs bring an engaging Iberian intensity to their repertoire — along with the kind of inquisitive spirit that leads them to experiment with different styles of bows, collaborate with living composers, and commission new works. [Read more…]
by Mike Telin
“To live with this piece is to imagine a genius at the absolute height of his powers, yet virtually isolated from the world,” Cuarteto Casals violist Jonathan Brown said. “Beethoven was deaf in his disorderly room in Vienna where few people wanted to be associated with him. There he was struggling with his artistic demons. He wrote, and rewrote this quartet extensively, but he was working with his own criteria — there’s no other model, there’s no other work like this.”
On Tuesday, March 5 at 7:30 pm at Plymouth Church, Jonathan Brown will join his Cuarteto Casals colleagues (Abel Tomàs and Vera Martínez, violins, and Arnau Tomàs, cello) for a performance of Beethoven’s monumental Quartet in c-sharp, Op. 131.
by David Kulma
The standard chamber music concert format is so unremarkable to a regular concertgoer that it becomes like water to a fish. Three works in a row, one intermission; masterpieces, and every now and again a new piece. After a while, it’s easy to forget that other formats are possible. But sometimes a well-executed, no-frills concert with the usual shape comes along, and the reason all of that became the norm makes sense again. The Juilliard String Quartet’s performance at Plymouth Church in Shaker Heights on Tuesday, November 27 was such an evening. [Read more…]
by Jarrett Hoffman
Armed with both a new first violinist, Areta Zhulla, and a new piece by Lembit Beecher, the Juilliard String Quartet will head to Plymouth Church on Tuesday, November 27 for a 7:30 pm concert presented by the Cleveland Chamber Music Society.
Zhulla joined her new colleagues — violinist Ronald Copes, cellist Astrid Schween, and violist Roger Tapping — in September. That same month, the Quartet premiered Beecher’s One Hundred Years Grows Shorter Over Time, commissioned for them to honor the centennial of the South Mountain Concerts series in Pittsfield, Massachusetts.
Born in Greece, Zhulla went on to study at the Juilliard School and join CMS Two of Lincoln Center, making her name as a soloist, recitalist, and chamber musician performing across multiple continents. She’s been named “Young Artist of the Year” by the National Critics Association in Greece, and is a recipient of the Triandi Career Grant and the Tassos Prassopoulos Foundation Award.
by Daniel Hathaway
Fans of Canadian violinist James Ehnes recently got to enjoy his artistry twice in one month — first on the Oberlin Artist Recital Series with pianist Andrew Armstrong, then with his string quartet on the Cleveland Chamber Music Society series. And ChamberFest Cleveland admirers of violinist Amy Schwartz Moretti didn’t have to wait until next summer to hear her play again. The two joined violist Richard O’Neill and cellist Edward Arron in ravishing performances of quartets by Beethoven, Elgar, and Bartók on November 13 at Plymouth Church. [Read more…]
by Daniel Hathaway
Singers on the Cleveland Chamber Music Society series never seem to attract the kind of audiences who turn out for string quartets, but anyone who stayed away from the remarkable recital presented by German baritone Holger Falk and British pianist Julius Drake at Forest Hills Presbyterian Church on October 23 missed out on a special evening. [Read more…]
by Mike Telin
The Cleveland Chamber Music Society will continue its season on Tuesday, November 13 when they welcome the Ehnes Quartet — James Ehnes and Amy Schwartz Moretti, violins, Richard O’Neill, viola, and Edward Arron, cello.
The 7:30 pm concert at Plymouth Church in Shaker Heights will include Haydn’s Quartet in G, Op. 76, No. 1, Elgar’s Quartet in e, and Bartók’s Quartet No. 5. A pre-concert lecture by Richard Rodda will begin at 6:30 pm. Tickets are available online.
During an email exchange, Amy Schwartz Moretti said that as a proud graduate of the Cleveland Institute of Music, to be able to bring her colleagues to the place that was so formative in her life means a lot to her. She fondly remembers the “wonderful teaching and influence of the Weilersteins, Cavani Quartet, Peter Salaff, and all the amazing teachers who were there during that time. I love every opportunity to come back to Cleveland! It has been especially meaningful to come back for ChamberFest Cleveland each summer and I’m so thankful to the Cleveland Chamber Music Society for inviting my quartet.”
by Mike Telin
If you don’t know the artistry of Holger Falk, you need to. On Tuesday, October 23 at 7:30 pm at Forest Hills Presbyterian Church, the Cleveland Chamber Music Society will present the German baritone and pianist Julius Drake. Their program will include songs by Schubert, Eisler, Poulenc and Satie. A pre-concert lecture by Eric Charnofsky will begin at 6:30 pm. Tickets are available online.
Equally at home with repertoire of the Baroque masters as with the music of the 21st century, Holger Falk has been described by Opernwelt magazine as “one of the most intellectually and vocally flexible singers on German stages.” He was honored with the German Record Critics Award in 2017 for his recording Hanns Eisler Lieder Vol. 1, the first of a four-album collection of songs by Eisler. In 2016 he received the ECHO Klassik Award for his recording of Erik Satie: Intégrale des Mélodies et Chansons.
Highlights of Falk’s 2018-19 season will include his debut as Jean-Charles in Hans Werner Henze’s Das Floß der Medusa at the Ruhr Triennale, and the world premiere of Michael Wertmüller‘s Diodati.Unendlich at Theater Basel. In addition to the recital in Cleveland, Falk will bring his program to The Frick Collection and The Phillips Collection as well as to Heidelberger Frühling, Ludwigsburger Schlossfestspiele, Rathauskonzerte Regensburg and Megaron Athens. [Read more…]