by Daniel Hathaway

by Daniel Hathaway

by Mike Telin

by Daniel Hathaway

by Daniel Hathaway

Speaking with music director Brett Mitchell by telephone about the February program, I noted that he’s really throwing down a challenge with this repertory. “We always do,” he replied. “The nice thing with young people is they don’t realize that what they’re taking on is going be difficult — at least until they start practicing.”
by Mike Telin

“We’re really excited about it,” MacMaster said during a telephone conversation. “I love playing music with symphony orchestras. It’s such a nice change for us. We do about a dozen shows with orchestra each year, out of our one hundred shows a year. And this is even more special because it is Christmas time.”
If you’ve had the privilege of hearing Natalie MacMaster perform live, you know she is one of the most versatile and exciting musicians on the folk and Celtic scenes. You also know that Christmas is a special time for her. “I’m a fiddler and at Christmas time in Cape Breton there are a ton of house parties. It’s a time to get together and play our traditional music, so there will be a lot of that on the program as well.” [Read more…]
by Daniel Hathaway

by Daniel Hathaway

by Daniel Hautzinger

Severance Hall provided warmth throughout the snowy day, with various performances and activities scheduled. The Bogomolny-Kozerefski Grand Foyer was transformed into a dance floor with flashing lights and an emcee for a fun diversion between performances. Downstairs, in the Smith Lobby, guests were invited to view a display about the life of Dr. King.
Performances began at 12:15 with the Cleveland Orchestra Youth Chorus. Directed by Lisa Wong, the enthusiastic high school-age singers demonstrated balance and musical maturity well beyond their years. [Read more…]
by Mike Telin

At 2:00 pm in the Reid Gallery, Quire Cleveland will begin with a work from the 15th century, There is no rose, followed by Josquin des Prez’s Ave Maria, which Duffin describes as one of the composer’s iconic works. The performance continues with an extended piece in carol form from the Court of Henry VIII, Quid petis, o fili? byRichard Pygott. “It’s about Mary speaking to her child,” says Duffin. “It’s an intimate, imagined conversation and very appropriate to the Mother and Child theme.” A Spanish Christmas piece from the 16th Century, E la don don, was printed in Venice in 1556 in the Cancionero de Upsala and survives in only one copy. Duffin says it’s a lively piece that will feature solos by Quire’s male singers. [Read more…]