by Daniel Hathaway
As Scandinavians, Finnish conductor Klaus Mäkelä and Swedish violinist Daniel Lozakovich should be well-accustomed to the intentional high temperatures and humidity of saunas, though they probably don’t expect to encounter those while plying their craft on the concert stage. On Saturday, July 20, they rose above miserable weather conditions to make impressive joint debuts with The Cleveland Orchestra at Blossom. [Read more…]
by Nicholas Stevens
Amid the recent heat wave, the Kent Blossom Music Festival offered refuge with events in cool, tranquil spaces. Rarities, favorites, and unexpected delights packed one concert last week, a showcase for members of The Cleveland Orchestra who also serve as Festival Faculty. The music on Wednesday, July 17 filled Kent State University’s Ludwig Recital Hall without overwhelming it. This may seem unexceptional for a space purpose-built for duos, quartets, and the like, but the program included both whisper-soft moments for cello and a spirited duet for piccolos — noted for their carrying power, but perfectly balanced in this room. [Read more…]
by Mike Telin
With the passing of Aretha Franklin on August 16, 2018, the world lost a musical treasure. One that day, Jon Pareles, chief popular music critic at The New York Times wrote in an obituary: “Aretha Franklin, universally acclaimed as the ‘Queen of Soul’ and one of America’s greatest singers in any style, died on Thursday at her home in Detroit. She was 76.” Pareles also noted that “in a musical career of more than five decades, Aretha Franklin had more than 100 singles on the Billboard charts. But more important, she freed other singers to let their voices fly.”
“That moniker — Queen of Soul — she was literally a Queen,” vocalist Capathia Jenkins said during a telephone interview. “Anyone who has been singing and living on the planet for any length of time has drawn from and perhaps tried to emulate her. She was such an influence on so many.”
Franklin’s musical legacy will be celebrated on Sunday, July 28 at 7:00 pm at Blossom Music Center, when Jenkins and vocalist Ryan Shaw join The Cleveland Orchestra and the Blossom Festival Chorus, under the direction of Lucas Waldin to present Aretha Franklin: Queen of Soul. Tickets are available online. [Read more…]
by Mike Telin
Later this week, 24 young violinists representing seven U.S. States and eight countries will arrive in Oberlin to participate in the tenth edition of the Thomas and Evon Cooper International Competition. Events begin with the semifinal rounds on Saturday, July 20 at 1:30 pm in Warner Concert Hall at the Oberlin Conservatory.
At stake is a grand prize of $20,000, in addition to second and third prizes of $10,000 and $5,000, respectively. The Competition will continue into next week and culminate with the three finalists playing concertos with The Cleveland Orchestra under the direction of Gemma New (replacing Bramwell Tovey) in Severance Hall on Friday, July 26 at 7:30 pm. (See our concert listings for details about the semi-final, concerto and recital rounds that will determine who plays in the finals.)
All performances at Oberlin are free. Tickets for the July 26 Concerto Finals at Severance Hall range from $13-$30. Tickets may be purchased online or by calling 800-686-1141. Student tickets are free with a paying adult. All rounds held in Oberlin will be live-streamed on www.oberlin.edu/cooper. The Recital Round at Oberlin and Concerto Finals at Severance Hall will be broadcast on WCLV FM 104.9. The Recital Round will be broadcast on delay on Thursday evening, July 25. [Read more…]
by David Kulma
The folk group Peter, Paul and Mary first came to Blossom Music Center in the summer of 1969 near the peak of their fame – Leaving on a Jet Plane reached number one on the Billboard Hot 100 later that year. Now 50 years later, the return of the group’s living members on Sunday, July 7 made for a sweet, nostalgia-filled evening as they performed with The Cleveland Orchestra, conducted by Lucas Richman. Playing some of the trio’s most well-loved songs, Peter Yarrow and Noel Paul Stookey maintained the group’s longtime progressive political edge. [Read more…]
by Daniel Hathaway
Making his only summer appearance with The Cleveland Orchestra, music director Franz Welser-Möst led the ensemble in an eventful hour-long program on Friday evening, July 12 in Severance Hall. The first concert in the Summers@Severance series, preceded and followed by drinks and food on the terrace, was a festive occasion that attracted a large audience, some got up as if headed for an English garden party, others dressing down for the steamy weather. Once inside the hall, they were so enthusiastic about the music that applause was ubiquitous and hearty. [Read more…]
by Mike Telin
The story behind George Gershwin’s iconic Rhapsody in Blue begins when bandleader Paul Whiteman asked the composer to contribute a concerto for a jazz concert to be given in New York City’s Aeolian Hall in February of 1924. Gershwin initially declined the offer, saying there was not enough time to compose the piece.
But then an article about Whiteman’s planned concert ran in the New York Tribune in early January stating that “George Gershwin is at work on a jazz concerto,” which would be featured along with works by Irving Berlin and Victor Herbert. This was news to the composer, but after a phone call to the bandleader the next morning, Gershwin agreed to write the piece.
This weekend, pianist Aaron Diehl will return to the Blossom Music Center stage for performances of Rhapsody in Blue on Friday, July 5 and Saturday, July 6 at 8:00 pm with The Cleveland Orchestra. The concert, under the direction of Roderick Cox, will also include Bernstein’s Symphonic Suite from On the Waterfront, Stravinsky’s Suite from The Firebird, and Tchaikovsky’s 1812 Overture. Fireworks will follow both performances (weather permitting). Tickets are available online. [Read more…]
by Daniel Hathaway
When the gates open for this summer’s Blossom Music Festival on June 29, patrons will enjoy some new guest amenities.
A new bar space, The Tasting Room, will make its debut near the Lot A entrance and will be open before and after each performance. Post- concert dessert service will offer guests an opportunity to linger and avoid the rush to the parking lots.
Remember the Image Magnification technology that projected onstage activity onto huge LED screens in the Pavilion last summer? That was a test run for this summer’s IMAG feed that will enhance all performances, many produced in partnership with ideastream, the public service organization that operates WVIZ/PBS, WCPN 90.3, and WCLV 104.9.
Gourmet picnic packages can be pre-ordered and picked up in the Special Events Center for all events and save concertgoers the trouble of self-catering. Speaking of edibles, subscribers and donors will have access to special refreshments and light bites in Kulas Plaza before certain concerts. [Read more…]
by Daniel Hathaway
The Cleveland Orchestra Chorus and pianist Mitsuko Uchida were featured in Thursday evening’s concert at Severance Hall on May 16, the chorus in Schubert’s great Mass in E-flat, the pianist in Bartók’s Third Piano Concerto — works that came at the very end of each composer’s time on earth. At some 50 minutes in duration, Schubert’s setting is as difficult to imagine performing in a church context as Beethoven’s Missa Solemnis. Even the most imaginative ecclesiastical choreographers would be hard-pressed to match such extended music with liturgical actions. (Is there enough incense in Vienna?) [Read more…]
by Daniel Hathaway
There’s something about a Stradivarius violin that inspires a particularly intimate relationship with the hands that hold it. Vadim Gluzman talked about playing the 1690 instrument once owned by Leopold Auer in an interview: Words cannot describe how wonderful this instrument is. It makes me run 15 times faster, dive 15 times deeper. When I first picked up this violin and notes emanated from my bow, I understood that my life had changed. [Read more…]