by Daniel Hathaway
Only two works made up the program for Matthias Pintscher’s guest appearance with The Cleveland Orchestra at Severance Hall on Thursday, November 1, but they were big ones. Pianist Kirill Gerstein — always worth a few surprises — brought a breezy, fresh interpretation to Rachmaninoff’s Third Concerto, and Pintscher and the Orchestra labored mightily to make the music of Bartók’s infrequently performed ballet The Wooden Prince work as a symphonic poem without dancers. [Read more…]