by Daniel Hathaway
While many American orchestras were just beginning to stir again after the holidays, Franz Welser-Möst and the Clevelanders were busy pulling off one of the most impressive programs in recent memory. A neglected Dvořák symphony, a darkish Mozart piano concerto featuring Yefim Bronfman, and a standout among Janáček’s few orchestral works served up sequential delights on Friday, January 10. [Read more…]
by Daniel Hathaway
The Cleveland Orchestra will celebrate the birthday of Dr. Martin Luther King Jr. for the 40th consecutive year on Sunday, January 12 at 7:00 pm in Severance Hall. Assistant conductor Vinay Parameswaran will lead the Orchestra and the Martin Luther King Jr. Celebration Chorus, William Henry Caldwell, director, in a program whose repertory departs slightly from past concerts.
“There won’t be a featured soloist this year,” Parameswaren said in a telephone conversation late last month. Instead, the majority of the program will feature African American composers.
“We’ll open with Adolphus Hailstork’s Fanfare on Amazing Grace, then move to a couple of pieces from Duke Ellington’s suite, The River, and on to the first movement of Florence Price’s First Symphony. Jahja Ling is going to conduct her Fourth Symphony in April, and I’m doing a movement from that piece with the Cleveland Orchestra Youth Orchestra during the Open House on January 20. It’s nice to get to celebrate a composer like Price, who wrote a ton of music and had premieres performed by the Chicago Symphony and other big orchestras, but who doesn’t make it onto concert programs very often these days.”
Duke Ellington’s music is a similar case. “I’ve conducted his Harlem and I’ve studied his Three Black Kings,” Parameswaran said. “Ellington doesn’t get as much recognition for his orchestral writing as he does for his jazz, but he certainly knew what he was doing. Again, it’s a rarity to find his music appearing on a classical program, but I’m glad it’s on this one.” [Read more…]
by Daniel Hathaway
The large, Thanksgiving weekend audience in Severance Hall on Saturday, November 30 got full value for their money. The program, crafted by guest conductor Lorenzo Viotti and featuring pianist Yuja Wang, slightly overflowed the two-hour mark, and nearly surfeited the ear with extravagantly colorful music. [Read more…]
by Daniel Hathaway
In what’s become a reliably annual visit to The Cleveland Orchestra, Nicholas McGegan brought his British-born charm and wit to the Severance Hall podium on Thursday, November 21 for an alluring program of music by Schubert and Haydn, separated by a brilliant performance of Hummel’s Trumpet Concerto by Michael Sachs. [Read more…]
by Mike Telin
After leading The Cleveland Orchestra last week in works by Shostakovich and Beethoven, Jakub Hrůša returns to the Severance Hall podium this week to conduct the Cleveland premiere of John Adams’ On the Transmigration of Souls and Gustav Mahler’s Symphony No. 4. Performances are on Thursday, November 14 at 7:30 pm, Saturday the 16th at 8:00 pm and Sunday the 17th at 3:00 pm. Tickets are available online.
John Adams’ On the Transmigration of Souls was commissioned by the New York Philharmonic and Lincoln Center to commemorate the first anniversary of the September 11 attacks in 2001. The composer has written that
“Transmigration means ‘the movement from one place to another’ or ‘the transition from one state of being to another.’ But in this case I meant it to imply the movement of the soul from one state to another. And I don’t just mean the transition from living to dead, but also the change that takes place within the souls of those that stay behind, of those who suffer pain and loss and then themselves come away from that experience.”
The single movement, 25-minute work for orchestra, chorus, children’s choir, and pre-recorded tape was awarded the 2003 Pulitzer Prize for Music. [Read more…]
by Mike Telin
“There are few steps in the history of music as paramount as was the ‘Eroica’ Symphony,” Czech conductor Jakub Hrůša said during a telephone conversation. “It’s a piece from hundreds of years ago, but it’s still stimulating and sometimes shocking music to hear — it just doesn’t make you tired of listening to it.”
On Thursday, November 7 at 7:30 pm, Jakub Hrůša will return to the Severance Hall stage to lead The Cleveland Orchestra in Beethoven’s monumental Symphony No. 3 (“Eroica”). The evening will also include Shostakovich’s Violin Concerto No. 1 with Sergey Khachatryan as soloist. The program will be repeated on Friday and Saturday at 8:00 pm and Sunday at 3:00 pm. Tickets are available online.
Over the past few years, Hrůša has become a wonderful addition to the Orchestra’s guest conductor roster. He said that he never gets tired of conducting the Beethoven Third. “I used to do it a lot, then I took a break from it. Then I did it again and now I’m coming back to it after another break. In my view, I don’t think it’s played too often — it’s a masterpiece with no equal. Within Beethoven’s oeuvre it’s extraordinarily important. Very few symphonies in the history of music caused such a revolutionary shock as this symphony did.” [Read more…]
by Daniel Hathaway
The original Cleveland Orchestra lineup this month was to have featured former and current New York Philharmonic music directors two weeks in a row, but Jaap van Zweden had to withdraw due to a family medical issue in the Netherlands. He was replaced on the weekend of October 17 by the 23-year-old Finnish conductor Klaus Mäkelä, who had made a sensational debut with the Orchestra last summer at Blossom, and if anything, topped that performance at Severance Hall. [Read more…]
by Daniel Hathaway
Pianist Kirill Gerstein brought the resplendent new concerto that Thomas Adès has written for him to Severance Hall on October 11. Debuted by the Boston Symphony earlier this year when it was led by Adès himself, the simply titled Piano Concerto formed the torso of a topsy-turvy Cleveland Orchestra program guest conducted by Alan Gilbert that began with a symphony, and ended with an overture. In 25 eventful minutes, Adès creates a sendup of the Romantic piano concerto, clothing a traditional body in the latest fashion. [Read more…]
by Mike Telin
Violinist Augustin Hadelich is no stranger to The Cleveland Orchestra. In July of 2014 he wowed audiences with his performance of the Sibelius Concerto at Blossom Music Center. His August 2017 interpretation of the Dvořák Concerto was a highlight of the Blossom season.
On Thursday, October 17 at 7:30 pm, Hadelich will make his Severance Hall debut with Prokofiev’s Concerto No. 2. The concert, under the direction of the young Finnish conductor Klaus Mäkelä, making his Severance debut as well, will also include Messiaen’s Les Offrande oubliées and Beethoven’s Symphony No. 7. The program will be repeated on Friday, October 18 and Saturday, October 19 at 8:00 pm. Tickets are available online.
Hadelich has always been enjoyable to talk to. But when his performance and travel schedule, along with time zone differences, made a telephone interview impossible, he suggested that I send a few questions by email.
Mike Telin: Please tell me your thoughts on the Prokofiev Concerto.
Augustin Hadelich: It is one of the most exciting and beloved violin works of the 20th century. Prokofiev was a storyteller, and this piece contains just about every character, from the lyrical and pastoral to the manic. [Read more…]
by Daniel Hathaway
A compact Schubert symphony, the first half of a Prokofiev ballet score, and both neoclassical and full-out-Romantic works by Richard Strauss were on the docket as Franz Welser-Möst and The Cleveland Orchestra returned to Severance Hall last weekend to begin the ensemble’s 102nd season. Thursday evening’s subscription concert on September 19 began with a stylish reading of Schubert’s Third Symphony, a spirited work festooned with amiable melodic fragments you probably couldn’t go away whistling, but that gave the 18-year-old composer an abundance of cheerful material to play with.