by Jarrett Hoffman
A cave on the Scottish island of Staffa, the city of Rome, birdsong from Finnish bogs, and the vast landscapes of Antarctica provided key inspiration for four works — two of them among classical music’s Top 40, the other two rarely performed.
The Akron Symphony and music director Christopher Wilkins will bundle together those nature-themed compositions by Mendelssohn, Respighi, Rautavaara, and Vaughan Williams for “Planet Earth” on Friday, March 23 at 8:00 pm at E.J. Thomas Hall.
Projected visuals will join one of those composers’ sonic paintings. Thanks to Natural History New Zealand, Ralph Vaughan Williams’ Sinfonia antartica will be accompanied by a film created specifically for that symphony, focusing on the icy, mysterious, southernmost continent. The symphony, Vaughan Williams’ seventh, will also feature guest soprano Katherine Swift and the women of the Akron Symphony Chorus, directed by Marie Bucoy-Calavan.
As snow came down outside on Thursday, March 8, an absorbing evening of piano cornerstones warmed the inside of E.J. Thomas Hall in Akron. This performance by Andreas Haefliger was the 12th of Tuesday Musical Association’s annual concerts that honor the late pianist Margaret Baxtresser, a musical giant of Northeast Ohio.
Although Andreas Haefliger’s repertoire list spans centuries, there is one composer who particularly fascinates him. “I have spent a tremendous amount of time with Beethoven,” the pianist said during a recent telephone conversation. “I also spend time putting him into programs that illuminate and bring out a different perspective on the sonatas that we know so well.”
Anticipating Fat Tuesday, Mardi Gras, Carnival, or however you refer to the blowout before the beginning of Lent, the Akron Symphony joined forces with Neos Dance Theater on Friday, February 8 in E.J. Thomas Hall to produce its latest community extravaganza: a fully choreographed performance of the ballet score to Stravinksy’s 
Suites from Stravinsky’s ballets are popular choices for orchestral programs, but it’s not often the works are actually presented as ballets. It’s even more rare for performances to feature modern, reimagined choreography.
While Sergei Prokofiev’s third piano concerto receives more than its fair share of visits to the concert stage, and even his first concerto makes appearances from time to time, what about the composer’s second concerto — why does it languish in obscurity?
“I can look at all four symphonies of Brahms and say, ‘Oh that one is my favorite.’ Then I think, ‘No this one is,’” conductor Daniel Hege said during a recent telephone conversation. “But I have so much admiration for the Second Symphony. It has a lot of passion and emotional power all the way through, including a brilliant finish.”
“Pictures at an Exhibition” was the title of the Akron Symphony’s concert in E.J. Thomas Hall on Saturday evening, November 18, but there were more pictures on the wall than those by Victor Hartmann that inspired Mussorgsky’s famous musical stroll through a gallery. The other two artists whose work was projected on either side of the stage were Charles E. Burchfield and Matthias Grünewald, their art the catalysts for pieces by Morton Gould
With Medieval roots and impressive singers age ten to fourteen, the