by David Kulma
As snow came down outside on Thursday, March 8, an absorbing evening of piano cornerstones warmed the inside of E.J. Thomas Hall in Akron. This performance by Andreas Haefliger was the 12th of Tuesday Musical Association’s annual concerts that honor the late pianist Margaret Baxtresser, a musical giant of Northeast Ohio.
by Mike Telin
Although Andreas Haefliger’s repertoire list spans centuries, there is one composer who particularly fascinates him. “I have spent a tremendous amount of time with Beethoven,” the pianist said during a recent telephone conversation. “I also spend time putting him into programs that illuminate and bring out a different perspective on the sonatas that we know so well.”
On Thursday, March 8 at 7:30 pm in E.J. Thomas Hall, Andreas Haefliger will perform Beethoven’s Sonatas No. 28, Op. 101, and No. 29, Op. 106 (“Hammerklavier”). The program will also include Mozart’s Fantasy in c, K. 475, and Adagio in b, K. 450. A pre-concert talk will begin at 6:30 pm. Tickets are available online.
“With a shift in tonality, Mozart has the ability to put you into a completely different psychological state, and that state means something different for every person,” Haefliger said. “And Beethoven does that as well in these two sonatas — especially in 106 where you have such a powerful slow movement that lasts twenty minutes. The shifts of tonality produce a calmness and induce a meditative state.”
by Daniel Hathaway
Anticipating Fat Tuesday, Mardi Gras, Carnival, or however you refer to the blowout before the beginning of Lent, the Akron Symphony joined forces with Neos Dance Theater on Friday, February 8 in E.J. Thomas Hall to produce its latest community extravaganza: a fully choreographed performance of the ballet score to Stravinksy’s Petrushka. Set during a Shrovetide fair, it’s a tragic tale acted out by puppets, but revelry was also in the air: at the end, the stage was filled with balloons that the cast were happy to share with the audience.
by Jarrett Hoffman
Suites from Stravinsky’s ballets are popular choices for orchestral programs, but it’s not often the works are actually presented as ballets. It’s even more rare for performances to feature modern, reimagined choreography.
That was the idea discussed a year ago, director-to-director, between the Akron Symphony’s Christopher Wilkins and Neos Dance Theatre’s Robert Wesner. After Wesner took some time to immerse himself in Petrushka, making sure the fit was right for his company, he said ‘yes’ to Wilkins’ challenge, kickstarting a collaboration that will culminate in a performance this Friday, February 9 at 8:00 pm at the University of Akron’s E.J. Thomas Hall.
by Mike Telin
While Sergei Prokofiev’s third piano concerto receives more than its fair share of visits to the concert stage, and even his first concerto makes appearances from time to time, what about the composer’s second concerto — why does it languish in obscurity?
On Saturday, January 20 at E.J. Thomas Hall, guest conductor Daniel Hege led the first-rate Akron Symphony in a riveting performance of Prokofiev’s visceral Piano Concerto No. 2 in g, with the brilliant Gabriela Martinez as soloist. The young Venezuelan pianist was effortless in her handling of the 30-minute concerto’s technically challenging writing. But it was her instinctive music-making that made for a thrilling listening experience.
by Mike Telin
“I love playing chamber music, and CMS concerts are some of the highlights of my season,” violinist Chad Hoopes said by telephone from New York. “You’re playing some of the greatest music and traveling with wonderful people, which is fun because you’re not alone.”
On Tuesday, January 23 at 7:30 pm in E.J. Thomas Hall, Hoopes will join his Chamber Music Society of Lincoln Center colleagues — Wu Han and Michael Brown, piano, Paul Huang, violin, Matthew Lipman, viola, and Dmitri Atapine, cello — in a concert presented by Akron’s Tuesday Musical Association. The program juxtaposes music by two giants of Romanticism — Antonín Dvořák and Johannes Brahms. Click here for program details and ticket information.
by Mike Telin
“I can look at all four symphonies of Brahms and say, ‘Oh that one is my favorite.’ Then I think, ‘No this one is,’” conductor Daniel Hege said during a recent telephone conversation. “But I have so much admiration for the Second Symphony. It has a lot of passion and emotional power all the way through, including a brilliant finish.”
On Saturday, January 20 at 8:00 pm at E.J. Thomas Hall, Daniel Hege will return to the Akron Symphony podium to lead a program that features Brahms’ Symphony No. 2 and Hungarian Dances Nos. 1 and 5. The concert will also include Prokofiev’s Piano Concerto No. 2 with Gabriela Martinez as soloist. Click here for ticket information.
Hege, who serves as Music Director of the Wichita Symphony as well as Principal Guest Conductor of the Tulsa Symphony and the Binghamton Philharmonic, said that developing Saturday’s program was an organic process.
by Daniel Hathaway
“Pictures at an Exhibition” was the title of the Akron Symphony’s concert in E.J. Thomas Hall on Saturday evening, November 18, but there were more pictures on the wall than those by Victor Hartmann that inspired Mussorgsky’s famous musical stroll through a gallery. The other two artists whose work was projected on either side of the stage were Charles E. Burchfield and Matthias Grünewald, their art the catalysts for pieces by Morton Gould and Paul Hindemith.
by Jarrett Hoffman
With Medieval roots and impressive singers age ten to fourteen, the Vienna Boys Choir didn’t begin giving concerts outside Vienna’s Imperial Chapel (Hofmusikkapelle) until 1926, but these days they’re globetrotters. The choir of boys from all over the world spends up to eleven weeks of every school year traveling.
The Choir’s latest tour, a 48-concert canvassing of the U.S., will bring them to E.J. Thomas Hall in Akron next Wednesday, November 29 at 7:30 pm. Led by conductor Manolo Cagnin, they’ll perform holiday tunes, classical selections, and Austrian folk songs for “Christmas in Vienna,” part of Tuesday Musical’s Fuze Series.
“What can I say? Christmas for me is good feelings, peace and quiet,” Cagnin said from the Choir’s stop in Ames, Iowa. “The program starts with ‘Walking in the Air’ from the the 1982 film The Snowman, then we try to ‘walk and fly’ all over and see the Christmases in different parts of the world. Ukraine, France, England, America, Sweden — in every country there’s a different color. The last song is Feliz Navidad, and that’s Christmas in South America.”
by Jarrett Hoffman
“The purpose of art is expression, but I think it’s also about empathy,” cellist Tony Rymer said in a recent conversation. “When you’re studying a piece by a composer who died a couple hundred years ago, in the end, you’re trying to understand why they wrote it that way and what they wanted it to sound like. You have to connect with someone from a different time — you kind of become friends with dead people through the music.”
On Saturday, September 23 at 8:00 pm at E.J. Thomas Hall, Rymer will join the Akron Symphony Orchestra and Music Director Christopher Wilkins for the season opener, “Slavic Soul,” featuring Tchaikovsky’s Marche Slave, Shostakovich’s Cello Concerto No. 1, and Dvořák’s Symphony No. 7. Wilkins will lead a pre-concert discussion at 7:00 pm.