by Robert Rollin

by Robert Rollin

by Daniel Hathaway

by Daniel Hathaway

But let’s take a look at the busiest opera weekend of the year. Baldwin Wallace’s Serse, Kent State Opera’s scenes from The Magic Flute, and the first pair of a dozen performances of Mascagni’s Zanetto by Opera Circle Cleveland, plus the remaining Oberlin Opera performances, all fall on the weekend of November 4-6. With some astute planning, you can catch a performance of each of them. Here’s a rundown of the BW/COT, Kent State, and Opera Circle productions. [Read more…]
by Neil McCalmont

“Opera in the Italian Garden” will be presented by Opera Circle Cleveland and the Cleveland Ballet, carrying on the tradition that originally began in the 1930s, and was revived in 2008. “We thought that nobody was going to show up,” said Joyce Mariani, Executive Director of the Italian Cultural Garden Foundation, over a recent telephone call. “But over 200 people came. The next year it more than doubled to 500, and last year we had an audience of 2,000. The audience makes the event what it is. We just present it.” [Read more…]
by Daniel Hathaway

by Daniel Hathaway

by Daniel Hathaway
One of the most popular of all opera titles came about through a contest. 27-year-old Pietro Mascagni barely made the deadline for a new opera competition set up by Milanese publisher Edoardo Sonzogno in 1888, but won out over 72 other aspiring young Italian composers who fulfilled the entrance criterion of never before having had an opera staged. His winning entry, the one-act opera Cavalleria rusticana, received its premiere in Rome in 1890.
Although Mascagni lived until 1945 and penned fourteen other stage works, none ever received the attention that “Cav” attracted. Cleveland’s Opera Circle, having previously produced Mascagni’s second opera, L’Amico Fritz, will mount two staged performances of Cavalleria rusticana on Friday evening, November 21 and Sunday afternoon, November 23, at First Baptist Church in Shaker Heights. [Read more…]
by Daniel Hathaway

Youngstown composer Richard Zacharias’s All Right, Time to Go, ironically opened the evening with intriguing back-and-forth monologues between violin (Natalie Sahyoun) and piano (Alison Morris) who only later joined in dialogue. Both in the opening work and in Zacharias’s Duo Two (a first performance), the pairs of instrumentalists seemed to be trying to start up a conversation but communication proved difficult. Duo Two was distinguished by strong horn playing from Stephen Klein, with the fine assistance of pianist Maria Fesz. [Read more…]
by Robert Rollin
