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N.E. Ohio-born Jupiter Quartet & ACRONYM return to CCMS & Oberlin Series November 15

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by Daniel Hathaway

The Intergalactic Scheduling Office that normally takes care of bringing planets and other heavenly bodies into conjunction without causing head-on collisions has messed up big time.

On Tuesday, November 15 at 7:30  pm, the Jupiter Quartet, formed in Northeast Ohio, will celebrate its 20th anniversary with a return to the Cleveland Chamber Music Society series at Plymouth Church where it last appeared in 2015. On the same date at the same hour, the Oberlin Artist Recital Series will bring ACRONYM, the Baroque string band formed by Oberlin Conservatory alumni, back to campus for the first time since its founding a decade ago in 2012.

What is a conflicted audience member to do? In order to encourage a bit more scientific solution than flipping a coin, ClevelandClassical.com has spoken with Jupiter Quartet cellist Daniel McDonough and ACRONYM cellist Kivie Cahn-Lipman, both founding members of their ensembles, to find out what’s in store at Plymouth Church and Warner Concert Hall on Tuesday.

I caught up with Daniel McDonough in Champaign-Urbana, Illinois, who was walking his sons to a park where his 5-year-old would meet up with a friend and Daniel and his older son were going to kick a soccer ball around in celebration of the great fall weather. [Read more…]

Dana Ensemble to revisit Schoenberg’s Private Performance Society and premiere James Wilding work on May 2

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by Daniel Hathaway

Having made its debut earlier this season with a program of jazz arrangements by Dave Morgan featuring vocalist Helen Welch, Youngstown State University’s modular Dana Ensemble will turn to a different type of arrangements for its second outing at the Ford Family Theater at the DeYor Center on Sunday, May 2 at 3:00 pm.

Organized by faculty cellist Kivie Cahn-Lipman, the program will feature special reductions for chamber ensemble of large orchestral works presented by Arnold Schoenberg’s Society for Private Musical Performance, a series of weekly salon concerts the composer launched 100 years ago in Vienna. His objective was to cultivate an informed audience for new music and provide adequate rehearsal time for presenting new works without breaking the bank — hence the need for reduced orchestrations.

“I’ve known about these arrangements since I was a student at Oberlin,” Cahn-Lipman said in a telephone conversation. “We did the reduction of Mahler’s Das Lied von der Erde one semester. It blew me away that Schoenberg reduced a huge orchestra down to 15 or 16 players, and the arrangements we’re playing on Sunday are for even smaller ensembles.”

Sunday’s program includes Debussy’s Prelude to the Afternoon of a Faun, Johann Strauss Jr.’s Emperor Waltz, and Mahler’s Songs of a Wayfarer with faculty soprano Misook Yun. “I was struck by the variety of pieces Schoenberg had arranged,” Cahn-Lipman said, pointing specially to the Strauss work. “The society wasn’t limiting itself to the most modern music, but committed itself both to depth and breadth of repertoire.”

[Read more…]

Apollo’s Fire: “Tapestry — Jewish Ghettos of Baroque Italy” (video)

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by Daniel Hathaway

With each of its themed programs, Apollo’s Fire is becoming more than just a period instrument ensemble that gives concerts. Its March program, “Tapestry — Jewish Ghettos of Baroque Italy,” which replaces performances of Handel’s Israel in Egypt, finds Jeannette Sorrell and her colleagues moving seamlessly out of their usual roles to morph into singing actors and dancers, all in order to bring the subject at hand to vibrant life.

The latest program, which visits the ghetto and palace at Mantua and the ghetto and church at Venice, uses expressive instrumental music by Salamone Rossi, Giuseppe Sammartini, Antonio Vivaldi, and Alessandro Marcello, two of Benedetto Marcello’s 50 psalm settings, and Hebrew prayers and songs associated with Passover and Purim to evoke the rich cultural life of those towns. [Read more…]

ACRONYM to release its
10th CD on July 24

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by Daniel Hathaway

The Baroque string band ACRONYM cleverly changes the meaning behind its abbreviated name for each of its recording projects. For their tenth and latest CD, due to be released on July 24, they’ve pegged themselves as “Archive Crawlers; Researchers Of Niche Yellowed Manuscripts.”

An apt description, for Cantate domino cantica obsoleta: Forgotten Works from the Düben Collection mines a rich trove of some 2,300 manuscripts in the library of Uppsala University. The holdings were assembled by a small dynasty of composers who served as Kapellmeisters to the Royal Swedish Court in Stockholm during the 17th and 18th centuries.

“It’s a fascinating archive,” Kivie Cahn-Lipman said by telephone from Youngstown, where he teaches cello at Youngstown State University. “It’s mainly a collection by German composers with a smattering of other folks. There’s Latin and German choral music, a small number of pieces in French and Swedish, and one vocal work in a nonsense language.” [Read more…]

Dana Piano Trio to celebrate school’s 150th with Carnegie Hall recital

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by Daniel Hathaway

It’s not every day that a recently-formed ensemble gets to put a Carnegie Hall debut on its schedule, but Youngstown State University’s Dana Piano Trio — violinist Joseph Kromholz, cellist Kivie Cahn-Lipman, and pianist Cicilia Yudha — is doing just that on Friday, March 22.

As the old saw goes, the way you usually get to Carnegie Hall is to practice, practice, and practice, but this gig essentially fell into the Trio’s lap. As Yudha told us in a telephone conversation, “Our Dean just said that as part of the Dana School of Music’s 150th anniversary celebrations and the Pippino Concert Series, ‘I’d like to send you to New York.’ How about that!”

Although Yudha and Kromholz had joined the Dana faculty earlier, Cahn-Lipman only arrived in 2017, and the Trio was formed soon afterward. “Since the three of us are in residence, we’re able to do a bunch of outreach and recruitment activities with high school students, so that’s worked out very nicely.”

By way of preparation for their New York debut, the Trio will be trying out its Weill Recital Hall program in three upcoming concerts. [Read more…]

CD Review —
ACRONYM: The Battle, the Bethel & the Ball

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by Nicholas Stevens

ACRONYM — Anachronistic Cooperative, Realizing Obscure Nuanced Yesteryear’s Masterpieces — does not play the kind of music that marketers can brand as “relaxing.” Just as classical musicians have questioned the selling of their art as soporific and soothing, these twelve string and keyboard players reject sleepiness, self-seriousness, and the confines of the canon. On The Battle, the Bethel & the Ball, they pursue their stated mission of giving life to unknown, “wild instrumental music of the 17th century.” [Read more…]

ACRONYM in The Battle of Vienna on Pipino Series in Youngstown (Oct. 5)

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by Robert Rollin

On Friday, October 5, the Baroque string band ACRONYM presented The Battle of Vienna in Youngstown’s Ford Family Recital Hall on Youngstown State University’s inaugural Donald P. Pipino Performing Arts Series. The program was a mélange of inventive 17th-century works employing novel techniques brought by Italian composers to the German-speaking lands, including Venetian polychoral effects. ACRONYM’s consistently fine intonation and exceptional ensemble were nothing short of amazing all evening. [Read more…]

ACRONYM to play Baroque battle music on inaugural Pipino Series at YSU

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by Daniel Hathaway
and Kivie Cahn-Lipman

Youngstown State University is inaugurating a new cycle of concerts this season: the Donald P. Pipino Performing Arts Series, which continues through April 2019, includes seven events in diverse genres. Commenting on the new offerings in a press release, Phyllis M. Paul, Dean of the Cliffe College of Creative Arts & Communication, said, “The Series brings to Youngstown the types of cultural opportunities usually found only in large metropolitan areas.”

The second event on Friday, October 5 at 7:30 pm in Ford Family Recital Hall at the DeYor Center on Youngstown’s Federal Plaza will feature the celebrated Baroque string band ACRONYM in a program commemorating the 1683 Battle of Vienna. That standoff was a turning point in the long conflict between the Ottoman and Holy Roman Empires and inspired a programmatic work by Heinrich Ignaz Franz Biber.

“Dedicated to giving modern premieres of the wild instrumental music of the seventeenth century,” ACRONYM is itself an acronym for its fanciful moniker, “Altmusik Collective Resurrecting Obscure Nuanced Yesteryear’s Masterpieces.” The ensemble is largely made up of musicians who have passed through the Oberlin Conservatory’s Historical Performance Program. Its members can also be heard performing in such period and modern instrument groups as Cleveland’s Apollo’s Fire, Toronto’s Tafelmusik, Boston’s Handel and Haydn Society, the Boston Early Music Festival, the English Concert, the International Contemporary Ensemble, and Chicago Lyric Opera. [Read more…]

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