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Les Délices: The White Cat, a new Baroque opera at the Breen (Apr. 2)

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by Daniel Hathaway

Ailurophiles rejoice! There’s a new opera in town, created as many French Baroque titles were back in the day, out of bits and pieces of existing material, and the principal character is a large feline. (It’s actually a princess seeking to be rehumanized through the traditional heroic means of fulfilling a series of impossible challenges or quests.)

The creative team behind The White Cat begins with Les Délices artistic director Debra Nagy, who has had Larry Rosenwald adapt Marie-Catherine D’Aulnoy’s story La Chatte Blanche into a five-act (or five-quest) libretto that recasts the manipulative Puss in Boots, who gets ahead almost entirely through trickery, into a kinder, gentler feline. Each quest is linked with a French version of one of Aesop’s Fables coupled with a divertissement, and joined together by well-known tunes like Couperin’s Les Barricades Mysterieuses. [Read more…]

Les Délices goes live
with The White Cat

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by Mike Telin

For centuries the fairy tale of Puss in Boots, the wily cat who stops at nothing to gain power and wealth for his penniless master, has been a source of inspiration for composers and choreographers.

“For some time I’ve been thinking about how to bring attention to the women authors of fairy tales from late 17th-century France,” Debra Nagy said during a telephone conversation. “I started reading them and thinking about which stories would be appealing to a 21st-century reader, and Catherine D’Aulnoy’s The White Cat really drew my attention. It’s an interesting rewrite of Puss-in-boots from the point of view of her humility, kindness, and generosity which is in contrast to the manipulative Puss-in-boots who gets ahead almost entirely through trickery.”

On Friday, April 1st at 7:30 pm at the Akron Public Library, Les Délices will present their new 65-minute opera, The White Cat. [Read more…]

Les Délices makes a joyful return to live performance with “Of Gods & Heroes” (Feb. 25)

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by Stephanie Manning

Time and time again, Les Délices has imbued a sense of creativity into the concert experience — particularly over the past two years, when pandemic restrictions called for some out-of-the-box thinking. On February 25 in Shaker Heights, their first in-person event since 2020 proved to be no exception, blending poetry and music for an engaging evening of storytelling.

Musically, “Of Gods & Heroes” focused on the 14th century, with works by Guillame de Machaut, Matheus de Perusio, Johannes Ciconia, Jacopo da Bologna, and the ever-present Anonymous. The overarching theme divided the concert into six sections, four of them paired with a relevant poem, including tales of Pygmalion & the Statue, Jason & Medea, and Ulysses & Circe.

[Read more…]

The live return of Les Délices:
“Of Gods and Heroes”
and a sense of the meta

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by Jarrett Hoffman

The next concert from Les Délices is indeed about gods and heroes, built around 14th-century songs referencing characters such as Jason and Medea, Ulysses and Circe, and Tristan and Isolde.

But if you’re familiar with artistic director Debra Nagy, who makes a habit of crafting programs both musically and intellectually stimulating, you won’t be surprised that there’s more to these selections than just mythology.

The central idea behind the program — to be presented live February 25-27 in Shaker Heights and Akron — is something more meta. “The funny thing about these 14th-century translations is that they’re not so much about the characters, but about seeing yourself in them, or contrasting your experience with theirs,” Nagy said during a recent Zoom call. “There’s a sense of timeless relatability.”

That timelessness ties into another aspect of the program: the integration of contemporary poetry, including a new poem by former Ohio Poet Laureate Dave Lucas on commission from the ensemble. “A lot of his work draws on or is inspired by myth and storytelling,” Nagy said.

[Read more…]

Les Délices: Concert Series continues with online “Winds of Change” (Nov. 18)

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by Daniel Hathaway

Parallel revolutions in France and Haiti have inspired the second episode of this season’s online concert series from Les Délices. “Winds of Change,” which went live on November 18 and is available both on subscription and as a single performance, includes late 18th-century music by Joseph Bologne (Chevalier de Saint-Georges), Karl Bochsa, and Luigi Boccherini, and the premiere of a commissioned piece, Haitian-born composer Sydney Guillaume’s A Journey to Freedom.

Following centuries of injustice and exploitation, new ideas of equal opportunity and representative government in one of the principal documents of the French Revolution, the Declaration of the Rights of Man, led enslaved Africans in the French colony of Saint-Domingue (which included what is now Haiti) to mount their own revolution in 1791, only two years after the French. Struggles for racial justice are ongoing. [Read more…]

Les Délices to premiere new work by Sydney Guillaume in “Winds of Change”

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by Stephanie Manning

If you’re intrigued by the idea of contemporary composers writing music for historical instruments, Les Délices says that their latest program is for you.

“Winds of Change,” the second offering in this season’s concert series, features virtuoso flutist Emi Ferguson in music inspired by the French and Haitian Revolutions. The performance will debut online Thursday, November 18 and remain available on demand through December 17.

At the heart of the program is the premiere of A Journey to Freedom by Sydney Guillaume. The Haitian composer, now based in Portland, Oregon, spoke to me by phone to discuss the piece and how it was inspired by his native country.

[Read more…]

SalonEra gives a fascinating look into “The Phoenix of Mexico”

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by Stephanie Manning

Poet, composer, and protofeminist — these are all accurate labels, but they only begin to describe the incredible Sor Juana Inés de la Cruz. Known as “The Phoenix of Mexico” and “The Tenth Muse,” de la Cruz led a fascinating life and left behind a legacy that artists of all kinds continue to explore today.

In Episode 2.3 of Les Délices’ SalonEra, bassoonist Catalina Guevara Víquez Klein, violinist Karin Cuellar Rendon, and mezzo-soprano Raquel Winnica Young utilized one of de la Cruz’s most famous poems, Primero sueño, as a narrative arc to examine the Mexican nun’s views of the world. The result is a captivating portrait of de la Cruz told through both music and discussion.

[Read more…]

SalonEra: “The Phoenix of Mexico” premieres Monday, Oct. 18

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by Mike Telin

In Greek mythology the nine Muses were the source of knowledge and inspiration for poets, musicians, and philosophers. “They inspired everybody,” bassoonist Catalina Guevara Víquez Klein, said during a telephone interview. “That’s the reason Sor Juana Inés de la Cruz is called the 10th Muse, because she too inspired everybody.”

In the next episode of Les Délices’ SalonEra, Catalina Klein will be joined by violinist Karin Cuellar Rendon, and mezzo-soprano Raquel Winnica Young, who delve into their personal connections to Sor Juana Inés de la Cruz and explore her legacy as a poet, composer, and protofeminist. “The Phoenix of Mexico,” premieres on Monday, October 18 at 7:30 pm, and will be available on-demand afterwards. Click here to register.

Born Doña Inés de Asuaje y Ramírez de Santillana in 1648 in San Miguel Nepantla, Mexico, she was an enthusiastic reader as a child. She composed her first poem at eight years old and by age thirteen had studied Greek logic, and taught Latin to young children. She also spoke and wrote in the Aztec language of Nahuatl. As a young woman who was not interested in marriage, only in furthering her studies, she entered the Convent of the Discalced Carmelites of St. Joseph, but soon moved to the more liberal Convent of the Order of St. Jérôme, where she would remain until her death. [Read more…]

Sneak Preview: Les Délices’ Song of Orpheus (debut Oct. 7)

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by Daniel Hathaway

Les Délices has allowed us an advance look at the first full video program of its new season, Song of Orpheus, which will debut online Thursday, October 7 and remain available on demand through November 6.

The Orpheus myth inspired French Baroque composers Jean-Philippe Rameau and Philippe Courbois to write expressive solo cantatas about the famous Greek musician-poet and his futile attempts — because of his own impatience — to rescue his beloved Eurydice from the grasp of Pluto in the Underworld. These are beautifully performed by the clear-voiced soprano Hannah De Priest and the velvet-throated baritone Jonathan Woody (who makes a walk-on appearance in the Rameau). [Read more…]

Les Délices to premiere Jonathan Woody’s Much Love Betray’d on Orpheus program

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by Mike Telin

No mythological character has inspired musicians more than Orpheus. Legend has it that his music was so powerful that trees and mountains bowed in his presence — his song so beautiful that he convinced the ruler of the underworld to allow him to bring his love Eurydice back from the underworld.  

The legend will be brought to life on Thursday, October 7, when Les Délices debuts “Song of Orpheus” on Marquee TV. The program features rarely-heard cantatas by Jean-Philippe Rameau and Philippe Courbois performed by Hannah De Priest, soprano, Jonathan Woody, baritone, Shelby Yamin, violin, Debra Nagy, oboe, Rebecca Reed, gamba and cello, and Mark Edwards, harpsichord. The program will also include the premiere of Woody’s cantata Much Love Betray’d. The online-only event will remain available on demand through November 6. Click here for tickets.

Woody’s performance resumé includes two national tours with Apollo’s Fire, and appearances as soloist with period groups including the Boston Early Music Festival, Tafelmusik, Trinity Wall Street, New York Polyphony, Bach Collegium San Diego, and New York Baroque Incorporated. But he is also a leader in the historical performance performer/composer movement.

During a recent telephone conversation, Woody said that his dedication to keeping the early music canon alive can be traced back to when he was a student of musicologist and historical performance pioneer Bruce Haynes. “I was lucky enough to have him as a professor at McGill University, and he definitely engendered the mentality that the canon of early music could remain alive, and that we had the power to continue to add to it and make it something that wasn’t just stuck in the past.”

[Read more…]

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