by Nicholas Stevens

by Nicholas Stevens

by Mike Telin

Clarinetist Carol Robinson and trumpeter Nate Wooley will kick things off by performing selections from Éliane Radigue’s Occam Ocean on April 5 at MOCA. The composer describes her work as “an ongoing acoustic work with influences ranging from electromagnetic waves, to William of Ockham’s philosophies, to science fiction mythologies.”
The always creative No Exit will return to the Festival on April 6 at Heights Arts. The ensemble was founded by composer Timothy Beyer as an outlet for the commissioning and performance of contemporary avant-garde concert music. No Exit is committed to promoting the works of living composers, particularly the music of young and emerging artists who haven’t yet received either the opportunities or exposure of their better-known counterparts. (Works by Leo Ornstein, Ty Emerson, Per Nørgård, James Praznik, Andrew Rindfleisch & Tristan Murail).
Mike Telin

The competition is the brainchild of Chris Auerbach-Brown, MOCA’s Media Program Manager, who in a recent telephone conversation said he came up with the idea while thinking of ways to present contemporary music to audiences in different contexts rather then the traditional sit and listen format. “My thought was to take a pre-existing popular television show model and apply it to a contemporary music concert, and this is what I came up with.” [Read more…]
by Mike Telin

On Thursday, December 12 beginning at 8:00 pm at the Cleveland Museum of Contemporary Art (MOCA), Cleveland Classical Guitar Society presents guitarist Daniel Lippel in a concert that features contemporary solo and chamber music. Lippel will be joined by percussionist Luke Rinderknecht, Cleveland Orchestra principal oboist Frank Rosenwein and the Cleveland Institute of Music Guitar Quartet.
In addition to an active career as a solo performer, Lippel has commissioned or premiered more than fifty new solo and chamber works, many of which he has recorded for New Focus Recordings, the independent label he co-founded and directs. [Read more…]
by Mike Telin

The concert is Subotnick’s only performance in the region and is presented in collaboration with the department of Technology in Music and Related Arts (TIMARA) of the Oberlin Conservatory of Music.
Using synthesizers designed by Don Buchla, the music for this concert is both retrospective and forward-looking. “It’s a piece that looks back on two of his previous works which are quoted in the title,” says Chris Auerbach-Brown, Media Program Manager at MOCA. “It’s almost like a remix where he takes sounds from those pieces and rehashes them and comes up with something new.” Subotnick will use a new hybrid digital-Buchla “instrument” loaded with prepared samples from all previous works and new patches specifically created for the current season of performances. [Read more…]