by Jarrett Hoffman
This weekend a collection of carefully placed screws, bolts, and pieces of wood, cloth, and rubber will make the Steinway in CIM’s Mixon Hall sound less like a piano and more like an ensemble of percussion instruments.
For that we can thank two men: John Cage for inventing the prepared piano (in which objects placed among the strings alter the sound of the instrument), and Roman Rabinovich for playing Cage’s The Perilous Night on Saturday, June 22 during a 7:30 pm concert titled “Sei Solo (You Are Alone),” the sixth of the season for ChamberFest Cleveland.
The sounds that emerge from the instrument will surprise even the man looking down at the keys. “When you get to the prepared piano, it kind of blows your mind because nothing comes out the way you expect,” Rabinovich, winner of the 12th Arthur Rubinstein International Piano Master Competition, said during a recent interview. “It’s a beautiful effect and a very interesting way to approach the instrument.”
How do you depict grief? The most personal emotion next to love, it seems incommunicable. Its particularity grows out of a unique relationship between the aggrieved and the one who is lost; no one else can understand the complexities of that tie or the feelings engendered by its severing.
Chamber music is an intimate experience, for musicians and audience alike (you can only fit so many people into a “chamber”). And what’s more intimate than a living room as a practice space? According to ChamberFest Speaker Patrick Castillo, “the primary rehearsal space for ChamberFest Cleveland is Frank Cohen’s living room, which already creates this sense of homey-ness. It’s a very warm experience for all the artists involved and myself, and hopefully for the audience as well.”
