by Jarrett Hoffman

The Russian-born Kharitonov, who is a first-prize winner of both the Franz Liszt International Piano Competition and the All-National Composer’s Competition (Russia), spoke to me by telephone from his current homebase of Denton, Texas, not far from Dallas.
Jarrett Hoffman: One thing that stands out about your program is that each half contains a transcription of Bach: Ferruccio Busoni’s take on the famous violin Chaconne, and the Alexander Siloti version of the Organ Prelude in g. Are transcriptions in general an interest of yours?





The Rocky River Chamber Music Society’s live-streamed 62nd season came to a rousing conclusion on Monday, May 17, when five wind players and a pianist came together around quintets by masters of old and new.
Lately, wind players have only been sighted here and there on the calendar, and have mostly performed all on their lonesome. That makes the finale to the Rocky River Chamber Music Society’s 62nd season an extra special occasion for anyone with a fondness for music of the lungs.
Live music brings risk, and when it comes to live-streamed concerts, that risk extends to technology. A recital on February 15 from the Rocky River Chamber Music Society hit a few snags in that area early on, but that didn’t steal the spotlight from the dazzling performances we heard from Steven Banks and Xak Bjerken in a compelling program of music for saxophone and piano.
Four string players and a clarinetist, all from The Cleveland Orchestra, came together on December 7 for a quartet and a quintet in “Nothing But Mozart,” streamed live from West Shore Unitarian Universalist Church as part of the 62nd season of the Rocky River Chamber Music Society.
After COVID struck, the Rocky River Chamber Music Society was one of the area’s first organizations to set up a live-streamed concert, the Society’s season finale in May.
When live music as we know it came to a halt at the start of the pandemic, clarinetist and Rocky River Chamber Music Society board member Daniel McKelway knew he wanted to do something for concertgoers who live in retirement communities in the area.