by Peter Feher
Franz Welser-Möst led the final bows on Saturday night at Severance, like the star of any show should. The Cleveland Orchestra’s music director is in his element presiding over the ensemble’s annual opera production, which this season packs the drama. Verdi’s Otello — in a concert staging that opened May 21 and runs for two more performances (May 26 and 29) — demands big voices, instrumental forces to match, and a conductor who can give it all shape and direction. [Read more…]
by Daniel Hathaway
It’s been rough going for Art Song Festival for the past two years. Founder George Vassos passed away after a long teaching and entrepreneurial career in February of 2020, and although detailed plans were in place to hold the festival that year, concerns about the well-documented spread of COVID via aerosols among singers dictated a postponement.
“It feels like such a gift that the Art Song Festival is actually happening,” director Dean Southern said in a recent phone conversation. “It’s also time for reflection, and I find myself getting to a really reflective place.
“More than two years ago, George, Tamara Wilson, and Warren Jones were planning the 2020 Festival, The Cleveland Orchestra was going to do Otello, and we worked it out so that Tamara could do both, then that all got canceled. We postponed to 2021, when it all got canceled again. So it feels quite amazing that it’s all going to come back this year. For me, spring and Art Song Festival just go together.” [Read more…]
by Mike Telin
The last time Tamara Wilson was in town, she was here to perform the title role of Richard Strauss’ Ariadne auf Naxos with The Cleveland Orchestra. Next week the critically acclaimed soprano will open the Cleveland Art Song Festival with a recital on Monday, May 23 at 8:00 pm in Mixon Hall at the Cleveland Institute of Music.
Assisted by pianist Warren Jones, the program, titled “Enchantment,” includes works by Debussy, Severac, Chausson, Han, Handel, Strauss, and Grieg, along with the world premiere of Evan Snyder’s Tiffandra’s Spellbook. Tickets are available online.
In addition to Monday’s recital, Wilson will present master classes on Friday, May 27 at 10:30 am and 3:00 pm in Mixon Hall. And you can also catch her down the street at Severance Music Center where she will be singing the role of Desdemona in The Cleveland Orchestra’s concert performances of Verdi’s Otello on May 21, 26, and 29.
Like many, the long absence of live performances due to the coronavirus caused Wilson to re-examine things, one of which was a program she had created for a performance that was postponed.
“I was looking at it and I thought, you know what, I don’t want to sing these songs anymore,” Wilson said during a recent telephone conversation. “So I talked to Warren and said, can we just build a whole new program? And he said sure.” [Read more…]
by Daniel Hathaway
“In first impressions,” writes David Wright in his Severance Hall program book notes, Ariadne auf Naxos “can feel like little more than impassioned music filled with an ever-flowing river of non-sequiturs.” But on Sunday afternoon, Richard Strauss’ fervent score — superbly sung and played by a top-notch cast and The Cleveland Orchestra under the direction of Franz Welser-Möst — paved over the gap between high art and comedy, making the opening performance of Ariadne an event to remember for a long time. [Read more…]
by Mike Telin
In the words of Irving Berlin, “There’s No Business Like Show Business.” While that song is a subtly sarcastic tribute to an alluring life in the theater, it’s spirit is also the premise for Richard Strauss’ 1916 opera Ariadne auf Naxos which will receive three performances at Severance Hall beginning this weekend.
Cleveland Orchestra Music Director Franz Welser-Möst says in a video that Ariadne is “an opera about a young composer writing an opera, and the rich man who commissioned him decides that this hot blooded young man who is just writing a tragic, profound opera, should write a comedy as well.”
Director Frederic Wake-Walker describes it as “an opera about opera. The highs and lows, the artistic dreams, and the harsh realities. It’s about a theater full of egos and eccentrics. Divine divas and clumsy clowns. Backstage intrigue and last minute rehearsals. Yet ultimately it’s about how opera is able to transcend politics and practicalities and transport us to the land of the Gods.” Click here to listen to more from Wake-Walker as well as insights from Video Content Designer Dominic Robertson. [Read more…]
by Hannah Schoepe
What could be better than an evening of opera with a world-class orchestra and stars of the opera world? There’s an easy answer: two operas, one performed within the other. (A free piece of opera cake to crown the evening would add to the final flourish — but let’s not push our luck.)
Music director Franz Welser-Möst will lead The Cleveland Orchestra in a created-for-Severance Hall production of Richard Strauss’ Ariadne auf Naxos directed by Frederic Wake-Walker on January 13 at 4:00 pm, January 17 at 7:30 pm, and January 19 at 8:00 pm. The performances mark the first time Ariadne has been programmed by the Orchestra. [Read more…]
by Daniel Hathaway
A crowd estimated at 10,000 blanketed the lawn and filled the center section of the vast pavilion on Saturday evening, July 11, as The Cleveland Orchestra settled into its Blossom season. The program included striking performances of Olivier Messiaen’s L’Ascension and Ludwig van Beethoven’s Symphony No. 9 led by music director Franz Welser-Möst. That seemingly odd pairing of pieces added up to an evening of orchestral and choral ecstasy from two very different points of view.